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"Ave Verum Corpus" by Mozart for Bb Trumpet, Cornet, or Flugelhorn, and Piano/Organ Concert Key: Eb Embark on an enchanting musical journey with your Bb trumpet, cornet, or flugelhorn, accompanied by either a piano or organ, as you explore Wolfgang Amadeus Mozart's timeless masterpiece, "Ave Verum Corpus." This meticulously crafted arrangement invites you and your keyboard collaborator to delve into the profound musicality and spiritual depth of this iconic composition. Mozart's "Ave Verum Corpus" is celebrated for its enduring elegance and simplicity, evoking a profound sense of reverence and adoration. While not a conventional Christmas carol, its sheer beauty and contemplative aura make it a fitting addition to holiday concerts, infusing performances with grace and a profound sense of spirituality. This versatile piece finds its place in various musical contexts, including: Chamber Performances: Ideal for Bb trumpet, cornet, or soprano flugelhorn, along with piano or organ accompaniment, in both intimate chamber recitals and special events, allowing for an expressive musical dialogue between your instrument and the keyboard. Sacred Settings: "Ave Verum Corpus" is a sacred gem, fitting seamlessly into religious ceremonies such as weddings, funerals, or special church events, adding a touch of elegance and solemnity to your rendition. Holiday Celebrations: Despite not being a traditional Christmas carol, its contemplative nature makes it an excellent choice for holiday concerts, enhancing the atmosphere with sophistication and deep spiritual resonance. Special Occasions: This piece elevates special events like receptions, inaugurations, or award ceremonies, creating an atmosphere of grace and significance through your collaborative performance. Musical Education: "Ave Verum Corpus" serves as a valuable educational resource for Bb trumpet, cornet, or soprano flugelhorn players, as well as pianists and organists, aiding in skill development and musical interpretation. Benefit Concerts: Consider incorporating this composition into benefit concerts to raise funds for charitable causes or non-profit organizations. Its emotional resonance profoundly connects with the audience, making it a poignant choice for such occasions. Additionally, this publication includes informative pages about the piece and its composer, available in multiple languages, including English, French, German, Spanish, Portuguese, Polish, Italian, Korean, Japanese, and Chinese. This ensures accessibility and enjoyment for musicians from diverse backgrounds and regions. Embark on a musical odyssey with your Bb trumpet, cornet, or soprano flugelhorn, and piano/organ partner, and experience the enduring beauty of Mozart's "Ave Verum Corpus" through this meticulously crafted arrangement. Whether you're preparing for a performance, expanding your repertoire, or seeking to infuse sophistication into your special event, this sheet music promises a captivating and profoundly moving experience for your instrumental duo.
Lucien Cailliet's concert band arrangement for Richard Wagner's Elsa'a Procession to the Cathedral maintains the timeless elegance that has made this piece a standard. (5: 57)
Guide to the Euphonium Repertoire is the most definitive publication on the status of the euphonium in the history of this often misunderstood and frequently under-appreciated instrument. This volume documents the rich history, the wealth of repertoire, and the incredible discography of the euphonium. Music educators, composers/arrangers, instrument historians, performers on other instruments, and students of the euphonium (baritone horn, tenor tuba, etc.) will find the exhaustive research evident in this volume's pages to be compelling and comprehensive. Contributors are Lloyd Bone, Brian L. Bowman, Neal Corwell, Adam Frey, Marc Dickman, Bryce Edwards, Seth D. Fletcher, Carroll Gotcher, Atticus Hensley, Lisa M. Hocking, Sharon Huff, Kenneth R. Kroesche, R. Winston Morris, John Mueller, Michael B. O'Connor, Eric Paull, Joseph Skillen, Kelly Thomas, Demondrae Thurman, Matthew J. Tropman, and Mark J. Walker.
In clear and elegant prose, Music of the Common Tongue, first published in 1987, argues that by any reasonable reckoning of the function of music in human life the African American tradition, that which stems from the collision between African and European ways of doing music which occurred in the Americas and the Caribbean during and after slavery, is the major western music of the twentieth century. In showing why this is so, the author presents not only an account of African American music from its origins but also a more general consideration of the nature of the music act and of its function in human life. The two streams of discussion occupy alternate chapters so that each casts light on the other. The author offers also an answer to what the Musical Times called the "seldom posed though glaringly obtrusive" question: "why is it that the music of an alienated, oppressed, often persecuted black minority should have made so powerful an impact on the entire industrialized world, whatever the color of its skin or economic status?"