Download Free Bb Clarinet Instead Bass Flute Part Of Tritsch Tratsch Polka Flute Quartet Sheet Music Book in PDF and EPUB Free Download. You can read online Bb Clarinet Instead Bass Flute Part Of Tritsch Tratsch Polka Flute Quartet Sheet Music and write the review.

Bb Clarinet instead bass flute part of "Tritsch-Tratsch-Polka" op. 214 by arranged for flexible Flute Quartet and optional piano by Francesco Leone. Intermediate level, duration 3.00 min (+-). Score, parts and alternative available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1127. Tritsch-Tratsch-Polka, Op. 214, is a polka by Johann Baptist Strauss II (also known as Johann Strauss Jr., the Younger, the Son) written in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. It was first performed in a concert in Vienna on 24 November 1858.Tritsch-Tratsch (chit-chat) refers to the Viennese passion for gossip. Strauss may also have been referencing the burlesque "Der Tritschtratsch" by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.
Bass Flute part of "Tritsch-Tratsch-Polka" op. 214 by arranged for flexible Flute Quartet and optional piano by Francesco Leone. Intermediate level, duration 3.00 min (+-). Score, parts and alternative available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1127. Tritsch-Tratsch-Polka, Op. 214, is a polka by Johann Baptist Strauss II (also known as Johann Strauss Jr., the Younger, the Son) written in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. It was first performed in a concert in Vienna on 24 November 1858.Tritsch-Tratsch (chit-chat) refers to the Viennese passion for gossip. Strauss may also have been referencing the burlesque "Der Tritschtratsch" by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.
G alto flute(instead Bass Flute) part of "Tritsch-Tratsch-Polka" op. 214 by arranged for flexible Flute Quartet and optional piano by Francesco Leone. Intermediate level, duration 3.00 min (+-). Score, parts and alternative available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1127. Tritsch-Tratsch-Polka, Op. 214, is a polka by Johann Baptist Strauss II (also known as Johann Strauss Jr., the Younger, the Son) written in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. It was first performed in a concert in Vienna on 24 November 1858.Tritsch-Tratsch (chit-chat) refers to the Viennese passion for gossip. Strauss may also have been referencing the burlesque "Der Tritschtratsch" by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.
Flute 1 part of "Tritsch-Tratsch-Polka" op. 214 by arranged for flexible Flute Quartet and optional piano by Francesco Leone. Intermediate level, duration 3.00 min (+-). Score, parts and alternative available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1127. Tritsch-Tratsch-Polka, Op. 214, is a polka by Johann Baptist Strauss II (also known as Johann Strauss Jr., the Younger, the Son) written in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. It was first performed in a concert in Vienna on 24 November 1858.Tritsch-Tratsch (chit-chat) refers to the Viennese passion for gossip. Strauss may also have been referencing the burlesque "Der Tritschtratsch" by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written.The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.
Flute 2 part of "Tritsch-Tratsch-Polka" op. 214 by arranged for flexible Flute Quartet and optional piano by Francesco Leone. Intermediate level, duration 3.00 min (+-). Score, parts and alternative available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1127. Tritsch-Tratsch-Polka, Op. 214, is a polka by Johann Baptist Strauss II (also known as Johann Strauss Jr., the Younger, the Son) written in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. It was first performed in a concert in Vienna on 24 November 1858.Tritsch-Tratsch (chit-chat) refers to the Viennese passion for gossip. Strauss may also have been referencing the burlesque "Der Tritschtratsch" by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.
Flute Quartet sheet music part of "Tritsch-Tratsch-Polka" op. 214 by arranged for flexible Flute Quartet and optional piano by Francesco Leone. Intermediate level, duration 3.00 min (+-). Score, parts and alternative available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1127. Tritsch-Tratsch-Polka, Op. 214, is a polka by Johann Baptist Strauss II (also known as Johann Strauss Jr., the Younger, the Son) written in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. It was first performed in a concert in Vienna on 24 November 1858.Tritsch-Tratsch (chit-chat) refers to the Viennese passion for gossip. Strauss may also have been referencing the burlesque "Der Tritschtratsch" by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written.The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.
Flute 3 part of "Tritsch-Tratsch-Polka" op. 214 by arranged for flexible Flute Quartet and optional piano by Francesco Leone. Intermediate level, duration 3.00 min (+-). Score, parts and alternative available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1127. Tritsch-Tratsch-Polka, Op. 214, is a polka by Johann Baptist Strauss II (also known as Johann Strauss Jr., the Younger, the Son) written in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. It was first performed in a concert in Vienna on 24 November 1858.Tritsch-Tratsch (chit-chat) refers to the Viennese passion for gossip. Strauss may also have been referencing the burlesque "Der Tritschtratsch" by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.
part of "Tritsch-Tratsch-Polka" op. 214 by arranged for flexible Flute Quartet and optional piano by Francesco Leone. Intermediate level, duration 3.00 min (+-). Score, parts and alternative available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1127. Tritsch-Tratsch-Polka, Op. 214, is a polka by Johann Baptist Strauss II (also known as Johann Strauss Jr., the Younger, the Son) written in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. It was first performed in a concert in Vienna on 24 November 1858.Tritsch-Tratsch (chit-chat) refers to the Viennese passion for gossip. Strauss may also have been referencing the burlesque "Der Tritschtratsch" by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.
The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond. The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.
A wonderful book containing 10 of the most beautiful, charming waltzes selected from the nearly 400 waltzes composed by Johann Strauss, Jr. This truly unique book captures the grace of this popular dance form and will be enjoyed by students of all ages. Includes access to online audio that is useful for educational purposes to hear all ten lovely waltzes selected in this book as performed by the author. The piano solo album is over an hour in length.