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First published in 1885, Bazm-i Aakhir, or The Last Gathering is a rich and lively first-hand account of life in the royal court of the last Mughal emperor in Red Fort, Bahadur Shah Zafar. From meticulous details of the day-today happenings inside the fort-palace and the royal protocols, to the celebration of festivals such as Eid, Navroz, Diwali, and even Rakshabandhan, this gives us a glimpse into the Delhi of the early nineteenth century.
Leisure is a corollary to pleasure. Essays in this historical exploration trace how leisure and recreation were often imagined and celebrated during premodern times, from the ancient to the precolonial period. This book takes into account the differential access to leisure and pleasure based on class and gender where masculinity is projected through manly sports and femininity though beauty and indulgence in the projection of recreation, entertainment and luxury. The counter-discourse representing labour for those who cater for this leisure is invisibilized as is their transactional nature. The volume dwells on the attitudes, prescribed and proscribed, and brings to the fore the differences across religious ideologies such as Brahmanism, Buddhism, Jaina and Muslim in various periods. Further it looks at leisure in the various classes and cultural spaces such as the elite, women, the king in the bed chamber, the court with dancing girls, public areas such as orchards and gardens and performance spaces.
Rashmi Sadana is Associate Professor of Anthropology at George Mason University and author of English Heart, Hindi Heartland: The Political Life of Literature in India.
Dinesh C. Sharma is a New Delhi-based award-winning journalist and author with over thirty-five years’ of professional experience. He has written extensively on science and technology, climate change, health, environment and innovation for national and international media, including The Lancet and Wired. He has been Science Editor at Mail Today, and Managing Editor at India Science Wire and is currently the Jawaharlal Nehru Fellow (2020-2021). His book The Outsourcer: The Story of India’s IT Revolution was awarded the Computer History Museum Book Prize in 2016. He has also been a visiting faculty at the Jawaharlal Nehru University, New Delhi and Ateneo de Manila University, Manila. Dinesh Sharma tweets at @dineshcsharma
Mirza Asadullah Khan (1797–1869), popularly, Ghalib, is the most influential poet of the Urdu language. He is noted for the ghazals he wrote during his lifetime, which have since been interpreted and sung by different people in myriad ways. Ghalib’s popularity has today extended beyond the Indian subcontinent to the Hindustani diaspora around the world. In this book, Gopi Chand Narang studies Ghalib’s poetics by tracing the archetypical roots of his creative consciousness and enigmatic thought in Buddhist dialectical philosophy, particularly in the concept of shunyata. He underscores the importance of the Mughal era’s Sabke Hindi poetry, especially through Bedil, whom Ghalib considered his mentor. The author also engages with Ghalib criticism that has flourished since his death and analyses the important works of the poet, including pieces from early Nuskhas and Divan-e Ghalib, strengthening this central argument. Much has been written about Ghalib’s life and his poetry. A marked departure from this dominant trend, Narang’s book looks at Ghalib from different angles and places him in the galaxy of the great Eastern poets, stretching far beyond the boundaries of India and the Urdu language.
Muslim Family And Social Life In Old Delhi, With Its Crowded Markets And Narrow Lanes, Its Festivals And Weddings, Moneylenders And Cheats, Spiteful Servants And Machinating Mothers, Have Never Been As Vividly And Energetically Portrayed As In This Novel, The First Bestseller In Urdu. This Translation, Done In 1903 By An Admiring Englishman, Is A Classic Now Back In Print After A Century.
'A riveting resurrection of the city of poets, the city of history, Saif Mahmood's learned and evocative book takes us to the heart of Delhi's romance with Urdu verse and aesthetics.'--Namita Gokhale Urdu poetry rules the cultural and emotional landscape of India--especially northern India and much of the Deccan--and of Pakistan. And it was in the great, ancient city of Delhi that Urdu grew to become one of the world's most beautiful languages. Through the 18th and 19th centuries, while the Mughal Empire was in decline, Delhi became the capital of a parallel kingdom--the kingdom of Urdu poetry--producing some of the greatest, most popular poets of all time. They wrote about the pleasure and pain of love, about the splendour of God and the villainy of preachers, about the seductions of wine, and about Delhi, their beloved home. This treasure of a book documents the life and work of the finest classical Urdu poets: Sauda, Dard, Mir, Ghalib, Momin, Zafar, Zauq and Daagh. Through their biographies and poetry--including their best-known ghazals--it also paints a compelling portrait of Mughal Delhi. This is a book for anyone who has ever been touched by Urdu or Delhi, by poetry or romance.
1658: Prince Aurengzeb of India has imprisoned his own father, murdered his brothers, seized the throne of Delhi and declared himself Emperor. He immediately begins a reign of tyranny, invading neighbours, banning music and the arts, destroying temples and churches, and unleashing terror on a vast kingdom comprising a fifth of the world's humanity. During this time his own beloved daughter, Zebunissa, forms a secret poetic society called the Makhfi (Hidden One) in Persian. Through this society she practices the arts secretly and plans rebellions to overthrow her demonic father and restore justice in the kingdom. Bestowed the title of Princess of India and then Empress of India, she dupes her father and his vicious nobles in a courageous and dangerous attempt to save her people from the Emperor’s tyranny. Part fiction and part history, The Hidden One brings a tear to the eye while thrilling the heart as we witness 17th century India through the eyes of an unsuspected character – a Muslim princess. It narrates the powerful story of Zebunissa, and the Makhfi – the secret society that has been lost over time but deserves its rightful place in history for its role during one of India’s darkest eras. Available historical data has been analyzed to bring to light this obscure group about which very little has thus far been written or known. An unforgettable cast of characters and progression of fateful events.