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One of the largest and most important palatial houses of late 18th- and early 19th-century Damascus, Bayt Farhi belonged to the Farhi family, who served as financial administrators to successive Ottoman governors in Damascus and Acre. Illustrated with extensive colour photographs, plans, and reconstruction drawings, the book brings to life the home environment of the lost elite Sephardic community of Ottoman Damascus. It will be an important resource for those studying the architecture, history, and culture of Syria and the Ottoman Empire. Bayt Farhi's outstanding architecture and decoration is documented and presented in this first comprehensive analysis of it and Damascus's other prominent Sephadic mansions Matkab 'Anbar, Bayt Dahdah, Bayt Stambouli, and Bayt Lisbona. The Hebrew poetic inscriptions in these residences reveal how the Farhis and other leading Sephardic families perceived themselves and how they presented themselves to their own community and other Damascenes. A history of the Farhis and the Jews of Damascus provides the context for these houses, along with the architectural development of the monumental Damascene courtyard house.
Manuscripts, Politics and Oriental Studies commemorates the life and works of Johann Gottfried Wetzstein (1815-1905) as a scholar, manuscript collector, and consul in Berlin and Damascus. Beyond research into Wetzstein's own time, special attention is given to the impact his efforts to acquire manuscripts have had until this day. Several contributions also illustrate contemporary developments that give context to his own career as a scholar and diplomat. The particular focus of this volume allows to explore the history of Oriental scholarship not purely through the lens of academic posts and publications but encourages us to discover lifes such as Wetzstein's, without academic stardom yet laying the material foundations of textual work for generations. Contributors are Kaoukab Chebaro; François Déroche; Faustina Doufikar-Aerts; Alba Fedeli; Ludmila Hanisch †; Michaela Hoffmann-Ruf; Ingeborg Huhn; Robert Irwin; Boris Liebrenz; Astrid Meier; Samar El Mikati El Kaissi; Claudia Ott; Holger Preißler †; Christoph Rauch; Helga Rebhan; Anke Scharrahs; Jan Just Witkam.
How can a nation's archaeological treasures help explain its history, especially one as richly complex as Syria's? Ross Burns chooses 40 among Syria's outstanding range of sites, accompanied by over 200 colour illustrations, to take the reader through the tangled paths of this crossroads of the eastern Mediterranean where numerous world cultures intersected. Given the last 12 years of savage conflict, the author reports too on the plight of many of these monuments, addressing the common but unhelpful assumption that much of the country's archaeological treasures have been 'destroyed'. A better approach is to recognise that Syria's heritage can play a role in the country's recovery and cannot simply be declared a write-off. This is a history which tells us much about how Syria's mixture of traditions defy simplistic categorisation through modern definitions of cultures and identities.
Damascus, first published in 2005, was the first account in English of the history of the city, bringing out the crucial role it has played at many points in the region’s past. It traces the story of this colourful, significant and complex city through its physical development, from the its emergence in around 7000 BC through the changing cavalcade of Aramaean, Persian, Greek, Roman, Byzantine, Arab, Turkish and French rulers to independence in 1946. This new edition has been thoroughly updated using recent scholarship and includes an additional chapter placing the events of the Syrian post-2011 conflict in the context of the city’s tumultuous experiences over the last century. This volume is a must-read for anyone interested in the sweep of Syrian history and archaeology, and is an ideal partner to Burns’ Aleppo (2016). Lavishly illustrated, Damascus: A History remains a unique and compelling exploration of this fascinating city.
Arab Traders in their Own Words explores for the first time the largest corpus of merchant correspondence to have survived from the Ottoman period. The mostly Christian traders of the Syrian and Egyptian provinces lived through one of the most turbulent intersections of Ottoman and European imperial history
In the last twenty years, reception studies have significantly enhanced our understanding of the ways in which Classics has shaped modern Western culture, but very little attention has been directed toward the reception of classical architecture. Housing the New Romans: Architectual Reception and Classical Style in the Modern World addresses this gap by investigating ways in which appropriation and allusion facilitated the reception of Classical Greece and Rome through the requisition and redeployment of classicizing tropes to create neo-Antique sites of "dwelling" in the 19th and early 20th centuries. The volume, across nine essays, will cover both European and American iterations of place making, including Sir John Soanes' house in London, the Hôtel de Beauharnais in Paris, and the Getty Villa in California. By focusing on structures and places that are oriented towards private life-houses, hotels, clubs, tombs, and gardens-the volume directs the critical gaze towards diverse and complex sites of curatorial self-fashioning. The goal of the volume is to provide a multiplicity of interpretative frameworks (e.g. object-agency enchantment, hyperreality, memory-infrastructure) that may be applied to the study of architectural reception. This critical approach makes Housing the New Romans the first work of its kind in the emerging field of architectural and landscape reception studies and in the hitherto textually dominated field of classical reception.
In this first of a massive three-volume work, Seta B. Dadoyan studies the Armenian experience in the medieval Islamic world and takes the reader through hitherto undiscovered paradigmatic cases of interaction with other populations in the region. Being an Armenian, Dadoyan argues, means having an ethnic ancestry laden with narratives drawn from the vast historic Armenian habitat. Contradictory trends went into the making of Armenian history, yet most narratives fail to reflect this rich texture. Linking Armenian-Islamic history is one way of dealing with the problem. Dadoyan's concern is also to outline revolutionary elements in the making of Armenian ideologies and politics. This extensive work captures the multidimensional nature of the Armenian experience in the medieval Islamic world. The author holds that every piece of literature, including historical writing, is an artifact. It is a composition of many elements arranged in certain forms: order, sequence, proportion, detail, intensity, etc. The author has composed and arranged the larger subjects and their sub-themes in such a way as to create an open, dynamic continuity to Armenian history that is intellectually intriguing, aesthetically appealing, and close to lived experiences
During the rise of New York from the capital of an upstart nation to a global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of the city’s art and architecture. This compilation of essays offers a survey of diverse reinterpretations of classical forms in some of New York’s most iconic buildings, public monuments, and civic spaces. Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity, to design their buildings and monuments, and to structure their public and private spaces. Specialists from a range of disciplines—archaeology, architectural history, art history, classics, and history— focus on how classical art and architecture are repurposed to help shape many of New York City’s most evocative buildings and works of art. Federal Hall evoked the Parthenon as an architectural and democratic model; the Pantheon served as a model for the creation of Libraries at New York University and Columbia University; Pennsylvania Station derived its form from the Baths of Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a new light during the Great Depression. Designed to add breadth and depth to the exchange of ideas about the place and meaning of ancient Greece and Rome in our experience of New York City today, this examination of post-Revolutionary art, politics, and philosophy enriches the conversation about how we shape space—be it civic, religious, academic, theatrical, or domestic—and how we make use of that space and the objects in it.
Presents a sephardim of Manchester genealogy and history.
Damascus, reputed to be the worldʹs oldest continually inhabited city, has enjoyed a history of immense grandeur, enormous political and mercantile power, and great cultural and artistic achievement. In addition to some of Islamʹs most magnificent architecture, such as the Umayyad Mosque, the city boasts a heritage of fairy-tale palaces and sumptuous private houses. Sadly, many of them are in urgent need of restoration. Brigid Keenan and Tim Beddow were given unprecedented access to the inner, "hidden" city, which has resulted in a book that is of immense importance to all concerned with the heritage of architecture in the Islamic world. The superb photographs include façades, courtyards, alleyways and fountains, and the breathtaking interiors that often lie behind the unassuming walls of the old town, with exquisite details in stone, wood, paint, marble, plaster, glass and mother-of-pearl. The whole, published with the generous support of Wafic Rida Said, forms a convincing and elegiac plea for the preservation of the heart of this historic ancient capital. -- Jacket.