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The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Raquel Clairvoux is forced to take a hard look at the origins of her family and her distant aunt the Legendary Swamp Witch Angelique Clairvoux, a mulatto girl born in the swamps of southern Louisiana and raised by her grandmother in the ways of Voodoo that she learned on the island of Martinique. She sees the history of the region and culture of the original Creole people of Louisiana. When slave catchers came into St Martinsville to collect undocumented people of color Angelique was attacked and mortally wounded flees into the swamp with her life savings she calls on the Spirits to guard her and her savings. Raquel learns about the men who over the next century and a half try to find Angelique's treasure and how they trigger the curse that finally brings them down. Raquel is taken through the history and evolution of a unique culture and historic area of the country and must decide where she and her family fit into it. While this is a story of pure fiction the author did exhaustive research of the area covering the years between 1712 and the present. The town of St Martinsville is an actual town in St Martin Parish, Louisiana and the Bayou Tesche is located there. St Martinsville was a town open to free people of color during the time of slavery and is considered to be the Creole capital of the United States. This book is a work of fiction that mixes historic fact and culture to transport the reader through decades of drama in an evolving southern Louisiana.
Around the world Santa Claus has many names. But in a deep, swampy bayou of Louisiana, he's known as Papa Noël. In such a hot and humid place, there can be no sleds or reindeer, so Papa Noël rides the river in a boat that's pulled by eight alligators, with a snowy white one named Nicollette in the lead. On this particular Christmas Eve, it's so foggy on the river that even Nicollette's magical glowing-green eyes may not be enough to guide Papa Noël. The alligators are tired, grumpy and bruised from banging into cypress trees, and Papa is desperate to get all the gifts to the little children. Well, "quicker than a snake shimmies down the river," the clever Cajun people come up with a solution that saves the day. A colorfully inventive Christmas tale, Papa Noël is a lesson in fast thinking, as well as a witty introduction to a part of America that's rich in folklore and legend.
William Grant Still (1895-1978) dreamed of a world in which his eight operas--for him the ultimate form of musical expression--would be heard in the major opera houses in the United States, devoting most of his career toward the pursuit of this goal. The first part of I Dream a World creates a context for Still's operas and explores commonalities among them, including structural elements and musical characteristics. The second part traces the research, composition, and perform-ances of the operas as a way of documenting the history of the composer and his contributions to American opera. Although I Dream a World is not intentionally biographical, it is very pers-onal. It is more than the story of William Grant Still's love of operatic music, of the libretti that reflect his own life and philosophy, and of the world he dreamed through his work. It opens a window on Still the man as well as on Still the composer that offers important insights into the social milieu of this pioneering figure.
Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.
Presenting the life and professional career of The Dean of Afro-American Composers, this is the first comprehensive book on the writings by and about Still, the compositions with manuscript sources, the performances of Still's works, and the reviews of those performances. It includes a touching personal reminiscence by his daughter Judith Anne. The full resources of the extensive collection known as The William Grant Still and Verna Arvey Papers at the University of Arkansas Libraries, Fayetteville, give this book the distinction of being the first one about Still that utilizes diaries, letters, scrapbooks, and family papers to provide information on his works and performances. Still performed, composed, and arranged in the commercial music field before he began to write orchestral works and opera. He is called the Dean of Afro-American Composers because of his pioneering efforts on behalf of American music and his achievements as an African American. Still was the first African American to write a symphony that was performed by a major symphony orchestra in the United States, the first to conduct a major symphony orchestra, the first to conduct a major symphony in the Deep South, the first to direct a white radio orchestra, the first to have an opera produced by a major company, and the first to have an opera televised over a national network. His career tells an important story about the development of an American style of music.
Recipient of a 2017 Book of the Year Award presented by the Louisiana Endowment for the Humanities Shane K. Bernard's Teche examines this legendary waterway of the American Deep South. Bernard delves into the bayou's geologic formation as a vestige of the Mississippi and Red Rivers, its prehistoric Native American occupation, and its colonial settlement by French, Spanish, and, eventually, Anglo-American pioneers. He surveys the coming of indigo, cotton, and sugar; steam-powered sugar mills and riverboats; and the brutal institution of slavery. He also examines the impact of the Civil War on the Teche, depicting the running battles up and down the bayou and the sporadic gunboat duels, when ironclads clashed in the narrow confines of the dark, sluggish river. Describing the misery of the postbellum era, Bernard reveals how epic floods, yellow fever, racial violence, and widespread poverty disrupted the lives of those who resided under the sprawling, moss-draped live oaks lining the Teche's banks. Further, he chronicles the slow decline of the bayou, as the coming of the railroad, automobiles, and highways reduced its value as a means of travel. Finally, he considers modern efforts to redesign the Teche using dams, locks, levees, and other water-control measures. He examines the recent push to clean and revitalize the bayou after years of desecration by litter, pollutants, and invasive species. Illustrated with historic images and numerous maps, this book will be required reading for anyone seeking the colorful history of Louisiana and the Gulf Coast. As a bonus, the second part of the book describes Bernard's own canoe journey down the Teche's 125-mile course. This modern personal account from the field reveals the current state of the bayou and the remarkable people who still live along its banks.