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The Brownings Their Life and Art Lilian Whiting CHAPTER I 1812-1833 "Allons! after the Great Companions! and to belong to them!""To know the universe itself as a road-as many roads-asroads for travelling souls." The Most Exquisite Romance of Modern Life-Ancestry and Youth of Robert Browning-Love of Music-Formative Influences-The Fascination of Byron-A Home "Crammed with Books"-The Spell of Shelley-"Incondita"-Poetic Vocation Definitely Chosen-"Pauline." Such a very page de Contes is the life of the wedded poets, Robert and Elizabeth Barrett Browning, that it is difficult to realize that this immortal idyl of Poetry, Genius, and Love was less than fifteen years in duration, out of his seventy-seven, and her fifty-five years of life. It is a story that has touched the entire world ..". with mystic gleams, Like fragments of forgotten dreams," this story of beautiful associations and friendships, of artistic creation, and of the entrance on a wonderful realm of inspiration and loveliness. At the time of their marriage he was in his thirty-fifth, and she in her forty-first year, although she is described as looking so youthful that she was like a girl, in her slender, flower-like grace; and he lived on for twenty-eight years after "Clouds and darknessFell upon Camelot," with the death of his "Lyric Love." The story of the most beautiful romance that the world has ever known thus falls into three distinctive periods, -that of the separate life of each up to the time of their marriage; their married life, with its scenic setting in the enchantment of Italy; and his life after her withdrawal from earthly scenes. The story is also of duplex texture; for the outer life, rich in associations, travel, impressions, is but the visible side of the life of great creative art. A delightful journey is made, but its record is not limited to the enjoyment of friends and place; a poem is written whose charm and power persist through all the years. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
"Bishop Blougram's Apology" is a long poem by the English poet Robert Browning. It takes the form of a sermon spoken by Bishop Blougram to his son, Gerald, on the importance of religion in their daily lives. It also powerfully illustrates a sense of duty and morality that is seen as being more valuable than reason.
Finalist for the 2022 Plutarch Award Longlisted for the PEN/Jacqueline Bograd Weld Award for Biography A Washington Post Best Book of 2021 “An elegant act of rehabilitation.”—New York Times Book Review, Editors’ Choice A "nuanced and insightful" (New Statesman) portrait of Britain’s most famous female poet, a woman who invented herself and defied her times. "How do I love thee? Let me count the ways." With these words, Elizabeth Barrett Browning has come down to us as a romantic heroine, a recluse controlled by a domineering father and often overshadowed by her husband, Robert Browning. But behind the melodrama lies a thoroughly modern figure whose extraordinary life is an electrifying study in self-invention. Born in 1806, Barrett Browning lived in an age when women could not attend a university, own property after marriage, or vote. And yet she seized control of her private income, defied chronic illness and disability, became an advocate for the revolutionary Italy to which she eloped, and changed the course of cultural history. Her late-in-life verse novel masterpiece, Aurora Leigh, reveals both the brilliance and originality of her mind, as well as the challenges of being a woman writer in the Victorian era. A feminist icon, high-profile activist for the abolition of slavery, and international literary superstar, Barrett Browning inspired writers as diverse as Emily Dickinson, George Eliot, Rudyard Kipling, Oscar Wilde, and Virginia Woolf. Two-Way Mirror is the first biography of Barrett Browning in more than three decades. With unique access to the poet’s abundant correspondence, “astute, thoughtful, and wide-ranging guide” (Times [UK]) Fiona Sampson holds up a mirror to the woman, her art, and the art of biography itself.
Elizabeth Barrett Browning was one of the most prominent English poets of the Victorian era. In the 1830s Elizabeth's cousin John Kenyon introduced her to prominent literary figures of the day such as William Wordsworth, Mary Russell Mitford, Samuel Taylor Coleridge, Alfred Tennyson and Thomas Carlyle. Her first adult collection, The Seraphim and Other Poems, was published in 1838. During this time she contracted a disease, possibly tuberculosis, which weakened her further. Living at Wimpole Street, in London, she wrote prolifically between 1841 and 1844, producing poetry, translation and prose. She campaigned for the abolition of slavery and her work helped influence reform in the child labour legislation. Her prolific output made her a rival to Tennyson as a candidate for poet laureate on the death of Wordsworth. Barrett Browning was widely popular in the U.K. and America during her lifetime. American poet Edgar Allan Poe was inspired by her poem Lady Geraldine's Courtship and specifically borrowed the poem's meter for his poem The Raven. Poe had reviewed Barrett Browning's work in the January 1845 issue of the Broadway Journal and said that "her poetic inspiration is the highest - we can conceive of nothing more august. Her sense of Art is pure in itself." In return, she praised The Raven and Poe dedicated his 1845 collection The Raven and Other Poems to her, referring to her as "the noblest of her sex." Her poetry greatly influenced Emily Dickinson, who admired her as a woman of achievement. Her popularity in the United States and Britain was further advanced by her stands against social injustice, including slavery in the United States, injustice toward Italian citizens by foreign rulers, and child labour.