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Israeli architecture was and is still influenced by the International Style, and specifically by the Bauhaus school, with some local modifications. The Bauhaus approach to design began permeating into what was then Palestine under the British Mandate, and developed quickly and strongly in the emerging state of Israel. The International Style was introduced into the country by young architects, many of German extraction, some of whom had trained or taught at the Bauhaus, most of whom came with their families to escape Nazism. Others came from Russia and Poland, competing their studies in Europe, absorbing the then emerging ideas of the International Style. The will to build a new society, uninfluenced by older European traditions caught on readily, and the simple forms of the Bauhaus were applied. Tel Aviv contains up to 1000 buildings in the Bauhaus idiom, designed using simple geometry, usually inexpensive buildings on small, regular parcels of land. The technology was simple; using plastered and stuccoed block and concrete construction in a country lacking the elaboration of more traditional and expensive materials. This book describes a heritage that is only now being conserved and appreciated.
In 2003 Tel Aviv became a UNESCO World Heritage site. On this occasion Tel Aviv was described as a "synthetic representation of some of the most significant trends of the Modern Movement in architecture, as it developed in Europe". Today the "White City" in Tel Aviv with its some 4, 000 buildings from the 1920s and 1930s is renowned as the largest collection of so-called Bauhaus buildings in the world. What does it mean that the architects of these projects arrived from all over Europe, and only six of them were Bauhaus alumni? Over recent decades the word Bauhaus has become synonymous with modernity in art, design and architecture. Often disregarding the original intentions of the School, founded in 1919 and closed in 1933, it serves as a label for all kinds of merchandise. Among them architecture is the most prominent. But, what is Bauhaus? And, is there such a thing as a specific Bauhaus architecture? In search of an answer to these crucial questions, students from Germany, Israel and Austria studied the original Bauhaus buildings in Dessau, Germany, before traveling to Tel Aviv, Israel to undertake further research. For them, the question remained: Bauhaus or not? (Klappentext).
Because of its more than 4,000 Bauhaus buildings, Tel Aviv is often called "the White City." The city center, created in the 1930s and 1940s under the influence of international modernism, was declared a UNESCO World Heritage Site in 2003. Photographer Stefan Boness captures the unique atmosphere of the city, juxtaposing classical modernism and contemporary architecture.
MR Architecture + Decor’s work—which, true to its name, straddles the line between architecture and interior design—is driven by the belief that close collaborations with clients lead to personalized and intimate homes. The first collection of the firm’s 20 years of work includes a brief history of the firm, founded by David Mann. Featuring seven never-before-seen projects, the text not only describes each project but also includes two distinct points of view: that of MR Architecture + Decor and that of the client or collaborator. More than 200 appealing photographs of some of the firm’s gorgeous residential work are included, taken by such leading architecture and interior design photographers as François Dischinger, Eric Piasecki, Simon Upton, and Joshua McHugh. MR Architecture + Decor celebrates an architecture and design firm whose variety and depth of work, from Takashimaya, the legendary department store on Fifth Avenue, to log cabins in Montana, demonstrates the power of creativity and collaboration.
Gunther Forg's artistic oeuvre encompasses paintings, graphic and sculptural works as well as a large body of architectural photographs. In 2001 he shot a series about Bauhaus architecture in Jerusalem and Tel Aviv. The buildings were designed in the 1930s and 40s, largely by architects who had emigrated from Europe. Their intention was to implement the social, technical and aesthetic properties of Bauhaus. Arieh Sharon, Sam Barkai, Genia Averbouch, Ze'ev Haller, Pinchus Hutt, Richard Kauffmann, Erich Mendelsohn and others endeavoured to build affordable housing for the present wave of immigration. Forg's photographic research using a 35mm camera and zoom lens presents the uncompromisingly modern architecture in an unembellished way, sometimes dilapidated, often featuring careless renovations or additions. They stand as monuments to the social utopias of their time.
One hundred years after the Bauhaus School's founding in 1919, this volume tells its story by interweaving the multiple historiographies of the Bauhaus with the global histories of modernist architecture.
A chic, polished guide to creating your dream bathroom, including engaging interviews with top designers and practical advice for homeowners. Whether you call it your sanctuary, retreat, oasis, or spa, the bath is unlike any other room in the house. It can be the most private and indulgent of spaces or a simple, public one in which guests need to feel comfortable. Today’s bath is an expression of personal style and priorities and the luxurious focal point of sophisticated interiors. Creating the perfect bath has become an obsession for homeowners and designers. Yet perhaps no room in the house requires as much forethought and planning as the bath. In The Perfect Bath, Barbara Sallick explores the process of designing a bathroom in great detail and with beautiful images. She shares exquisite, favorite, and esteemed baths, talks with top designers—including Suzanne Lovell, Pamela Shamshiri, Thomas O’Brien, Lee Mindel, Gil Schafer, Tim Clarke, and Steven Gambrel—about their work, and offers important, how-to advice for homeowners. Combining evocative, informative photography with an authoritative, engaging narrative, The Perfect Bath will be an essential, lasting resource.