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Baudelaire’s Bitter Metaphysics: Anti-Nihilist Readings by Fondane, Benjamin, and Sartre reconstructs a philosophical trialogue that might have been expected to take place between Benjamin Fondane, Walter Benjamin, and Jean-Paul Sartre over their philosophical readings of Charles Baudelaire, an exchange preempted by the untimely deaths of two of the interlocutors during the Nazi holocaust. Why did three of Europe’s sharpest minds respond to the terror of 1933-45 by writing about a long-dead poet? Aaron Brice Cummings argues that Fondane, Benjamin, and Sartre turned to the poet of nihilism’s abyss because they recognized a fact of cultural history that remains relevant today: until sometime in the 2080s, the literary world will have to confront (even if to deny) the two-century window forecast by Nietzsche as the age of cultural and existential nihilism. Accordingly, the author examines the bitter metaphysics latent in Baudelaire’s motifs of the abyss, clocks, brutes, streets, and bored dandies. In so doing, this book confronts the nothingness which modern life encounters in the heart of art, ethics, ideality, time, memory, history, urban life, and religion.
This is the first survey and appraisal of the literary criticism written by Jean-Paul Sartre during the last thirty years. Benjamin Suhl relates Sartre's evolution as a systematic philosopher. For those not acquainted with all Sartre's critical writing during this period, the author includes descriptive presentation of the material, including recent article as yet unavailable in English.
Lloyd builds an image of Baudelaire's world around major themes of this writing - childhood, women, reading, the city, dreams, art, nature, death. Throughout, she finds that his words and themes echo the historical and physical realities of life in mid-nineteenth-century Paris.".
Looks at the life, influence, and work of the French writer and founder of modernism.
This reference work is comprised of two volumes treating the Middle Ages and the Renaissance, three volumes on the Romantics, and four volumes dealing with twentieth century authors. Scholar's new to literary history and criticism should find the balanced, well written essays on included authors a solid introduction.
A substantial study of the works of Charles Baudelaire (1821-1867) that provides fresh and detailed readings of his poetry in verse and prose.
Baudelaire was practically unknown in Spain until the last two decades of the nineteenth century when the first important criticism of his work was published by two famous critics, Juan Valera and Clarín. Valera attacked Les Fleurs du mal on aesthetic grounds, basing his criticism entirely on the "satanic" poems. At the same time, Clarín published a series of articles favorable to Baudelaire. Save for Clarín, Spanish critics in the first two decades of the twentieth century based their opinions of Baudelaire solely on Les Fleurs du mal. A notable exception was an article written around 1910 by Emilia Pardo Bazan based on the full scope of Baudelaire's work. Since the 1920s Spanish critics have come to share the high esteem which Baudelaire continues to receive throughout the world.