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Newfoundlanders initially viewed World War II as a foreign conflict and believed that the violence in Europe could not spread to these shores. That complacency was shaken on March 3, 1942, when U-587 fired torpedoes at St. John's during the first German attack on North American soil. In the months that followed, U-boats destroyed ships at Lance Cove and Wabana on Bell Island. And in a fatal surface attack on the Newfoundland ferry Caribou, German submarines sent it to the bottom of the Atlantic with the loss of 137 lives. Battlefront Newfoundland records and preserves the provocative history of Newfoundland and its people during these dramatic years of WWII. Jack Fitzgerald is the bestselling author of Crimes that Shocked Newfoundland and The Jack Ford Story: Newfoundland's POW in Nagasaki.
Vice Admiral Sir Humphrey Thomas Walwyn (1879–1957) was the British-appointed governor of Newfoundland from 1936 to 1946 – a period of remarkable change that would culminate in Newfoundland’s union with Canada in 1949. Assembling records from the British national archives and the provincial archives in Newfoundland and Labrador, Out Here presents readers with Walwyn’s quarterly reports to the secretary of state for dominion affairs in London throughout his tenure as governor. Walwyn’s position offered him a unique vantage point on the political and economic situation in Newfoundland throughout this tumultuous period. His reports bear witness to profound change, chronicling the economic downturn experienced in the final years of the Great Depression, followed by the unprecedented prosperity sparked by the Second World War that set the stage for debates over governance and for significant constitutional advance. The detailed accounts of Walwyn’s daily life in Newfoundland feature rich descriptions of capital city, company town, and outport mores; they paint a picture of coastal life in the mid-twentieth century and introduce the wide array of characters the governor encountered. Throughout, the candid insider accounts of Governor Walwyn are augmented by expert historical context and illustrated with a generous selection of contemporary photographs. As a whole, Out Here stands as an invaluable primary-source record and an important trove of information on wartime experiences in Atlantic Canada.
The Voice of Newfoundland studies cultural and political changes in Newfoundland from 1939 to 1949 by taking a close look at the Broadcasting Corporation of Newfoundland's radio programming and the responses of their listeners.
Karl is a survivor. The night bombings of Dresden when he was a child still haunt him to this day. The terrible whistling sound as the bombs fell through the sky. His mother held him tightly while covering their heads with a heavy blanket. Their windows were blown out as bombs exploded around them. That’s why he didn’t flinch when first confronted by the notorious Nazi criminal in Santa Catarina, Brazil. This is different as he looks directly into the soulless eyes of this man who has killed hundreds at Auschwitz and is now pointing the pistol directly at him.
"Friedman reexamines the stories surrounding the influx of British war brides brought back to the United States by American GIs after WWII with a focus on media representations of sexuality and marriage in wartime, showing how mass media interpretations turned from public suspicion of war brides to popular acceptance"--Provided by publisher.
In the Preface to his ground-breaking The Great War and Modern Memory (1975), Paul Fussell claimed that “the dynamics and iconography of the Great War have proved crucial political, rhetorical, and artistic determinants on subsequent life.” Forty years after the publication of Fussell’s study, the contributors to this volume reconsider whether the myth generated by World War I is still “part of the fiber of [people’s] lives” in English-speaking countries. What is the place of the First World War in cultural memory today? How have the literary means for remembering the war changed since the war? Can anything new be learned from the effort to re-imagine the First World War after other bloody conflicts of the 20th century? A variety of answers to these questions are provided in Re-Imagining the First World War: New Perspectives in Anglophone Literature and Culture, which explores the Great War in British, Irish, Canadian, Australian, and (post)colonial contexts. The contributors to this collection write about the war from a literary perspective, reinterpreting poetry, fiction, letters, and essays created during or shortly after the war, exploring contemporary discourses of commemoration, and presenting in-depth studies of complex conceptual issues, such as gender and citizenship. Re-Imagining the First World War also includes historical, philosophical and sociological investigations of the first industrialised conflict of the 20th century, which focus on responses to the Great War in political discourse, life writing, music, and film: from the experience of missionaries isolated during the war in the Arctic and Asia, through colonial encounters, exploring the role of Irish, Chinese and Canadian First Nations soldiers during the war, to the representation of war in the world-famous series Downton Abbey and the 2013 album released by contemporary Scottish rock singer Fish. The variety of themes covered by the essays here not only confirms the significance of the First World War in memory today, but also illustrates the necessity of developing new approaches to the first global conflict, and of commemorating “new” victims and agents of war. If modes of remembrance have changed with the postmodern ethical shift in historiography and cultural studies, which encourages the exploration of “other” subjectivities in war, so-far concealed affinities and reverberations are still being discovered, on the macro- and micro-historical levels, the Western and other fronts, the battlefield, and the home front. Although it has been a hundred years since the outbreak of hostilities, there is a need for increased sensitivity to the tension between commemoration and contestation, and to re-member, re-conceptualise and re-imagine the Great War.