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Battlefield Emotions in Late Antiquity is the first work to offer a comprehensive analysis of morale and fear. Różycki examines Roman military treatises to illustrate the methods of manipulating the human psyche.
What do the mysterious Roman author Vegetius, the Byzantine emperor Leo VI, and the Chinese general Li Jing all have in common? They are three of the dozens of authors across the medieval Mediterranean world and beyond who wrote works of military literature, sometimes called military handbooks, manuals, or treatises. This book brings together a multidisciplinary international team of scholars who present cutting edge essays on diverse aspects of medieval military literature. While some chapters offer novel approaches to familiar authors like Vegetius, some present research on under-valued topics like Byzantine military illustrations, and others provide holistic studies on subjects like early modern treatises, they all move the discussion of medieval military literature forward. Contributors are Michael B. Charles, Georgios Chatzelis, Pierre Cosme, Maxime Emion, Immacolata Eramo, Michael Fulton, David Graff, John Haldon, Catherine Hof, John Hosler, Savvas Kyriakidis, Łukasz Różycki, Katharina Schoneveld, Georgios Theotokis, Conor Whately, Michael Whitby, and Nadya Williams.
Byzantinists entered the study of emotion with Henry Maguire’s ground-breaking article on sorrow, published in 1977. Since then, classicists and western medievalists have developed new ways of understanding how emotional communities work and where the ancients’ concepts of emotion differ from our own, and Byzantinists have begun to consider emotions other than sorrow. It is time to look at what is distinctive about Byzantine emotion. This volume is the first to look at the constellation of Byzantine emotions. Originating at an international colloquium at Dumbarton Oaks, these papers address issues such as power, gender, rhetoric, or asceticism in Byzantine society through the lens of a single emotion or cluster of emotions. Contributors focus not only on the construction of emotions with respect to perception and cognition but also explore how emotions were communicated and exchanged across broad (multi)linguistic, political and social boundaries. Priorities are twofold: to arrive at an understanding of what the Byzantines thought of as emotions and to comprehend how theory shaped their appraisal of reality. Managing Emotion in Byzantium will appeal to researchers and students alike interested in Byzantine perceptions of emotion, Byzantine Culture, and medieval perceptions of emotion.
This book examines the lasting impact of war on individuals and their communities in pre-modern Europe. Research on combat stress in the modern era regularly draws upon the past for inspiration and validation, but to date no single volume has effectively scrutinised the universal nature of combat stress and its associated modern diagnoses. Highlighting the methodological obstacles of using modern medical and psychological models to understand pre-modern experiences, this book challenges existing studies and presents innovative new directions for future research. With cutting-edge contributions from experts in history, classics and medical humanities, the collection has a broad chronological focus, covering periods from Archaic Greece (c. sixth and early fifth century BCE) to the British Civil Wars (seventeenth century CE). Topics range from the methodological, such as the dangers of retrospective diagnosis and the applicability of Moral Injury to the past, to the conventionally historical, examining how combat stress and post-traumatic stress disorder may or may not have manifested in different time periods. With chapters focusing on combatants, women, children and the collective trauma of their communities, this collection will be of great interest to those researching the history of mental health in the pre-modern period.
This volume explores a broad range of perceptions, receptions and constructions of the soldierly body in the ancient world, putting the notion of embodiment at the forefront of its engagement with ancient warfare. The 10 chapters presented here respond directly to the question of how war was embodied in antiquity by drawing on detailed case studies to examine the sensory and bodily experience of combat across wide-ranging time periods and geographies, from classical Greece and Rome to Roman Britain and Persia. Together they illustrate how the body in war is a vital universal element that unites these vastly different contexts. Although the centrality of the human body in war-making was recognized in antiquity, a body-centric approach to combat has yet to be widely adopted in modern Classical Studies. This collection brings together new research in ancient history, classical literature, material culture, bioarchaeology and art history within a theoretical framework drawn from recent developments in War Studies that places the body front and centre. The new perspectives it offers on brutality in battle, the physical expression of warrior identity, and post-combat remembrance and recovery challenge readers to re-assess and expand their existing ideas as part of a broader ongoing 'call to arms' to revolutionize the study of ancient warfare in the 21st century.
In Procopius on Soldiers and Military Institutions in the Sixth-Century Roman Empire, Conor Whately examines Procopius’ coverage of rank-and-file soldiers in his three works, reveals the limitations, and highlights his value to our understanding of recruitment.
A historical analysis of the warfare during the Norman Conquest of England, and a look at the truth behind the legendary victor, King William I. The reality of war, in any period, is its totality. Warfare affects everyone in a society. Here, for the first time, is a comprehensive analysis of eleventh century warfare as exposed in the record of the Norman Conquest of England. King William I experienced a lifetime of conflict on and off so many battlefields. In English Collusion and the Norman Conquest, Arthur Wright’s second book on the Norman Conquest, he argues that this monarch has received an undeserved reputation bestowed on him by clerics ignorant alike of warfare, politics, economics and of the secular world, men writing half a century after events reported to them by doubtful sources. How much of this popular legend was actually created by an avaricious Church? Was he just a lucky, brutal soldier, or was he instead a gifted English King who could meld cultures and talents? This is a tale of blood, deceit, ambition and power politics which pieces together the self-interested distortion of events, brutalizing conflict and superb strategic acumen by using and analyzing contemporary evidence the like of which is not to be found elsewhere in Europe. By 1072 King William should have been secure upon the English throne, so what went wrong? How did a Norman Duke and a few thousand mercenaries take and hold such a wealthy and populous Kingdom? Even in the “Harrowing of the North,” which probably saw the death of tens of thousands, who was really to blame and why did it happen? Praise for English Collusion and the Norman Conquest “Arthur C Wright’s fresh look at how things panned out before and after the invasion provides new and fresh evidence that should not be overlooked. Brilliant.” —Books Monthly (UK)
In Battles and Generals: Combat, Culture, and Didacticism in Procopius’ Wars, Whately reads Procopius’ descriptions of combat through the lens of didacticism, arguing that one of Procopius’ intentions was to construct those accounts not only so that they might be entertaining to his audience, but also so that they might provide real value to his readership, which was comprised, in part, of the empire’s military command. In the course of this analysis we discover that the varied battles and sieges that Procopius describes are not generic; rather, they have been crafted to reflect the nature of combat – as understood by Procopius – on the three fronts of Justinian’s wars, the frontier with Persia, Vandal north Africa, and Gothic Italy.
This book explores changes in emotional cultures of the early modern battlefield. Military action involves extraordinary modes of emotional experience and affective control of the soldier, and it evokes strong emotional reactions in society at large. While emotional experiences of actors and observers may differ radically, they can also be tightly connected through social interaction, cultural representations and mediatisation. The book integrates psychological, social and cultural perspectives on the battlefield, looking at emotional behaviour, expression and representation in a great variety of primary source material. In three steps it discusses the emotional practices in the army, the emotional experiences of the individual combatant and the emotions of the mediated battlefield in the visual arts.