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"For much of its long history, Britain has been bloodily ravaged by war and internal strife- foreign invasions have devastated British society, bitter battles have been fought over social and political rights, and brutal warlords have torn the country apart in their struggles for dominance. In Battlefield Britain , father and son team Peter and Dan Snow tell the story of eight decisive battles that have done much to shape the Britain we know today- Boudiccas revolt against Rome (AD 601); the Battle of Hastings (1066); the Battle for Wales (140010); the Spanish Armada (1588); the Battle of Naseby (1645); the Battle of the Boyne (1690); the Battle of Culloden (1746) and the Battle of Britain (1940). For the first time, ground-breaking computer graphics are used to recreate the ebb and flow of these famous battles in dramatic and vivid detail. Peter Snow, as well known for his strategic analysis as his swingometer, and Dan, a young military historian, combine their skills to form a unique writing team. In addition to explaining the battleplans of the great military commanders they also reveal what it was like to be an ordinary soldier on the front line, where the battle was at its
"First published in Great Britain by Bantam Press"--T.p. verso.
The purpose of this book is to take what we think we know about the Roman Conquest of Britain from historical sources, and compare it with the archaeological evidence, which is often contradictory. Archaeologists and historians all too often work in complete isolation from each other and this book hopes to show the dangers of neglecting either form of evidence. In the process it challenges much received wisdom about the history of Roman Britain. Birgitta Hoffmann tackles the subject by taking a number of major events or episodes (such as Caesar's incursions, Claudius' invasion, Boudicca's revolt), presenting the accepted narrative as derived from historical sources, and then presenting the archaeological evidence for the same. The result of this innovative approach is a book full of surprising and controversial conclusions that will appeal to the general reader as well as those studying or teaching courses on ancient history or archaeology.
World War II was the biggest and most destructive war in history. For two centuries wars had grown ever larger, with the use of more terrible weapons and rising casualties, culminating in the cataclysmic global events of 1939–45. And then, quite suddenly, large international wars have all but disappeared. What caused wars to grow in size to such an extent and then shrink so precipitously? Is this a permanent state of affairs or could big wars make a comeback? Lawyer and historian John P Storey explores these questions by looking at the evolution of military technology and tactics over the long history of warfare. From ancient bronze spears and chariots to World War II tanks and warplanes, from the nuclear weapons of the Cold War to the drones and robotics of the future, the changes in our methods of waging war has had, and will continue to have, a major impact on their size and destructiveness. The sobering conclusion Storey makes is that, based on past trends and the weapons in the pipeline for the future, there is a much higher risk of there being much bigger wars in the coming decades.
Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader Bolesław Drobiński and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the film’s release in 1969 – plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life.
Nelson, Navy & Nation explores the Royal Navy's relationship with Britain from the Glorious Revolution to the Napoleonic Wars. The book encompasses the realities of naval life in this period; the navy's connection to society; culture and national identity; and the story of Nelson's life and career. It brings together a distinguished panel of leading historians including Roger Knight, Andrew Lambert, Brian Lavery, N.A.M. Rodger and Dan Snow. Together, they give a fascinating contextual overview, from the terrifying realities of battle in the age of sail to the lives of ordinary people ashore who celebrated the navy's achievements. It places the extraordinary achievements of Horatio Nelson within a wider context that makes sense of his dazzling celebrity. In so doing, it reveals that the story of the Royal Navy and Nelson is also the story of the fears and ambitions of the British people. Beautifully illustrated throughout from the world-leading collections of the National Maritime Museum, the book combines accessible narrative history for the general reader with superb visual appeal. It is an ideal companion to the Museum's new permanent 'Nelson, Navy, Nation' gallery, which opened in October 2013.
Non-academic history – ‘public history’ – is a complex, dynamic entity which impacts on the popular understanding of the past at all levels. In Consuming History, Jerome de Groot examines how society consumes history and how a reading of this consumption can help us understand popular culture and issues of representation. This book analyzes a wide range of cultural entities – from computer games to daytime television, from blockbuster fictional narratives such as Da Vinci Code to DNA genealogical tools – to analyze how history works in contemporary popular culture. Jerome de Groot probes how museums have responded to the heritage debate and the way in which new technologies have brought about a shift in access to history, from online game playing to internet genealogy. He discusses the often conflicted relationship between ‘public’ and academic history, and raises important questions about the theory and practice of history as a discipline. Whilst mainly focussing on the UK, the book also compares the experiences of the USA, France and Germany. Consuming History is an important and engaging analysis of the social consumption of history and offers an essential path through the debates for readers interested in history, cultural studies and the media.
With its mix of family drama, sex and violence, Britain's Tudor dynasty (1485-1603) has long excited the interest of filmmakers and moviegoers. Since the birth of movie-making technology, the lives and times of kings Henry VII, Henry VIII, and Edward VI and queens Mary I, Jane Grey and Elizabeth I have remained popular cinematic themes. From 1895's The Execution of Mary Stuart to 2011's Anonymous, this comprehensive filmography chronicles every known movie about the Tudor era, including feature films; made-for-television films, mini-series, and series; documentaries; animated films; and shorts. From royal biographies to period pieces to modern movies with flashbacks or time travel, this work reveals how these films both convey the attitudes of Tudor times and reflect the era in which they were made.
The third century AD was one of unprecedented crisis and chaos for the Roman Empire. Nightmares both internal and external threatened to spell the end of Rome’s thousand-year history. Diocletian was born either a slave or a freedman, and he grew up to become the savior of Rome in her hour of crisis, a powerful military and political leader who transformed the Roman Empire from a hotbed of unceasing strife and turmoil into a renewed, restored, revivified and stable polity. His more than twenty years of power were marked by the ill-fated Great Persecution of the Christians, an undertaking that would prove to be one of the less successful initiatives of his reign, even as in its own way it helped to pave the way for the coming of an equally famous, successful emperor in the person of Constantine the Great. The present study seeks to provide an introduction to the life and times of Diocletian for the general reader, offering a balanced portrait of an immensely talented man in a time of trial and tumult, an accomplished emperor who knew when it was time to retire to his gardens.