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Battarbee and Namatjira is the biography of two artists Rex Battarbee and Albert Namatjira, one white Australian from Warrnambool in Victoria, the other Aboriginal, of the Arrernte people, from the Hermannsburg Mission south of Alice Springs. From their first encounters in the early 1930s, when Battarbee introduced Namatjira to the techniques of water-colour painting, through the period of Namatjira’s popularity as a painter, to the tragic circumstances leading to his death in 1959, their close relationship was to have a decisive impact on Australian art. This biography, illustrated with photographs, makes extensive use of Battarbee’s diaries for the first time, to throw new light on Namatjira’s life, and to bring Battarbee, who has been largely ignored by biographers, back into focus. Some of its findings will be controversial. By moving between the artists and their backgrounds, and looking closely at the nature of their friendship, Edmond is able to portray the personal and social complexities the two men faced, while at the same time illuminating larger cultural themes – the treatment of the Arrernte and Indigenous people generally, the influence of the Lutheran church, the development of anthropology, and the evolution of Australian art.
Combining the perspectives of political, social and cultural history, this book presents a holistic interpretation of the complex relationship between Indigenous and settler Australians during the mid 20th century. The author provides an insightful history of the changing nature of race relations in Australia.
A comprehensive survey of watercolours by the Aranda (Arrernte) artists of central Australia P a school of painting founded by Albert Namatjira. Twelve expert contributors (anthropologists, historians, art critics and collectors) review the history and stylistic development of this art. This book was prepared with the full co-operation of the Aboriginal artists and communities concerned, and includes colour reproductions of their work, biographical details, an index and a bibliography. Published to coincide with the national exhibition which opened in Adelaide in November.
Albert Namatjira was a man of firsts: the first successful indigenous artist and the first indigenous man to be made an Australian citizen. At the height of his fame in the 1950s Albert Namatjira's shows sold out within minutes. If you didn't own one of his paintings you probably had a print in your lounge room. He also supported over six hundred members of his community, lost two of his ten children to malnutrition, was forbidden to own land, imprisoned for having a drink with his friends, and died a broken man. Namatjira is a whole-hearted tribute to a great man.
After Aboriginal author Alexis Wright’s novel, Carpentaria, won the Miles Franklin Award in 2007, it rapidly achieved the status of a classic. The novel is widely read and studied in Australia, and overseas, and valued for its imaginative power, its epic reach, and its remarkable use of language. Indigenous Transnationalism brings together eight essays by critics from seven different countries, each analysing Alexis Wright’s novel Carpentaria from a distinct national perspective. Taken together, these diverse voices highlight themes from the novel that resonate across cultures and continents: the primacy of the land; the battles that indigenous peoples fight for their language, culture and sovereignty; a concern with the environment and the effects of pollution. At the same time, by comparing the Aboriginal experience to that of other indigenous peoples, they demonstrate the means by which a transnational approach can highlight resistance to, or subversion of, national prejudices.
The new book by prize-winning biographer Evelyn Juers, author of The House of Exile and The Recluse, portrays the life and background of a pioneering Australian dancer who died at the age of twenty-five in a remote town in India. A uniquely talented dancer and choreographer, Philippa Cullen grew up in Australia in the 1950s and 60s. In the 1970s, driven by the idea of dancing her own music, she was at the forefront of the new electronic music movement, working internationally with performers, avant-garde composers, engineers and mathematicians to build and experiment with theremins and movement-sensitive floors, which she called body-instruments. She had a unique sense of purpose, read widely, travelled the world, and danced at opera houses, art galleries and festivals, on streets and bridges, trains, clifftops, rooftops. She wrote, I would define dance as an outer manifestation of inner energy in an articulation more lucid than language. An embodiment of the artistic aspirations of her age, she died alone in a remote hill town in southern India in 1975. With detailed reference to Cullen’s personal papers and the recollections of those who knew her, and with her characteristic flair for drawing connections to bring in larger perspectives, Evelyn Juers’ The Dancer is at once an intimate and wide-ranging biography, a portrait of the artist as a young woman.
Long regarded as one of Australia's greatest poets, Robert Gray (winner of every major Australian poetry prize, and widely studied in schools and universities) has now penned his autobiography. His life spans the landscape of our nation. This is the most important literary biography of 2008! Sure to be reviewed across the nation.
Albert Namatjira was a member of the Aranda people of Central Australia (now referred to as the Western Aranda or Arrernte language group). Following the success of his first solo exhibition in Melbourne in 1938, Namatjira became increasingly famous, with popular reproductions of his works being hung in countless Australian homes. The first prominent Indigenous artist to achieve household recognition in a modern idiom, Namatjira subsequently became a tragic figure set against the background of assimilation debates and entangled aesthetic prejudices of the time. His art became virtually ignored by the mainstream of the Australian art world. This book, especially commissioned by the Gordon Darling Foundation and the National Gallery for the centenary of Namatjira's birth, redresses this neglect.
Journey to Horseshoe Bend was first published in 1969 and has been out of print for almost forty years. An Australian literary classic, it was written by TGH (Ted) Strehlow, author of the monumental Songs of Central Australia. It describes the final days of his father, Pastor Carl Strehlow, head of the Lutheran mission at Hermannsburg, as they travel, with Aboriginal companions, in extreme heat, along the dry riverbed of the Finke River, to the nearest railhead in search of medical assistance. They never reach help: the journey ends at Horseshoe Bend, with Pastor Strehlow’s death. Ted Strehlow grew up with Aborigines on the mission, and his knowledge of their customs and stories was unique. The book combines this knowledge, with a detailed awareness of the landscape and its sacred places, the battles that have been fought there, the lonely outposts of white settlement, and of the Biblical resonances of their own journey through this desert setting.