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What happens to Dick Grayson now that the 'real' Batman is back? How will Bruce Wayne handle a reunion with his son, Damian? Writer Grant Morrison begins a bold new chapter in the history of the Dark Knight and lays the groundwork for BATMAN, INCORPORATED!
Written by GRANT MORRISON Art by CHRIS SPROUSE, FRAZER IRVING, RYAN SOOK, YANICK PAQUETTE, LEE GARBETT, GEORGES JEANTY KARL STORY and MICK GRAY Cover by ANDY KUBERT Grant Morrison's best-selling multipart Batman epic continues with this collection of the six-issue miniseries!Witness Bruce Wayne's adventures across time as he is swept through the time stream, from the ancient days that predate history itself through epics set in the times of pirates and the Old West, through his triumphant return to present day Gotham City! On sale FEBRUARY 2 - 224 pg, FC, 7.0625" x 10.875"
Tegneserie. As a mysterious figure slinks through the halls of Arkham Asylum, Batman must fight his way through a gauntlet of psychos, and Bruce Wayne faces the unexpected legal ramifications of Batman Incorporated!
For use in schools and libraries only. After ten years away from the public eye, a wave of violence in Gotham City brings Batman back as a vigilante.
The dynamic duo uncovers clues involving the mysterious death of Bruce Wayne before facing off against each other in a heated battle that both heroes will regret - if they live through it
Talia, Batman's one-time love, returns with a child named Damian and claims that he is Batman's son, he takes him in but will this misguided boy be the one to destroy Batman?
Grant Morrison’s bestselling multi-part Batman epic continues with Bruce Wayne’s return to Gotham city. A time-spanning graphic novel featuring Bruce Wayne’s return to Gotham City to take back the mantle of Batman, written by award-winning writerGrant Morrison and illustrated by a stable of today’s hottest artists including Chris Sprouse, Frazer Irving and Yanick Paquette. This is the final chapter of the epic storyline that began in the best-selling graphic novels BATMAN: R.I.P. and FINAL CRISIS, in which the original Batman was lost in time. Collects BATMAN: THE RETURN OF BRUCE WAYNE #1-6.
One of the most eclectic and distinctive writers currently working in comics, Grant Morrison (b. 1960) brings the auteurist sensibility of alternative comics and graphic novels to the popular genres-superhero, science fiction, and fantasy-that dominate the American and British comics industries. His comics range from bestsellers featuring the most universally recognized superhero franchises (All-Star Superman, New X-Men, Batman) to more independent, creator-owned work (The Invisibles, The Filth, We3) that defies any generic classification. In Grant Morrison: Combining the Worlds of Contemporary Comics, author Marc Singer examines how Morrison uses this fusion of styles to intervene in the major political, aesthetic, and intellectual challenges of our time. His comics blur the boundaries between fantasy and realism, mixing autobiographical representation and cultural critique with heroic adventure. They offer self-reflexive appraisals of their own genres while they experiment with the formal elements of comics. Perhaps most ambitiously, they challenge contemporary theories of language and meaning, seeking to develop new modes of expression grounded in comics' capacity for visual narrative and the fantasy genres' ability to make figurative meanings literal.
Superheroes are enjoying a cultural resurgence, dominating the box office and breaking out of specialty comics stores onto the shelves of mainstream retailers. A leading figure behind the superhero Renaissance is Grant Morrison, long-time architect of the DC Comics' universe and author of many of the most successful comic books in recent years. Renowned for his anarchic original creations--Zenith, The Invisibles, The Filth, We3--as well as for his acclaimed serialized comics--JLA, Superman, Batman, New X-Men--Grant Morrison has radically redefined the superhero archetype. Known for his eccentric lifestyle and as a practitioner of "pop magic," Morrison sees the superhero as not merely fantasy but a medium for imagining a better humanity. Drawing on a variety of analytical approaches, this first-ever collection of critical essays on his work explores his rejuvenation of the figure of the superhero as a means to address the challenges of modern life.