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A NEW YORK TIMES Bestseller! Presented for the first time with stark, stunning new coloring by Brian Bolland, BATMAN: THE KILLING JOKE is Alan Moore's unforgettable meditation on the razor-thin line between sanity and insanity, heroism and villainy, comedy and tragedy. According to the grinning engine of madness and mayhem known as the Joker, that's all that separates the sane from the psychotic. Freed once again from the confines of Arkham Asylum, he's out to prove his deranged point. And he's going to use Gotham City's top cop, Commissioner Jim Gordon, and the Commissioner’s brilliant and beautiful daughter Barbara to do it.
One bad day. Freed once again from the confines of Arkham Asylum, The Joker is out to prove a deranged point. And he's going to use Gotham City's top cop, commissioner Jim Gordon, and his brilliant daughter Barbara (a.k.a. Batgirl) to do it. Now Batman must race to stop his archnemesis before his reign of terror claims two of the Dark Knight's closest friends. Critically acclaimed author Alan Moore redefined graphic novel story-telling with Watchmen and V for Vendetta. In Batman: The Killing Joke, he takes on the origin of comics' greatest super-villain, The Joker, and changes Batman's world forever. Absolute Batman: The Killing Joke (30th Anniversary Edition) includes both the recolored art by artist Brian Bolland and the original colors by John Higgins, along with the never-before-published scripts, and numerous Batman and Joker sketches and stories by Bolland. Collects Batman: Black and White #4; Batman: The Killing Joke; Countdown #31; Cover Story: The DC Comics Art of Brian Bolland; Joker: Last Laugh #1, #6; Joker's Greatest Stories Ever Told; Who's Who in the DC Universe #13 and Wonder Woman #96.
Written by Alan Moore Art by Jim Aparo, Jim Baikie, Brian Bolland, Paris Cullins, George Freeman, Dave Gibbons, Klaus Janson, Kevin O'Neill, Joe Orlando, George P�rez, Kurt Schaffenberger, Curt Swan, Rick Veitch, Al Williamson and Bill Willingham Cover by Brian Bolland Don't miss this exhaustive collection featuring the World's Greatest Super-Heroes as interpreted by one of the most acclaimed authors in comics! The work of Alan Moore (WATCHMEN, V FOR VENDETTA, THE LEAGUE OF EXTRAORDINARY GENTLEMEN) in the DCU during the 1980s is considered a benchmark for great stories with fresh approaches to iconic characters. Collected in this volume are all of Moore's Superman and Batman stories, including the long out-of-print "Whatever Happened to the Man of Tomorrow?" as well as, for the first time in trade paperback, BATMAN: THE KILLING JOKE (illustrated by Brian Bolland, who provides a new cover). This volume - which no comics fan should be without - collects stories from ACTION COMICS #584, BATMAN ANNUAL #11, BATMAN: THE KILLING JOKE, DC COMICS PRESENTS #85, DETECTIVE COMICS #549-550, GREEN LANTERN #188, THE OMEGA MEN #26-27, SECRET ORIGINS #10, SUPERMAN #423, TALES OF THE GREEN LANTERN CORPS ANNUAL #2 & 3, SUPERMAN ANNUAL #11 and VIGILANTE #17-18. On sale January 2
Batman Beyond 2.0 launches with a new direction for Terry McGinnis! Commissioner Barbara Gordon enlists Terry's help while investigating the death of Neo-Gotham's Mayor, which took place inside the new Arkham Institute. Was it really only a heart attack? Or was one of Arkham's infamous inmates responsible? Collects issues #1-8.
New York Times Bestseller Named one of the Best Books of the Year by NPR, the Washington Post, Kirkus Reviews, and Library Journal Winner of the Audie Award The New York Times bestseller from the author of Watchmen and V for Vendetta finally appears in a one-volume paperback. Begging comparisons to Tolstoy and Joyce, this “magnificent, sprawling cosmic epic” (Guardian) by Alan Moore—the genre-defying, “groundbreaking, hairy genius of our generation” (NPR)—takes its place among the most notable works of contemporary English literature. In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).
After the Joker thinks that he has killed Batman, he reacts to the loss of his nemesis by attempting to leave his insanity behind him and lead a normal life as Joseph Kerr.
"A celebration of last laughs and deadly crimes as written and drawn by many of the greatest writers and artists ever to grace the comic art medium! The companion volume to The Greatest Batman Stories Ever Told!"--Cover, page 4.
In 1988, Alan Moore and Brian Bolland's BATMAN: THE KILLING JOKE offered a violent, literate, and controversial take on the Joker's origins and his relationship with Batman. Now, Dr. Julian Darius examines it in the context of the high-art ambitions of 1980s super-hero comics, exposing the narrative's ambiguities and secrets. From Sequart Organization. More info at http: //sequart.org
The saga of a a mysterious boy named Aang, who is an airbender--a race of people no one has seen in a century.
"Batman created by Bob Kane."