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The animated worlds of the current Teenage Mutant Ninja Turtles Nickelodeon cartoon and Batman: The Animated Series collide in this outstanding mini-series featuring fan-favorite characters from both universes! Villains start to mysteriously escape Arkham and Batman seeks to track them down, but he discovers that they have left Gotham completely... and gone to the New York City of the Teenage Mutant Ninja Turtles! Collects issues #1-6!
Batman and the Turtles grapple with the laws of Krang’s combined universe, desperate to return their two worlds to their original states. But there are some who do not want things set right. In this reality, the Laughing Man runs the Smile Clan, the most dangerous criminal organization ever to strike New Gotham City—and that’s how he wants things to stay! He’ll kill anyone who gets in his way...even the Shredder!
Originally published as Teenage Mutant Ninja Turtles/Ghostbusters issues #1-4.
The team behind the smash-hit crossover series is back to reunite the Dark Knight and the Heroes in a Half-Shell. When Donatello goes looking for a new mentor to help him improve his fighting skills, he opens a doorway to another reality, hoping to summon the Turtles’ one-time ally, Batman. But instead, he gets sent to Gotham City and someone else comes through the open portal—Bane! Suddenly, there’s a new gang boss in New York and he’s out to unite all the other bad guys under him. Can Donnie get back in time and bring Batman with him to help his brothers before Bane causes irreparable destruction? Co-published with IDW.
A fiendish alliance unfolds behind the scenes, unbeknownst to Batman and the TMNT as they are forced to fight a Poison Ivy-powered Snakeweed!
"Based on characters created by Peter Laird and Kevin Eastman"--Copyright page.
Bruce Wayne (Batman(TM)), Diana Prince (Wonder Woman(TM)), and Barry Allen (The Flash(TM)) have to rescue Clark Kent from an otherworldly detention in their newest Secret Hero Society adventure! When Lex Luthor's family company, Lexcorp(TM), invites kids from all over the country to attend an honors ceremony, Clark Kent is happy to participate. That is, until his award trophy creates a portal to another dimension and sucks him in! Lucky for Clark, his old friends Bruce and Diana along with newer friends Barry (The Flash(TM)) and Ollie (Green Arrow(TM)) are on the case! They'll have to travel to an alternate dimension to free their friend from Lex Luthor's grasp (and the worst detention ever) in this all-new adventure from Eisner Award winner Dustin Nguyen and Eisner Award nominee Derek Fridolfs.
As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. This edited collection, from a range of international scholars, argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution and marketing of franchises as a historical form of media-making - analysing the complex industrial practice of managing franchises across interconnected online platforms. Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape.
Since the establishment of film music studies, there has been a steady growth of serious analytical work on the film music repertoire. Film Music Analysis: Studying the Score offers the first collection of essays dedicated to the close investigation of musical structure and meaning in film music. Showcasing scholarship from a diverse and distinguished group of music theorists and musicologists, this book presents the many ways to inspect the inner workings of film music in a manner that is exciting and accessible to anyone curious about this music, regardless of their background in film or music theory. Each chapter takes as its focus one music-theoretical parameter and explores how that concept can be used to analyze and interpret film music. Covering theoretical concepts that range from familiar categories such as leitmotif and pitch structure to more cutting-edge ideas such as timbral associativity, topic theory, and metrical states, the book provides a toolkit with which to explore this captivatingly varied repertoire. With example analyses drawn from classic and contemporary films, Film Music Analysis: Studying the Score is a valuable teaching tool and an indispensable addition to the library of any lover of film and music.