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Bruce Wayne is only ten—and he’s already being hunted by Nazi soldiers and Ra’s al Ghul’s mysterious League of Shadows!
Wonder Woman and the Bionic Woman, the most beloved female icons of 1970s television, come together for globe-trotting action against their worst enemies! Diana Prince and Jaime Sommers team up to fight a rogue cabal bent on wreaking havoc and stealing deadly weapons. Can CASTRA be stopped before their real targets are revealed and lives are lost? And what three familiar villains threaten the unbeatable combination of bracelets and bionics? Bestselling author Andy Mangels (Star Trek, Star Wars) and artist Judit Tondora (Grimm Fairy Tales) join forces for a celebration of the original Girl Power! Collects issues 1-5.
Set in the world of the 1977 TV series, WONDER WOMAN '77 VOLUME 1 makes all that was retro new again, from writer Marc Andreyko (BATWOMAN), artists Drew Johnson (WONDER WOMAN), Matt Haley (BIRDS OF PREY), Cat Staggs (SMALLVILLE) and more! Amazonian Princess and Federal Agent Diana Prince-and her alter ego, the superheroine Wonder Woman-is always ready to leap into action, no matter when or where. Follow her from the Panama Canal to the heart of Africa as she tackles her professional and person duties to protect this planet. Collects WONDER WOMAN '77 SPECIAL #3-4.
As the refreshed and vigorous RaÕs al Ghul departs Paradise, he leaves behind his enemiesÉand something heÕll regret losing!
Set in the world of the 1977 TV series, WONDER WOMAN ’77 VOLUME 1 makes all that was retro new again, from writer Marc Andreyko (BATWOMAN), artists Drew Johnson (WONDER WOMAN), Matt Haley (BIRDS OF PREY), Cat Staggs (SMALLVILLE) and more! Amazonian Princess and Federal Agent Diana Prince-and her alter ego, the superheroine Wonder Woman-is always ready to leap into action, no matter the era. She’ll have to do battle with disco-loving Soviet spies at the swinging Studio 52, fight for her own identity after being targeted by the obsessive Doctor Psycho, and save a politician who finds himself in the literal hot seat thanks to a brand new villain, not to mention tangle with an enraged Solomon Grundy and her classic nemesis, Cheetah. To save the day, Diana will need all of her formidable powers, and the help of her partner, Agent Steve Trevor! Collects WONDER WOMAN ’77 #1-2.
ItÕs the greatest international crossover of the Õ60s that never happened-until now! Batman and Robin, the Dynamic Duo of Gotham City, fighting side by side with EnglandÕs avenging spy partners-Jonathan Steed and Emma Peel! When Bruce Wayne and his fetching new British business associate find themselves caught up in CatwomanÕs caper to steal EnglandÕs White Star diamond, Batman is nowhere to be found-but in the Caped CrusaderÕs absence, gentleman spy Jonathan Steed and his intrepid assistant Mrs. Peel are good enough to stop by and trap the thief! But it turns out that Catwoman wasnÕt working alone. Gotham City soon finds itself under attack by Steed and PeelÕs mechanical enemies, the Cybernauts-aided and abetted by BatmanÕs aristocratic antagonist, Lord Ffogg! With the White Star still in danger, the crime-fighting quartet has no choice but to rush across the pond and dive headlong into danger. But will the prowess of this transatlantic team-up be enough to save the world from an army of rampaging robots? The characters from the classic TV shows Batman and The Avengers finally combine forces in this august adventure of Anglophile action-with a Bat-twist!-from writer Ian Edginton (BATMAN) and artist Matthew Dow Smith (ADVENTURES OF SUPERMAN)!
“City of Bane” continues! The last of the independent villains are on the run, leaving Gotham City entirely to Bane and his cronies—including Flashpoint Batman and Gotham Girl! Though this means a semblance of peace on the streets, the iron grip of tyranny is squeezing all life out of Gotham. And with Bane’s machinations keeping other heroes out, the city really needs the Batman to return. Is Bruce Wayne ready to face his toughest foes yet…his father and the man who broke his back?
In 1967, television history was made when two masked crime fighters met in a historic crossover. Now, superstar filmmaker Kevin Smith and actor/comedian Ralph Garman join forces with artist Ty Templeton (BATMAN '66) to bring these two iconic characters and their famous partners together again. Set in the continuity of that earlier team-up, Batman, The Green Hornet, Robin and Kato must go up against a very different General (formerly Colonel) Gumm. What crime could be so deadly as to force these rivals to put aside their differences and join forces again? And what surprise does Gumm have up his sticky sleeve? Collects Batman '66/Green Hornet #1-6
Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s.
The Superhero Multiverse focuses on the evolving meanings of the superhero icon in 21st-century film and popular media, with an emphasis on re-adapting, re-imagining, and re-making. With its focus on multimedia and transmedia transformations, The Superhero Multiverse pivots on two important points: firstly, it reflects on the core concerns of the superhero narrative—including the relationship between ‘superhero comics’ and ‘superhero films’, the comics roots of superhero media, matters of canon and hybridity, and issues of recycling and stereotyping in superhero films and media texts. Secondly, it considers how these intersecting textual and cultural preoccupations are intrinsic to the process of remaking and re-adapting superheroes, and brings attention to multiple ways of materializing these iconic figures in our contemporary context.