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“City of Bane” begins! Bane’s minions have moved into Gotham City, taken control and are ruling with an iron fist—including rounding up any villain who refuses to sign onto Bane’s program—and Batman is nowhere to be found. At least not the Batman anyone knows. It’s like someone has replaced the real Gotham City with a twisted funhouse-mirror version of it.
Superstar artist David Finch (WONDER WOMAN) completes his run on the Dark Knight in BATMAN VOL. 3: I AM BANE, the stunning new chapter in writer Tom KingÕs (THE SHERIFF OF BABYLON) wildly acclaimed Batman saga. He is not a joke. He is not a riddle. He is not a bird or a cat or a penguin, not a scarecrow or a plant or a puppet. He is not a fairy tale or a circus act, a broken friend or a regretful mentor. He is no rich boy pretending to be a knight. He is Bane. The Batman invaded his home, scarred his mind and broke his back. Now Bane has returned to Gotham City for a single purpose: break the Batman once and for all. But first, heÕll destroy everyone the Dark Knight has ever lovedÉor loathed. The young heroes whoÕve worn the mantle of Robin. The cops, crime-fighters and vigilantes who make up BatmanÕs army of allies. Even the madmen and monsters that haunt the halls of Arkham Asylum. Batman will need all of their helpÑand moreÑto fend off this unstoppable challenger. Because both Bane and Batman know one thing: only one of them will walk away from their final confrontation unbrokenÉ Collects stories from BATMAN #16-20, 23-24 and BATMAN ANNUAL #1.
It's all led to this! Bane's minions have taken control of Gotham City and are ruling with an iron fist, and Batman is nowhere to be found. Instead, Flashpoint Batman is patrolling the city, dispensing a violent brand of justice. It's all building to a rebellion among the bad guys who don't want to play along with Bane! Meanwhile, Bruce Wayne is on a quest to regain his fighting spirit...Collects Batman #75-79.
“I AM GOTHAM” part one. No one has ever stopped the Caped Crusader. Not The Joker. Not Two-Face. Not even the entire Justice League. But how does Batman confront a new hero who wants to save the city from the Dark Knight? CAN’T MISS: Superstar artist David Finch returns to Batman alongside writer Tom King for this five-part storyline.
“City of Bane” continues! The last of the independent villains are on the run, leaving Gotham City entirely to Bane and his cronies—including Flashpoint Batman and Gotham Girl! Though this means a semblance of peace on the streets, the iron grip of tyranny is squeezing all life out of Gotham. And with Bane’s machinations keeping other heroes out, the city really needs the Batman to return. Is Bruce Wayne ready to face his toughest foes yet…his father and the man who broke his back?
Batman has returned to Gotham City! In this extra-sized conclusion to Snyder and Capullo's epic story 'Superheavy,' Bruce Wayne returns to the cape and cowl to battle Mr. Bloom alongside Jim Gordon for the fate of the city they both love.
“The Fall and the Fallen” concludes with a father-and-son showdown. Flashpoint Batman reveals his fiendish reasoning for dragging Batman into the desert, and who is in the coffin they’ve been dragging along with them. But is this a step too far? It’s Bruce Wayne versus Thomas Wayne for the right to wear the cowl, and all of Gotham City hangs in the balance!
Ra’s al Ghul is dead, and Talia is out for revenge! Batman is on the case to find Deathstroke before Talia’s elite killers do! But Batman starts to piece together that not everything is what it seems in Ra’s’s death…and knows whom he must interrogate to get answers…Talia herself! Can the two former lovers ever work together again? Plus, a backup tale showing the secret first fight between Batman and Deathstroke!
While much of the scholarship on superhero narratives has focused on the heroes themselves, Batman’s Villains and Villainesses: Multidisciplinary Perspectives on Arkham’s Souls takes into view the depiction of the villains and their lives, arguing that they often function as proxies for larger societal and philosophical themes. Approaching Gotham’s villains from a number of disciplinary backgrounds, the essays in this collection highlight how the villains’ multifaceted backgrounds, experiences, motivations, and behaviors allow for in-depth character analysis across varying levels of social life. Through investigating their cultural and scholarly relevance across the humanities and social sciences, the volume encourages both thoughtful reflection on the relationship between individuals and their social contexts and the use of villains (inside and outside of Gotham) as subjects of pedagogical and scholarly inquiry.