Download Free Bathers Bodies Beauty Book in PDF and EPUB Free Download. You can read online Bathers Bodies Beauty and write the review.

"What meets the eye in Renoir's paintings of nude bathers? To some viewers, they are the very picture of female sensuality and beauty. To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in these naked women a fantasy of bodily liberation. The points of view are many, various, and occasionally startling. Linda Nochlin's aim in looking at works of art is not to construct a unitary response but to pull things apart, to leave the reader unsettled, confronting the contradictions - about the body, beauty, and ways of viewing - in the work of impressionists, modern masters, contemporary realists, and postmodernists."--BOOK JACKET.
"What meets the eye in Renoir's paintings of nude bathers? To some viewers, they are the very picture of female sensuality and beauty. To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in these naked women a fantasy of bodily liberation. The points of view are many, various, and occasionally startling. Linda Nochlin's aim in looking at works of art is not to construct a unitary response but to pull things apart, to leave the reader unsettled, confronting the contradictions - about the body, beauty, and ways of viewing - in the work of impressionists, modern masters, contemporary realists, and postmodernists."--BOOK JACKET.
Emphasizing the human body in all of its forms, Beauty Unlimited expands the boundaries of what is meant by beauty both geographically and aesthetically. Peg Zeglin Brand and an international group of contributors interrogate the body and the meaning of physical beauty in this multidisciplinary volume. This striking and provocative book explores the history of bodily beautification; the physicality of socially or culturally determined choices of beautification; the interplay of gender, race, class, age, sexuality, and ethnicity within and on the body; and the aesthetic meaning of the concept of beauty in an increasingly globalized world.
In the act of enclosing space and making rooms, we make and define our aspirations and identities. Taking a room by room approach, this fascinating volume explores how representations of domestic space have embodied changing spatial configurations and values, and considers how we see modern individuals in the process of making themselves 'at home'. Scholars from the US, UK and Australasia re-visit and re-think interiors by Bonnard, Matisse, Degas and Vuillard, as well as the great spaces of early modernity; the drawing room in Rossetti's house, hallways in Hampstead Garden Suburb, the Paris attic of the Brothers Goncourt; Schütte-Lihotzky's Frankfurt Kitchen, to explore how interior making has changed from the Victorian to the modern period. From the smallest room - the bathroom - to the spacious verandas of Singapore Deco, Domestic Interiors focuses on modern rooms 'imaged' and imagined, it builds a distinct body of knowledge around the interior, interiority, representation and modernity, and creates a rich resource for students and scholars in art, architecture and design history.
Keren Rosa Hammerschlag's Frederic Leighton: Death, Mortality, Resurrection offers a timely reexamination of the art of the late Victorian period's most institutionally powerful artist, Frederic Lord Leighton (1830-1896). As President of the Royal Academy from 1878 to 1896, Leighton was committed to the pursuit of beauty in art through the depiction of classical subjects, executed according to an academic working-method. But as this book reveals, Leighton's art and discourse were beset by the realisation that academic art would likely die with him. Rather than achieving classical perfection, Hammerschlag argues, Leighton's figures hover in transitional states between realism and idealism, flesh and marble, life and death, as gothic distortions of the classical ideal. The author undertakes close readings of key paintings, sculptures, frescos and drawings in Leighton's oeuvre, and situates them in the context of contemporaneous debates about death and resurrection in theology, archaeology and medicine. The outcome is a pleasurably macabre counter-biography that reconfigures what it meant to be not just a late-Victorian neoclassicist and royal academician, but President of the Victorian Royal Academy.
For a country smaller than Vermont, with roughly the same population as Honduras, modern Israel receives a remarkable amount of attention. For supporters, it is a unique bastion of democracy in the Middle East, while detractors view it as a racist outpost of Western colonialism. The romanticization of Israel became particularly prominent in 1967, when its military prowess shocked a Jewish world still reeling from the sense of powerlessness dramatized by the Holocaust. That imagery has grown ever more visible, with Israel’s supporters idealizing its technological achievements and its opponents attributing almost every problem in the region, if not beyond, to its imperialistic aspirations. The contradictions and competing views of modern Israel are the subject of this book. There is much to consider about modern Israel besides the Middle East conflict. Over the past generation, a substantial body of scholarship has explored numerous aspects of the country, including its approaches to citizenship and immigration, the arts, the women’s movement, religious fundamentalism, and language; but much of that work has to date been confined within the walls of the academy. This book does not seek not to resolve either the country’s internal debates or its struggle with the Arab world, but to present a sample of contemporary scholars’ discoveries and discussions about modern Israel in an accessible way. In each of the areas discussed, competing narratives grapple for prominence, and it is these which are highlighted in this volume.
Jennie Grillo traces across cultures and languages the reception history of the 'Additions' to the Book of Daniel through three key themes: martyrdom, afterlife worlds, and the act of seeing beauty. Exploring commentary, iconography, fine art, and more, this study demonstrates the longer Daniel-book's abiding significance for theology.
The cross of Christ is undeniably central to the Christian faith. But, how can the cruelty and brutality of a two-thousand-year-old Roman cross touch base with a hedonistic world that has been so desensitized towards violence? Within the postmodern setting of a body-obsessed culture, Christianity urgently requires an innovative and stimulating way of understanding the cross and its atoning significance. At the heart of this book is the Naked Christ--an emblem through which the author draws on the rich resources of the Christian tradition in its portrayal of the cross. He explores how the metaphors of nakedness and clothing can encapsulate aspects of atonement and enable them to be understood within a variety of contemporary contexts. The Naked Christ is a useful resource for anyone seeking fresh ways to express what the cross of Christ means to contemporary culture.
Art as Biblical Commentary is not just about biblical art but, more importantly, about biblical exegesis and the contributions visual criticism as an exegetical tool can make to biblical exegesis and commentary. Using a range of texts and numerous images, J. Cheryl Exum asks what works of art can teach us about the biblical text. 'Visual criticism' is her term for an approach that addresses this question by focusing on the narrativity of images-reading them as if, like texts, they have a story to tell-and asking what light an image's 'story' can shed on the biblical narrator's story. In Part I, Exum elaborates on her approach and offers a personal testimony to the value of visual criticism. Part 2 examines in detail the story of Hagar in Genesis 16 and 21. Part 3 contains chapters on erotic looking and voyeuristic gazing in the stories of Bathsheba, Susanna, Joseph and Potiphar's wife and the Song of Songs; on the distribution of renown among Jael, Deborah and Barak; on the Bible's notorious women, Eve and Delilah; and on the sacrificed female body in the stories of the Levite's wife (Judges 19) and Mary the mother of Jesus.
Henri Matisse’s experiments with form and color revolutionized the twentieth-century art world. In this concise critical biography, Kathryn Brown explores Matisse’s long career, beginning with his struggles as a student in Paris and culminating in his celebrated use of paper cutouts and stained glass in the last decade of his life. The book challenges various myths about Matisse and offers a fresh perspective on his creativity and legacy. Chapters explore the artist’s enthusiasm for fashion and cinema, his travels, personal ties, interest in African art, love of literature, and willingness to challenge audience expectations. Through close readings of Matisse’s works, Brown offers new insight into the artist’s friendships and battles with dealers, critics, collectors, and fellow artists.