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Using a broad array of archaeology, art, and text, this book revolutionizes our understanding of the Roman sanctuary at Bath.
An uninhibited glance into the extensive baths of Rome
For almost three hundred years, excavations have been carried out in Roman Bath. At first these were rare and sporadic and archaeological finds were made by chance. Even fewer were reported. But from the 1860s, deliberate investigations were made and increasingly professional methods employed. The Roman Baths were laid open to view, but little was published. From the 1950s, interest accelerated, professionals and amateurs collaborated, and there was never a decade in which some new discovery was not made. The first popular but authoritative presentation of this work was made in 1971 and updated several times. However, from the 1990s to the present there has been some sort of archaeological investigation almost every year. This has thrown much new and unexpected light on the town of Aquae Sulis and its citizens. In this book, Peter Davenport, having been involved in most of the archaeological work in Bath since 1980, attempts to tell the story of Roman Bath: the latest interim report on the 'Three Hundred Year Dig'.
This text reviews and analyzes the structure, function and design of baths, seeking to integrate their architecture with the wider social and cultural custom of bathing, and examining in particular the changes this custom underwent in Late Antiquity and in Byzantine and Islamic cultures.
A comprehensive history of Roman Bath
A compelling new account of religion in Roman Britain, weaving together the latest archaeological research and a new analysis of ancient literature to illuminate parallels between past and present Two thousand years ago, the Romans sought to absorb into their empire what they regarded as a remote, almost mythical island on the very edge of the known world—Britain. The expeditions of Julius Caesar and the Claudian invasion of 43 CE, up to the traditional end of Roman Britain in the fifth century CE, brought fundamental and lasting changes to the island. Not least among these was a pantheon of new classical deities and religious systems, along with a clutch of exotic eastern cults, including Christianity. But what homegrown deities, cults, and cosmologies did the Romans encounter in Britain, and how did the British react to the changes? Under Roman rule, the old gods and their adherents were challenged, adopted, adapted, absorbed, and reconfigured. Miranda Aldhouse- Green balances literary, archaeological, and iconographic evidence (and scrutinizes the shortcomings of each) to illuminate the complexity of religion and belief in Roman Britain. She examines the two-way traffic of cultural exchange and the interplay between imported and indigenous factions to reveal how this period on the cusp between prehistory and history knew many of the same tensions, ideologies, and issues of identity still relevant today.
In Gardens of the Roman Empire, the pioneering archaeologist Wilhelmina F. Jashemski sets out to examine the role of ancient Roman gardens in daily life throughout the empire. This study, therefore, includes for the first time, archaeological, literary, and artistic evidence about ancient Roman gardens across the entire Roman Empire from Britain to Arabia. Through well-illustrated essays by leading scholars in the field, various types of gardens are examined, from how Romans actually created their gardens to the experience of gardens as revealed in literature and art. Demonstrating the central role and value of gardens in Roman civilization, Jashemski and a distinguished, international team of contributors have created a landmark reference work that will serve as the foundation for future scholarship on this topic. An accompanying digital catalogue will be made available at: www.gardensoftheromanempire.org.
The fascinating story of Britain’s Roman Baths right up to the present day.
This ambitious book investigates a major yet underexplored nexus of themes in Roman cultural history: the evolving tropes of enclosure, retreat and compressed space within an expanding, potentially borderless empire. In Roman writers' exploration of real and symbolic enclosures - caves, corners, villas, bathhouses, the 'prison' of the human body itself - we see the aesthetic, philosophical and political intersecting in fascinating ways, as the machine of empire is recast in tighter and tighter shapes. Victoria Rimell brings ideas and methods from literary theory, cultural studies and philosophy to bear on an extraordinary range of ancient texts rarely studied in juxtaposition, from Horace's Odes, Virgil's Aeneid and Ovid's Ibis, to Seneca's Letters, Statius' Achilleid and Tacitus' Annals. A series of epilogues puts these texts in conceptual dialogue with our own contemporary art world, and emphasizes the role Rome's imagination has played in the history of Western thinking about space, security and dwelling.