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Bastar is a series of poems on Bastar, a part of the ancient Dandakaranya (modern-day Chhattisgarh). It is home to some of the most primitive and wonderful forest-tribes in the world. For over a century now, the tribes are reeling on the one hand, under the ways of bossy petty officials, traders and, now, the Naxals and, on the other hand, the ‘schemes’ of the Government and the evangelists who presume that the good of the tribes lies in ‘mainstreaming’ them. Bastar Rebellion (called ‘Bhumkal’) in 1910 was a flashpoint of the tribal rage against such ‘development.’ It was a rape of our faith by a people, Who professed religion, practised rituals, Yet did not share our sense of the sacred. Bhumkal [=’Earthquake’] The 35 poems in this section are vignettes of this socio-spiritual-cultural conflict that continues even today. The author likes to describe this work as ‘documentary poems.’ Bastar, he believes, is a narrative of indigenous societies crumbling the world over under settlers’ greed. The second section of the book contains 33 Miscellaneous Poems on a wide range of unconventional topics, all with a spiritual undercurrent.
The short essays in this book have a common string: spirituality, in a practical sense of the word. The range of topics is wide: Love is a Verb-less State of Being; The Price of Money; Not Nothing, I am No-thing; Life Lessons from Chess; Drink While you Pray, or Pray While You Drink?; Another Way to Eat a Mango; Hostile Love; To be a Somebody, Remain a Nobody; In Divine Mathematics, 0=1=?; etc. Several essays are related to the spiritual outlook of indigenous peoples, commonly called the tribes. The essays are meant to nudge the reader into self-seeking; to ignite a desire to think forward; to draw on the past wisdom for direction to address today’s concerns and everyday tasks. The language and the presentation are simple, delightful, and gripping.
A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.
The romantic lyricism of the great Persian poet Hafiz (1315-1390) continues to be admired around the world. Recent exploration of that lyricism by Iranian scholars has revealed that, in addition to his masterful use of poetic devices, Hafiz's verse is deeply steeped in the philosophy and symbolism of Persian love mysticism. This innovative volume discusses the aesthetic theories and mystical philosophy of the classical Persian love-lyric (ghazal) as particularly exemplified by Hafiz (who, along with Rumi and Sa'di, is Persia's most celebrated poet). For the first time in western literature, Hafiz's rhetoric of romance is situated within the broader context of what scholars refer to as 'Love Theory' in Arabic and Persian poetry in particular and Islamic literature more generally. Contributors from both the West and Iran conduct a major investigation of the love lyrics of Hafiz and of what they signified to that high culture and civilization which was devoted to the School of Love in medieval Persia. The volume will have strong appeal to scholars of the Middle East, medieval Islamic literature, and the history and culture of Iran.