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First made for the tourist trade in the early 20th century, baskets made of a fibrous substance called baleen--found in the mouths of plankton-eating whales--are now prized as Native art. Originally published in 1983, this was the first book on this unusual basket form. This completely redesigned edition remains the most informative work on baleen baskets, covering their history, characteristics, and construction, as well as profiling their makers. 48 illustrations.
This groundbreaking multidisciplinary book presents significant essays on historical indigenous violence in Latin America from Tierra del Fuego to central Mexico. The collection explores those uniquely human motivations and environmental variables that have led to the native peoples of Latin America engaging in warfare and ritual violence since antiquity. Based on an American Anthropological Association symposium, this book collects twelve contributions from sixteen authors, all of whom are scholars at the forefront of their fields of study. All of the chapters advance our knowledge of the causes, extent, and consequences of indigenous violenceÑincluding ritualized violenceÑin Latin America. Each major historical/cultural group in Latin America is addressed by at least one contributor. Incorporating the results of dozens of years of research, this volume documents evidence of warfare, violent conflict, and human sacrifice from the fifteenth century to the twentieth, including incidents that occurred before European contact. Together the chapters present a convincing argument that warfare and ritual violence have been woven into the fabric of life in Latin America since remote antiquity. For the first time, expert subject-area work on indigenous violenceÑarchaeological, osteological, ethnographic, historical, and forensicÑhas been assembled in one volume. Much of this work has heretofore been dispersed across various countries and languages. With its collection into one English-language volume, all future writersÑregardless of their discipline or point of viewÑwill have a source to consult for further research. CONTENTS Acknowledgments Introduction Richard J. Chacon and RubŽn G. Mendoza 1.ÊÊStatus Rivalry and Warfare in the Development and Collapse of Classic Maya Civilization Matt OÕMansky and Arthur A. Demarest 2.ÊÊAztec Militarism and Blood Sacrifice: The Archaeology and Ideology of Ritual Violence RubŽn G. Mendoza 3.ÊÊTerritorial Expansion and Primary State Formation in Oaxaca, Mexico Charles S. Spencer 4.ÊÊImages of Violence in Mesoamerican Mural Art Donald McVicker 5.ÊÊCircum-Caribbean Chiefly Warfare Elsa M. Redmond 6.ÊÊConflict and Conquest in Pre-Hispanic Andean South America: Archaeological Evidence from Northern Coastal Peru John W. Verano 7.ÊÊThe Inti Raymi Festival among the Cotacachi and Otavalo of Highland Ecuador: Blood for the Earth Richard J. Chacon, Yamilette Chacon, and Angel Guandinango 8.ÊÊUpper Amazonian Warfare Stephen Beckerman and James Yost 9.ÊÊComplexity and Causality in Tupinamb‡ Warfare William BalŽe 10.ÊÊHunter-GatherersÕ Aboriginal Warfare in Western Chaco Marcela Mendoza 11.ÊÊThe Struggle for Social Life in Fuego-Patagonia Alfredo Prieto and Rodrigo C‡rdenas 12.ÊÊEthical Considerations and Conclusions Regarding Indigenous Warfare and Ritual Violence in Latin America Richard J. Chacon and RubŽn G. Mendoza References About the Contributors Index
The methods of Indian basket weaving explained in this excellent manual are the very ones employed by native practitioners of the craft. members of the Navajo School of Basketry have set down their secrets in clear and simple language, enabling even the beginner to create work that can rival theirs in grace, design, and usefulness. Beginning with basic techniques, choice of materials, preparation of the reed, splicing, the introduction of color, principles and methods of design, shaping the basket and weaves from many cultures, such as Lazy Squaw, Mariposa, Taos, Samoan, Klikitat, and Shilo, each accompanied by specific instructions. There are suggestions for the weaving of shells, beads, feathers, fan palms, date palms, and even pine needles, and recipes for the preparation of dyes. Examples of each type of basket are illustrated by photographs, often taken from more than one angle so that the bottom can be seen as well as the top and sides. Close-up photography of the various types of stitching, especially at the crucial stage of beginning the basket, is an invaluable aid to the weaver. In addition, the authors have provided line drawings which are exceptionally clear magnifications of the various weave patterns. Anyone who follows the lessons contained in this book will have a knowledge of basketry unattainable in any other way. They are so lucid and complete that the amateur as well as the experienced weaver will be able to manufacture baskets distinguishable from authentic native articles only in that they were not woven by Indians. For those who merely seek a broader knowledge of American Indian arts, the book provides a comprehensive introduction to the subject of basketry.
A prominent Navajo educator once told historian Peter Iverson that “the five major sports on the Navajo Nation are basketball, basketball, basketball, basketball, and rodeo.” The Native American passion for basketball extends far beyond the Navajo, whether on reservations or in cities, among the young and the old. Why basketball—a relatively new sport—should hold such a place in Native culture is the question Wade Davies takes up in Native Hoops. Indian basketball was born of hard times and hard places, its evolution traceable back to the boarding schools—or “Indian schools”—of the early twentieth century. Davies describes the ways in which the sport, plied as a tool of social control and cultural integration, was adopted and transformed by Native students for their own purposes, ultimately becoming the “Rez ball” that embodies Native American experience, identity, and community. Native Hoops travels the continent, from Alaska to North Carolina, tying the rise of basketball—and Native sports history—to sweeping educational, economic, social, and demographic trends through the course of the twentieth century. Along the way, the book highlights the toils and triumphs of well-known athletes, like Jim Thorpe and the 1904 Fort Shaw girl’s team, even as it brings to light the remarkable accomplishments of those whom history has, until now, left behind. The first comprehensive history of American Indian basketball, Native Hoops tells a story of hope, achievement, and celebration—a story that reveals the redemptive power of sport and the transcendent spirit of Native culture.
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The peoples of northwestern Califonia's Lower Klamath River area have long been known for their fine basketry. Two early-twentieth-century weavers of that region, Elizabeth Hickox and her daughter Louise, created especially distinctive baskets that are celebrated today for their elaboration of technique, form, and surface designs. Marvin Cohodas now explores the various forces that influenced Elizabeth Hickox, analyzing her relationship with the curio trade, and specifically with dealer Grace Nicholson, to show how those associations affected the development and marketing of baskets. He explains the techniques and patterns that Hickox created to meet the challenge of weaving design into changig three-dimensional forms. In addition to explicating the Hickoxes' basketry, Cohodas interprets its uniqueness as a form of intersocietal art, showing how Elizabeth first designed her distinctive trinket basket to convey a particular view of the curio trade and its effect on status within her community. Through its close examination of these superb practitioners of basketry, Basket Weavers for the California Curio Trade addresses many of today's most pressing questions in Native American art studies concerning individuality, patronage, and issues of authenticity. Graced with historic photographs and full-color plates, it reveals the challenges faced by early-twentieth-century Native weavers. "Extremely well written and based on an impressive amount of archival research. . . . It skillfully interweaves biography, rigorous stylistic analysis, and social history into an impressive story."--Janet Berlo, editor, The Early Years of Native American Art History Published with the assistance of The Southwest Museum, Los Angeles.