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Ever since 1963, when East Berlin's renowned art academy, Hochschule der Kunste, expelled Georg Baselitz for what's been translated as "sociopolitical immaturity," and the police confiscated work from his first solo show, he's officially been an art-world bad boy. More than 40 years into his career, he's still literally turning his subjects upside down, and he is considered one of Europe's most influential painters. This collection of more than 100 works spanning from Baselitz's earliest years to the present day offers an unparalleled overview of his oeuvre, as well as insight into the subtle changes that have come to his work as he has matured: In recent years the distinctive visual universe that grew out of the artist's study of art, myth and literature has expanded to make room for the personal, for memories of an upbringing in the German and Slavic cultural borderland, for everyday life and his family and for revisiting works by himself and others.
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
Ever since 1963, when East Berlin's renowned art academy, Hochschule der K]nste, expelled Georg Baselitz for what's been translated as "sociopolitical immaturity," and the police confiscated work from his first solo show, he's officially been an art-world bad boy. More than 40 years into his career, he's still literally turning his subjects upside down, and he is considered one of Europe's most influential painters. This collection of more than 100 works spanning from Baselitz's earliest years to the present day offers an unparalleled overview of his oeuvre, as well as insight into the subtle changes that have come to his work as he has matured: In recent years the distinctive visual universe that grew out of the artist's study of art, myth and literature has expanded to make room for the personal, for memories of an upbringing in the German and Slavic cultural borderland, for everyday life and his family and for revisiting works by himself and others.
Catalog of an exhibition held at Gagosian Gallery, London, Feb. 13-Mar. 29, 2014.
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
A legendary painting by Rembrandt forms the centerpiece of this exploration of self-portraits by leading artists of the twentieth and twenty-first centuries. Published to commemorate an exhibition presented by Gagosian in partnership with English Heritage, this stunning volume centers on Rembrandt's masterpiece Self-Portrait with Two Circles (c. 1665), from the collection of Kenwood House in London. The painting is considered to be Rembrandt's greatest late self-portrait and is accompanied here by examples of the genre from leading artists of the past one hundred years. These include works by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Cindy Sherman, and Rudolf Stingel, among others. Also featured is a new work by Jenny Saville, created in response to Rembrandt's masterpiece. Full-color plates of the works, generous details, and installation views of the exhibition accompany an expansive essay by art historian David Freedberg that provides a close look at the self-portraits created by Rembrandt throughout his life and considers the role of the Dutch master as the precursor of all modern painting.
Tekst in het Duits, Engels, Frans. Met biografie en bibliografie.
Four artists from Germany, known globally, who have each attained a level of fame that is unique in the history of German art. Their renown was cemented by their early work of the 1960s--that decade of reaction and rebellion, of confrontation and upheaval, of utopias and a new social compass. In conversations with Gotz Adriani, the artists talk frankly about their work during this time when German society, East and West, may have got over the Nazi regime and the worst of the devastation of the war, but not the cultural and intellectual roots of Germany's fascist past. The book offers a fresh and comprehensive look at the early works of Baselitz, Richter, Polke, and Kiefer, at how each one variously tackled the aesthetic dominance of abstract art and the unique social and political environment of their newly founded country, the Federal Republic of Germany.