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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
He was not much of a player and not much more of a manager, but by the time Branch Rickey (1881-1965) finished with baseball, he had revolutionized the sport--not just once but three times. In this definitive biography of Rickey--the man sportswriters dubbed "The Brain," "The Mahatma," and, on occasion, "El Cheapo"--Lee Lowenfish tells the full and colorful story of a life that forever changed the face of America's game. As the mastermind behind the Saint Louis Cardinals from 1917 to 1942, Rickey created the farm system, which allowed small-market clubs to compete with the rich and powerful. Under his direction in the 1940s, the Brooklyn Dodgers became truly the first "America's team." By signing Jackie Robinson and other black players, he single-handedly thrust baseball into the forefront of the civil rights movement. Lowenfish evokes the peculiarly American complex of God, family, and baseball that informed Rickey's actions and his accomplishments. His book offers an intriguing, richly detailed portrait of a man whose life is itself a crucial chapter in the history of American business, sport, and society.
Tells the story of the 1947 Brooklyn Dodgers in contextualized biographies of the players, managers, and everyone else important to the team.
From Paul Dickson, the Casey Award–winning author of Bill Veeck: Baseball's Greatest Maverick, the first full biography of Leo Durocher, one of the most colorful and important figures in baseball history. Leo Durocher (1906–1991) was baseball's all-time leading cocky, flamboyant, and galvanizing character, casting a shadow across several eras, from the time of Babe Ruth to the Space Age Astrodome, from Prohibition through the Vietnam War. For more than forty years, he was at the forefront of the game, with a Zelig-like ability to be present as a player or manager for some of the greatest teams and defining baseball moments of the twentieth century. A rugged, combative shortstop and a three-time All-Star, he became a legendary manager, winning three pennants and a World Series in 1954. Durocher performed on three main stages: New York, Chicago, and Hollywood. He entered from the wings, strode to where the lights were brightest, and then took a poke at anyone who tried to upstage him. On occasion he would share the limelight, but only with Hollywood friends such as actor Danny Kaye, tough-guy and sometime roommate George Raft, Frank Sinatra, and his third wife, movie star Laraine Day. As he did with Bill Veeck, Dickson explores Durocher's life and times through primary source materials, interviews with those who knew him, and original newspaper files. A superb addition to baseball literature, Leo Durocher offers fascinating and fresh insights into the racial integration of baseball, Durocher's unprecedented suspension from the game, the two clubhouse revolts staged against him in Brooklyn and Chicago, and Durocher's vibrant life off the field.
This anthology gathers selected papers from the 2007 and 2008 meetings of the Cooperstown Symposium on Baseball and American Culture, the long-running academic conference held annually at the National Baseball Hall of Fame. Essays included employ the national pastime to comment on issues transcending the playing field, and are divided into six sections: "Cultural Perspectives on the Game," "Literary Baseball," "Baseball at the Movies," "Minority Standard Bearers," "New Leagues," and "The Business of Baseball."
Of all the New York Yankees championship teams, the 1947 club seemed the least likely. Bridging the gap between the dynasties of Joe McCarthy and Casey Stengel, the team, managed by Bucky Harris, was coming off three non-pennant-winning seasons and given little chance to unseat the defending American League champion Boston Red Sox. And yet, led by Joe DiMaggio, this un-Yankees-like squad of rookies, retreads, and a few solid veterans easily won the pennant over the Detroit Tigers and the heavily favored Red Sox, along the way compiling an American League-record nineteen-game winning streak. They then went on to defeat the Brooklyn Dodgers in a dramatic seven-game World Series that was the first to be televised and the first to feature an African American player. Bridging Two Dynasties commemorates this historic club--the players, on the field and off, and the events surrounding their remarkable season. Along with player biographies, including those of future Hall of Famers DiMaggio, Bucky Harris, Yogi Berra, and Phil Rizzuto, the book features a seasonal timeline and covers pertinent topics such as the winning streak, the Yankees' involvement in Leo Durocher's suspension, and the thrilling World Series.
Baseball fans may know the story of the Brooklyn Dodgers, but they don't know the whole story. With a foreword by Branch Barrett Rickey (grandson of Branch Rickey), this book fills the void in Dodgers scholarship, exploring their impact on popular culture and revealing lesser-known details of the team's history. Personal stories are included from the fans who embraced Jackie Robinson, Pee Wee Reese, Carl Erskine, Roy Campanella and other icons of Ebbets Field. Drawing on archival documents, contemporary press accounts and fan interviews, the author brings to life the magic of the Dodgers, chronicling in detail the genesis, glory and demise of the team that changed baseball--and America.
The 1934 St. Louis Cardinals were one of the most colorful crews ever to play the National Pastime. Sportswriters delighted in assigning nicknames to the players, based on their real or imagined qualities. What a cast of characters it was! None was more picturesque than Pepper Martin, the “Wild Horse of the Osage,” who ran the bases with reckless abandon, led his team­mates in off­ the­field hi­jinks, and organized a hillbilly band called the Mississippi Mudcats. He was quite a baseball player, the star of the 1931 World Series and a significant contributor to the 1934 championship. The harmonica player for the Mudcats was the irrepressible Dizzy Dean. Full of braggadocio, Dean delivered on his boasts by winning 30 games in 1934, the last National League hurler to achieve that feat. Dizzy and his brother Paul accounted for all of the Cardinal victories in the 1934 World Series. Some writers tried to pin the moniker Daffy on Paul, but that name didn’t fit the younger and much quieter brother. The club’s hitters were led by the New Jersey strong boy, Joe “Ducky” Medwick, who hated the nickname, preferring to be called “Muscles.” Presiding over this aggregation was the “Fordham Flash,” Frankie Frisch. Rounding out the club were worthies bearing such nicknames as Ripper, “Leo the Lip,” Spud, Kiddo, Pop, Dazzy, Ol’ Stubblebeard, Wild Bill, Buster, Chick, Red, and Tex. Some of these were aging stars, past their prime, and others were youngsters, on their way up. Together they comprised a championship ball club. “The Gas House Gang was the greatest baseball club I ever saw. They thought they could beat any ballclub and they just about could too. When they got on that ballfield, they played baseball, and they played it to the hilt too. When they slid, they slid hard. There was no good fellowship between them and the opposition. They were just good, tough ballplayers.” — Cardinals infielder Burgess Whitehead on "When It Was A Game," HBO Sports, 1991