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Over forty years and across a variety of media, artist Rick Bartow has created a powerful body of work. His representations of humans, animals, hybrid creatures, and shadowy figures display such exquisite beauty or grotesque absurdity--sometimes both at once--that a viewer cannot help being pulled into the artist's world. The experience can be whimsical and troubling by turns, but is always undeniably transformative. Born in Oregon, Bartow is a member of the Wiyot tribe of the Humboldt Bay region, and his art carries influences of his heritage as well as his fine-art training, travels, and life events. This exhibition catalog accompanies the show Rick Bartow: Things You Know But Cannot Explain, which originated at the Jordan Schnitzer Museum of Art (University of Oregon, Eugene) and will be on view through 2018 at the IAIA Museum of Contemporary Native Arts (Santa Fe, NM); the Heard Museum (Phoenix, AZ); Washington State University Museum of Art (Pullman); and the Autry National Center (Los Angeles). Full-color images display key works from the show, supplemented by a comprehensive visual checklist of pieces. Essays by the show's co-curators and by Lawrence Fong, former curator of American and regional art at the JSMA, explore key themes in the artist's oeuvre.
Reprint of the original, first published in 1878.
"Citizen Coke demostrate[s] a complete lack of understanding about…the Coca-Cola system—past and present." —Ted Ryan, the Coca-Cola Company By examining “the real thing” ingredient by ingredient, this brilliant history shows how Coke used a strategy of outsourcing and leveraged free public resources, market muscle, and lobbying power to build a global empire on the sale of sugary water. Coke became a giant in a world of abundance but is now embattled in a world of scarcity, its products straining global resources and fueling crises in public health.
An authoritative and eye-opening history that examines how Monsanto came to have outsized influence over our food system. Monsanto, a St. Louis chemical firm that became the world’s largest maker of genetically engineered seeds, merged with German pharma-biotech giant Bayer in 2018—but its Roundup Ready® seeds, introduced twenty-five years ago, are still reshaping the farms that feed us. When researchers found trace amounts of the firm’s blockbuster herbicide in breakfast cereal bowls, Monsanto faced public outcry. Award-winning historian Bartow J. Elmore shows how the Roundup story is just one of the troubling threads of Monsanto’s past, many told here and woven together for the first time. A company employee sitting on potentially explosive information who weighs risking everything to tell his story. A town whose residents are urged to avoid their basements because Monsanto’s radioactive waste laces their homes’ foundations. Factory workers who peel off layers of their skin before accepting cash bonuses to continue dirty jobs. An executive wrestling with the ethics of selling a profitable product he knew was toxic. Incorporating global fieldwork, interviews with company employees, and untapped corporate and government records, Elmore traces Monsanto’s astounding evolution from a scrappy chemical startup to a global agribusiness powerhouse. Monsanto used seed money derived from toxic products—including PCBs and Agent Orange—to build an agricultural empire, promising endless bounty through its genetically engineered technology. Skyrocketing sales of Monsanto’s new Roundup Ready system stunned even those in the seed trade, who marveled at the influx of cash and lavish incentives into their sleepy sector. But as new data emerges about the Roundup system, and as Bayer faces a tide of lawsuits over Monsanto products past and present, Elmore’s urgent history shows how our food future is still very much tethered to the company’s chemical past.
The first comprehensive survey and study of the major techniques developed by and for the American actor over the past 60 years. Presented side-by-side, each of the 10 disciplines included is described in detail by one of today's foremost practitioners. An invaluable resource both for the young actor embarking on a career and for the theatre professional polishing his or her craft. ''successful acting must reflect a society's current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor's journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own creative gifts of expression.''
In the spirit of business/self-help hits such as Darren Hardy's The Compound Effect, a simple formula for productivity and success, from a prominent sports psychologist and a star business coach who join forces to offer seven fundamental skills for improving your habits and achieving peak performance in work and life.
Bartow, the city of oaks and azaleas, where history has come alive since 1851, holds a long and colorful history. Forests of oak and pine flank the tranquil stream, which was named Peace by the Spanish Conquistadors. The site, untouched except by the footprint of the Seminole and untamed wildlife, drew the pioneer Blount family to give permanence to a fledgling community by building a place of refuge. First called Fort Blount and alternately Peace Creek, the Civil War and the munificence of cattleman Jacob Summerlin denominated Bartow and ensured its establishment as the county seat of Polk County. Cattle, citrus, railroads, and phosphate, coupled with hard-working, enterprising citizens, provided the catalyst to economic independence. Through war, peace, depression, and boom, Bartow's history is reflected in its places and in the people whose deeds built a city in the wilderness. Images of America: Bartow contains a portrait of history in the continuing growth of a city unveiled by photographic images.
Foremost stage directors describe their working process: JoAnne Akalaitis, Arvin Brown, René Buch, Martha Clarke, Gordon Davidson, Robert Falls, Zelda Fichandler, Richard Foreman, Adrian Hall, John Hirsch, Mark Lamos, Marshall W. Mason, Des McAnuff, Gregory Mosher, Harold S. Prince, Lloyd Richards, Peter Sellars, Andrei Serban, Douglas Turner Ward, Robert Woodruff, and Garland Wright.