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Lonely Planet: The world's leading travel guide publisher Lonely Planet Coastal Queensland & the Great Barrier Reef 8 is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Dive the Great Barrier Reef, walk through the magnificent Daintree Rainforest, then surf and play on the Gold Coast; all with your trusted travel companion. Get to the heart of Queensland and the Great Barrier Reef and begin your journey now! Inside Lonely Planet Coastal Queensland & the Great Barrier Reef: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, art, cinema, music, politics, climate change, outdoor activities Covers Brisbane, Gold Coast, Noosa, Fraser Island, Whitsundays, Townsville, Cairns, Great Barrier Reef, Daintree Rainforest and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Coastal Queensland & the Great Barrier Reef , our most comprehensive guide to Queensland & the Great Barrier Reef, is perfect for both exploring top sights and taking roads less travelled. About Lonely Planet: Lonely Planet is a leading travel media company and the world’s number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveler since 1973. Over the past four decades, we’ve printed over 145 million guidebooks and grown a dedicated, passionate global community of travelers. You’ll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
Rachel Friedman has always been the consummate good girl who does well in school and plays it safe, so the college grad surprises no one more than herself when, on a whim (and in an effort to escape impending life decisions), she buys a ticket to Ireland, a place she has never visited. There she forms an unlikely bond with a free-spirited Australian girl, a born adventurer who spurs Rachel on to a yearlong odyssey that takes her to three continents, fills her life with newfound friends, and gives birth to a previously unrealized passion for adventure. As her journey takes her to Australia and South America, Rachel discovers and embraces her love of travel and unlocks more truths about herself than she ever realized she was seeking. Along the way, the erstwhile good girl finally learns to do something she’s never done before: simply live for the moment.
Readers will want this easy-to-carry, entertainingly written, beautifully illustrated book as a constant companion on any journey to Australia. It includes a section on the country's famous coral reefs and information on kangaroos, wombats, and other unique denizens of the Land Down Under. Full color.
Carl Thompson explores the romance that can attach to the notion of suffering in travel, and the importance of the persona of 'suffering traveller' in the Romantic self-fashionings of figures such as Wordsworth and Byron. Situating such self-fashionings in the context of the upsurge of tourism in the late eighteenth century, he shows how the Romantics sought to differentiate themselves from mere tourists by following alternative models, and alternative travel 'scripts', in both their travelling and their travel writing. In a rejection of the more conventional roles of picturesque tourist and Grand Tourist, Romantic travellers often preferred to style themselves as heroic explorers, oppressed and endangered mariners, even shipwreck victims. The Suffering Traveller and the Romantic Imagination accordingly returns to the sub-genres of Romantic-era travel writing - the shipwreck narrative, the exploration narrative, the captivity narrative, and the like - that first kindled the Romantic fascination with these figures, to consider the travel scripts seemingly enabled by this source material. Paying particular attention to the narratives of shipwreck and maritime suffering that were a hugely popular part of Romantic-era print culture, and to the equally popular narrative of exploration, the book considers firstly the examples, traditions, and conventions that trained Romantic travellers to think that misadventure as much as adventure could be a route to visionary experience and literary authority. It then explores the political resonance that the figure of the suffering traveller could possess in this Revolutionary era, before treating Wordsworth and Byron as especially influential examples of the 'misadventurous' tendency in Romanticism. In so doing, The Suffering Traveller and the Romantic Imagination offers interesting new perspectives not only on British Romanticism and on travel writing of the Romantic era, but also on many attitudes, practices, and typologies still current in travel and tourism.
Best-selling guide to Queensland; New specialist feature on the environmental issues facing the reef; Includes a Your Reef Trip planning feature, with a new full-colour map.
A masterly anthology of extracts from the journals and writings of travelers, explorers, and adventurers throughout history, taking the reader on one unforgettable journey for each day of the year Inviting readers to cross ocean, desert, mountain, and ice-cap in the company of the world's greatest explorers, wanderers, and writers, this day-by-day anthology of travel writing ranges widely across time as well as place: from Christopher Columbus's "discovery" of the West Indies in 1492 to Anton Chekhov's journey through Siberia in the 19th century and on to Wilfred Thesiger's wanderings in Arabia's "empty quarter" in the 1940s. Each quoted extract is accompanied by a brief commentary that intro­duces the writer and establishes the context of the excerpt, while integrated paintings and black and white etchings chime with the period of the chosen extracts. The itinerary offers the astonishment of the 17th-century diarist John Evelyn on beholding the size of women's shoes in Venice; the stoic courage of Captain Scott facing death at 40 degrees below zero; the exasperation of Dylan Thomas at find­ing himself in a "stifflipped, liverish, British Guest House in puking Abadan;" and the philosophical introspection of Fridtjof Nansen as he drifts in an "interminable and rigid world" of Arctic ice. Readers will find Napoleon's travel tips to his niece, a flight over Germany with Hitler, and an ex-pat dinner in Morocco where human blood is served from the fridge by the pint. Covering the whole calendar, including leap years, these 366 journeys are by turn lyrical, witty, tragic, and bizarre—but always entertaining.
In the late 1940s Patrick Leigh Fermor, now widely regarded as one of the twentieth century’s greatest travel writers, set out to explore the then relatively little-visited islands of the Caribbean. Rather than a comprehensive political or historical study of the region, The Traveller’s Tree, Leigh Fermor’s first book, gives us his own vivid, idiosyncratic impressions of Guadeloupe, Martinique, Dominica, Barbados, Trinidad, and Haiti, among other islands. Here we watch Leigh Fermor walk the dusty roads of the countryside and the broad avenues of former colonial capitals, equally at home among the peasant and the elite, the laborer and the artist. He listens to steel drum bands, delights in the Congo dancing that closes out Havana’s Carnival, and observes vodou and Rastafarian rites, all with the generous curiosity and easy erudition that readers will recognize from his subsequent classic accounts A Time of Gifts and Between the Woods and the Water.