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Baroque & Folk Tunes For The Recorder is an unusual collection, containing over fifty pieces drawn from over 300 years of music. The selection contained in this book offer the player a sizeable scope of musical moods from lively, catchy pieces that are fun to rip through to those that are just beautifully melodic. It gathers together melodies originally written for violin or oboe, sung by trained singers and common people alike, Baroque and rag tunes, old and new tunes. Experience the joy of making them come alive again!
(Music Sales America). Book 1 covers the first 15 notes on the descant recorder, introducing each note with illustrations. Book 2 completes the study of the descant recorder, then proceeds to teach the treble recorder.
Turlough O'Carolan was born in County Meath, Ireland in 1670. He was trained as a youth to play the harp, and throughout his life composed a large number of songs. O'Carolan developed a personal style, containing melodic elements of Irish folk music, courtly harp music and Italian baroque music. O'Carolan's music was not published during his lifetime; therefore, various versions of his melodies have been handed down through the aural tradition. It is also not known how he accompanied his melodies. This collection presents 39 favorite O'Carolan melodies in easily playable, lively arrangements for alto (treble) recorder, with guitar chords above the staves. Included are four original melodies by Richard Voss inspired by and in the style of the early master.
An instruction method for descant (soprano) and treble (alto) recorder which combines progressive learning with a repertoire of folk melodies. With guitar chords.
58 fine recorder solo arrangements on international folk songs, classics and music from opera and light opera. an excellent addition to the musical library of any recorder student.
Scroll below for a video sampling of the duets as played in Finale. This is a collection of 10 Baroque dance tunes, arranged as duets for soprano and tenor recorder. For experienced players, this will be a valuable collection appropriate for varied performances - school, church, civic, and more. The works could also be performed by or with other C instruments in treble clef, such as flute, oboe, and violin.The duets are dance music, mostly in slow triple meter. Many of the melodies will be familiar. The purchaser should have a good knowledge of the recorder and music reading, The volume includes Fairest Isle (Purcell), King William's March (Clarke), La Follia (Corelli), Largo, from Xerxes (Handel), "Lascia ch'io pianga" from the opera Rinaldo (Handel), Sarabande (Corelli), Sarabande (from Sonata VIII), Op. 5, No. 8 (Corelli), Sarabande (HWV 437) (Handel), Sarabande from Amaryllis Suite, (Handel), Siciliana from Sonata No. 5 (Galliard)
Presents exercises for descant or tenor recorder players, covering revisions, trill charts, and ornaments and embellishments.
"The Ultimate Recorder Handbook: Mastering the Art of Playing and Performing with Confidence" is a comprehensive guide to learning to play the recorder, suitable for both beginners and experienced players. This book covers everything from the basics of the instrument, including proper posture, hand positioning, and breathing techniques, to advanced techniques such as vibrato, trills, and ornamentation. You will also learn how to play in different keys, read sheet music, and play with other musicians in an ensemble. In addition, this book provides practical advice on how to prepare for performances, record your playing, and care for your instrument. With a focus on building confidence and skills, "The Ultimate Recorder Handbook" is an essential resource for anyone who wants to become a skilled recorder player and take their playing to the next level.
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
The collection of folk songs from the Americas, Europe, and Australia should provide many hours of pleasant music-making for intermediate-level recorder players. Several tunes can be easily sight -read, while others may prove to be more challenging. Every effort has been made to create interesting lines for each player, consequently, many arrangements do not confine the melody to the uppermost part, but allow it to move from instrument to instrument. Flexibility of scoring is a hallmark of these arrangements, and players will find that almost any combination of three recorders can be used effectively for one piece or another. To aid them in finding those pieces which can be played with a specific set of instruments, an index has been included which classifies the contents by instrumentation.