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A monograph on the lavish, whimsical, and inventive era in the history of architecture, from the cathedrals of Rome to the palaces of Russia. It features major styles and trends of Baroque architecture throughout Europe and beyond, and provides an account of how the Baroque developed in relation to the unique urban culture of each nation.
Sicilian Baroque is the distinctive form of Baroque architecture that took hold on the island of Sicily in the 17th and 18th centuries, following an intensive surge of building in the wake of the devastating earthquake of 1693. This volume contains photographs and drawings and plans of this form of Baroque.
Focusing on the Baroque period, this book gives readers the tools they need to grasp the architectural language and building forms of this style. Part of a new, accessibly written, and generously illustrated series on architecture through the ages, this book features Baroque's most important architects, buildings and cities, interior and exterior photographs, detailed images, drawings, and plans. The book offers a general introduction to Baroque, discusses the characteristics of the style, and the commonly used techniques and materials. Originating in the late sixteenth century and continuing to the early 1900s, Baroque swept the globe, from Europe to South America. The period is distinguished by complex architectural shapes designed to heighten emotion and dramatise experience. Buildings from this period are celebrated for their grandeur, intricate embellishments, and gilded statuary. Renowned Baroque architects include Gian Lorenzo Bernini, Francesco Borromini, and Guariono Guarini. AUTHOR: Claudia Zanlungo is a curator and writer on architecture. She lives in Berlin. 200 colour images REDUCED FROM $35.00
The age of the baroque -- a time of great strides in science and mathematics -- also saw the construction of some of the world's most magnificent buildings. In this book, George L. Hersey explores the interrelations of the two developments, explaining how the advancements of geometry and the abstractions of mathematicians were made concrete in the architecture of the day. Copyright © Libri GmbH. All rights reserved.
In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin’s Monument to the Third International and Borromini’s dome for Sant’Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant’Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.
"The baroque style of architecture rose up from the Mannerism of the turn of the seventeenth century, and evolved into the lighter rococo around 1750. At its height, the baroque encompassed all the arts, and the style was freighted with the message of the Counter-Reformation." "This catalogue explores every facet of baroque architecture in Europe. An international team of scholars examines such subjects as the political and religious use of architecture, the birth of the baroque in Rome, landscape, fantasies, and the education of the architect. The second part of the book, a catalogue of works exhibited, illustrates the types of baroque construction: villas and chateaux, military architecture, royal palaces, and gardens."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
An in-depth study of moving works of art from various European countries.
Revised translation of 2006 Italian ed. with "substantial changes" (page vii). Author added an introduction and significantly expanded or reworked chapters 4 and 5 to incorporate research published in the intervening 6 years.