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A companion volume to 'Baron Kaneko and the Russo-Japanese War' (Lulu.com, 2009), this book relates the story of Baron Suematsu's one-man campaign in Europe using the spoken and written word against the dangerous bogey of Yellow Peril which fueled European paranoia about China and Japan and their presumed sinister intentions of world domination. Kaneko and Suematsu had similar missions, though Kaneko who was sent to the United States was also tasked with persuading President Theodore Roosevelt to broker a peace settlement while Suematsu was more directly involved in the fight against Yellow Peril which originated in Europe. Kaneko was a lawyer with a knowledge of economics, while Suematsu was a historian with a literary bent. Both men were also politicians and close to the Meiji oligarch Ito Hirobumi. They were the two prongs of Japan's first ever public diplomacy initiative, and both succeeded to a considerable degree.
The Allure of Empire traces how American ideas about race in the Pacific were made and remade on the imperial stage before World War II. Following the Russo-Japanese War, the United States cultivated an amicable relationship with Japan based on the belief that it was a "progressive" empire akin to its own. Even as the two nations competed for influence in Asia and clashed over immigration issues in the American West, the mutual respect for empire sustained their transpacific cooperation until Pearl Harbor, when both sides disavowed their history of collaboration and cast each other as incompatible enemies. In recovering this lost history, Chris Suh reveals the surprising extent to which debates about Korea shaped the politics of interracial cooperation. American recognition of Japan as a suitable partner depended in part on a positive assessment of its colonial rule of Korea. It was not until news of Japan's violent suppression of Koreans soured this perception that the exclusion of Japanese immigrants became possible in the United States. Central to these shifts in opinion was the cooperation of various Asian elites aspiring to inclusion in a "progressive" American empire. By examining how Korean, Japanese, and other nonwhite groups appealed to the United States, this book demonstrates that the imperial order sustained itself through a particular form of interracial collaboration that did not disturb the existing racial hierarchy.
How should Christians think about the relationship between the exercise of military power and the spread of Christianity? In Russian Orthodoxy and the Russo-Japanese War, Betsy Perabo looks at the Russo-Japanese War of 1904-5 through the unique concept of an 'interreligious war' between Christian and Buddhist nations, focusing on the figure of Nikolai of Japan, the Russian leader of the Orthodox Church in Japan. Drawing extensively on Nikolai's writings alongside other Russian-language sources, the book provides a window into the diverse Orthodox Christian perspectives on the Russo-Japanese War – from the officials who saw the war as a crusade for Christian domination of Asia to Nikolai, who remained with his congregation in Tokyo during the war. Writings by Russian soldiers, field chaplains, military psychologists, and leaders in the missionary community contribute to a rich portrait of a Christian nation at war. By grounding its discussion of 'interreligious war' in the historical example of the Russo-Japanese War, and by looking at the war using the sympathetic and compelling figure of Nikolai of Japan, this book provides a unique perspective which will be of value to students and scholars of both Russian history, the history of war and religion and religious ethics.
The Russo-Japanese war of 1904-5 has been seen as the turning point of the development of the modern world. Written by a specialist in Japanese diplomacy, this book has been described by the Times Higher Education Supplement as 'diplomatic history at its very best'.
A companion volume to 'Baron Kaneko and the Russo-Japanese War' (Lulu.com, 2009), this book relates the story of Baron Suematsu's one-man campaign in Europe using the spoken and written word against the dangerous bogey of Yellow Peril which fueled European paranoia about China and Japan and their presumed sinister intentions of world domination. Kaneko and Suematsu had similar missions, though Kaneko who was sent to the United States was also tasked with persuading President Theodore Roosevelt to broker a peace settlement while Suematsu was more directly involved in the fight against Yellow Peril which originated in Europe. Kaneko was a lawyer with a knowledge of economics, while Suematsu was a historian with a literary bent. Both men were also politicians and close to the Meiji oligarch Ito Hirobumi. They were the two prongs of Japan's first ever public diplomacy initiative, and both succeeded to a considerable degree.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
"Science tends to generalize, and generaliza tions mean simplifications . . . . And generaliza tions are also more satisfying to the mind than details. Of course, details and generalizations must be in proper balance: Generalizations can be reached only from details, while it is the generalization which gives value and interest to the detail:' . . . (A. Szent-Gyorgy, Science 1964) The first edition of this book, published in German as Tabak abhiingigkeit in 2001, was prompted by the fact that no single volume was available in Germany or elsewhere summarising the adverse repercussions of cigarette smoking on human health. As far as my own research was able to ascertain, the last comprehensive work dealing with this subject was writ ten in Germany by the Dresden internist, F. Lickint, whose Tabak und Organismus was published in 1939 by the Hip pokrates-Verlag. All subsequent monographs in this field have tended to focus on detailed aspects, and there has been no shortage of publications on subjects such as how smokers can quit smoking, healthy eating for smokers etc. Friends and colleagues abroad have urged me to prepare an English language version of Tabakabhiingigkeit. In gladly complying with this suggestion, I have intentionally prepared an up dated and slightly enlarged new edition, taking account of the rapidly proliferating literature on the subject up to the start of 2002. The harmful sequelae of smoking are played down by politicians in many industrialised countries, including Ger many.
Research outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has begun to attract wide interest. As is evident from this volume, this period of roughly a century and a half produced an outpouring of art created in a bewildering number of genres and spanning a wide range of aims and accomplishments. Since Meiji is the first sustained effort in English to discuss in any depth a time when Japan, eager to join in the larger cultural developments in Europe and the U.S., went through a visual revolution. Indeed, this study of the visual arts of the nineteenth and twentieth centuries suggests a fresh history of modern Japanese culture--one that until now has not been widely visible or thoroughly analyzed outside that country. In this extensive collection, which includes some 190 black-and-white and color reproductions, scholars from Japan, Europe, Australia, and America explore an impressive array of subjects: painting, sculpture, prints, fashion design, crafts, and gardens. The works discussed range from early Meiji attempts to create art that referenced Western styles to postwar and contemporary avant-garde experiments. There are, in addition, substantive investigations of the cultural and intellectual background that helped stimulate the creation of new and shifting art forms, including essays on the invention of a modern artistic vocabulary in the Japanese language and the history of art criticism in Japan, as well as an extensive account of the career and significance of perhaps the best-known Japanese figure concerned with the visual arts of his period, Okakura Tenshin (1862-1913), whose Book of Tea is still widely read today. Taken together, the essays in this volume allow readers to connect ideas and images, thus bringing to light larger trends in the Japanese visual arts that have made possible the vitality, range, and striking achievements created during this turbulent and lively period.
This is the extended and annotated edition including * an extensive annotation of more than 10.000 words about the history and basics of Buddhism, written by Thomas William Rhys Davids The results of Mr. Okakura's visits to China and India, where he made exhaustive studies, are brilliantly set forth in this book, '' The Ideals of the East ", explaining his important and now generally accepted analysis of the movements of thought and art throughout Asia. Contents: Introduction The Range Of Ideals The Primitive Art Of Japan Confucianism—Northern China Laoism And Taoism—Southern China Buddhism And Indian Art The Asuka Period - 550 To 700 A.D. The Nara Period - 700 To 800 A.D. The Heian Period - 800 To 900 A.D. The Fujiwara Period - 900 To 1200 A.D. The Kamakura Period - 1200-1400 A.D. Toyotomi And Early Tokugawa Period - 1600-1700 A.D. Later Tokugawa Period - 1700-1850 A.D. The Meiji Period - 1850 To The Present Day The Vista