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Barnum's career of showmanship and charlatanry was marked by a surprising undercurrent of honesty. In this classic of self-accusation and self-justification, he reveals the stories behind his hoaxes and publicity stunts. Illustrations throughout.
“Robert Wilson’s Barnum, the first full-dress biography in twenty years, eschews clichés for a more nuanced story…It is a life for our times, and the biography Barnum deserves.” —The Wall Street Journal P.T. Barnum is the greatest showman the world has ever seen. As a creator of the Barnum & Baily Circus and a champion of wonder, joy, trickery, and “humbug,” he was the founding father of American entertainment—and as Robert Wilson argues, one of the most important figures in American history. Nearly 125 years after his death, the name P.T. Barnum still inspires wonder. Robert Wilson’s vivid new biography captures the full genius, infamy, and allure of the ebullient showman, who, from birth to death, repeatedly reinvented himself. He learned as a young man how to wow crowds, and built a fortune that placed him among the first millionaires in the United States. He also suffered tragedy, bankruptcy, and fires that destroyed his life’s work, yet willed himself to recover and succeed again. As an entertainer, Barnum courted controversy throughout his life—yet he was also a man of strong convictions, guided in his work not by a desire to deceive, but an eagerness to thrill and bring joy to his audiences. He almost certainly never uttered the infamous line, “There’s a sucker born every minute,” instead taking pride in giving crowds their money’s worth and more. Robert Wilson, editor of The American Scholar, tells a gripping story in Barnum, one that’s imbued with the same buoyant spirit as the man himself. In this “engaging, insightful, and richly researched new biography” (New York Journal of Books), Wilson adeptly makes the case for P.T. Barnum’s place among the icons of American history, as a figure who represented, and indeed created, a distinctly American sense of optimism, industriousness, humor, and relentless energy.
I believe hugely in advertising and blowing my own trumpet, beating the gongs, drums, to attract attention to a show, Phineas Taylor Barnum wrote to a publisher in 1860. "I don't believe in 'duping the public,' but I believe in first attracting and then pleasing them." The name P.T. Barnum is virtually synonymous with the fine art of self-advertisement and the apocryphal statement, "There's a sucker born every minute." Nearly a century after his death, Barnum remains one of America's most celebrated figures. In the Selected Letters of P.T. Barnum, A.H. Saxon brings together more than 300 letters written by the self-styled "Prince of Humbugs." Here we see him, opinionated and exuberant, with only the rarest flashes of introspection and self-doubt, haggling with business partners, blustering over politics, and attempting to get such friends as Mark Twain to endorse his latest schemes. Always the king of showmen, Barnum considered himself a museum man first and was forever on the lookout for "curiosities," whether animate or inanimate. His early career included such outright frauds as Joice Heth, the "161-year-old nurse of George Washington," and the Fejee Mermaid-the desiccated head and torso of a monkey sewn to the body of a fish. Although in later years he projected a more solid, respectable image-managing the irreproachable "legitimate" attraction Jenny Lind, becoming a leading light in the temperance crusade, founding the Barnum & Bailey Circus-much of his daily existence continued to be unabashedly devoted to manipulating public opinion so as to acquire for himself and his enterprises what he delightedly termed "notoriety." His famous autobiography, The Life of P.T. Barnum, which he regularly augmented during the last quarter century of his life, was itself a masterpiece of self-promotion. "Will you have the kindness to announce that I am writing my life & that fifty-seven different publishers have applied for the chance of publishing it," he wrote to a newspaper editor, adding, "Such is the fact-and if it wasn't, why still it ain't a bad announcement." The Selected Letters of P.T. Barnum captures the magic of this consummate showman's life, truly his own "greatest show on earth."
Ladies and Gentlemen, children of all ages, step right up for Who HQ's entertaining biography of P. T. Barnum: politician, businessman, and The Greatest Showman on Earth! After moving from Connecticut to New York City in 1834, twenty-four-year-old Phineas Taylor Barnum launched his now-legendary career as a showman. Even though spectators debated whether his exhibitions were authentic wonders, hoaxes, or a little bit of both, they were always astounded by what they saw. And readers are sure to be amazed by the story of how Barnum went from owning a museum filled with rare and unusual items to transforming the American circus into a popular and thrilling phenomenon.
In this compelling story about one of the nineteenth century's most famous Americans, Benjamin Reiss uses P. T. Barnum's Joice Heth hoax to examine the contours of race relations in the antebellum North. Barnum's first exhibit as a showman, Heth was an elderly enslaved woman who was said to be the 161-year-old former nurse of the infant George Washington. Seizing upon the novelty, the newly emerging commercial press turned her act--and especially her death--into one of the first media spectacles in American history. In piecing together the fragmentary and conflicting evidence of the event, Reiss paints a picture of people looking at history, at the human body, at social class, at slavery, at performance, at death, and always--if obliquely--at themselves. At the same time, he reveals how deeply an obsession with race penetrated different facets of American life, from public memory to private fantasy. Concluding the book is a piece of historical detective work in which Reiss attempts to solve the puzzle of Heth's real identity before she met Barnum. His search yields a tantalizing connection between early mass culture and a slave's subtle mockery of her master.
P.T. Barnum, the legendary showman and entrepreneur, shares his timeless wisdom in The Art of Money Getting; or, Golden Rules for Making Money. Drawing on his vast experience in business, Barnum outlines practical strategies for achieving financial success without compromising integrity. With wit and insight, he emphasizes the importance of perseverance, adaptability, and, most importantly, honesty in the pursuit of wealth. Far from being just a collection of get-rich-quick tips, this book serves as a guide to personal and professional development, teaching readers how to navigate the challenges of life and business with sound principles and a clear mind. A classic work that remains as relevant today as it was in Barnum’s time, this is essential reading for anyone looking to build a lasting fortune.
An “evocative and entertaining” biography of the nineteenth century circus performer who became a global phenomenon (Neil Harris, author of Humbug). When P. T. Barnum met twenty-five-inch-tall Charles Stratton at a Bridgeport, Connecticut hotel in 1843, one of the most important partnerships in entertainment history was born. With Barnum’s promotional skills and the miniature Stratton’s comedic talents, they charmed a Who’s Who of the nineteenth century, from Queen Victoria to Charles Dickens to Abraham Lincoln. Adored worldwide as “General Tom Thumb,” Stratton played to sold-out shows for almost forty years. From his days as a precocious child star to his tragic early death, Becoming Tom Thumb tells the full story of this iconic figure for the first time. It details his triumphs on the New York stage, his epic celebrity wedding, and his around-the-world tour, drawing on newly available primary sources and interviews. From the mansions of Paris to the deserts of Australia, Stratton’s unique brand of Yankee comedy not only earned him the accolades of millions of fans, it helped move little people out of the side show and into the limelight.
In a series of interwoven fictionalized stories, Deborah Noyes gives voice to the marginalized women in P. T. Barnum’s family — and the talented entertainers he built his entertainment empire on. Much has been written about P. T. Barnum — legendary showman, entrepreneur, marketing genius, and one of the most famous nineteenth-century personalities. For those who lived in Barnum’s shadow, however, life was complex. P. T. Barnum’s two families — his family at home, including his two wives and his daughters, and his family at work, including Little People, a giantess, an opera singer, and many sideshow entertainers — suffered greatly from his cruelty and exploitation. Yet, at the same time, some of his performers, such as General Tom Thumb (Charles Stratton), became wealthy celebrities who were admired and feted by presidents and royalty. In this collection of interlinked stories illustrated with archival photographs, Deborah Noyes digs deep into what is known about the people in Barnum’s orbit and imagines their personal lives, putting front and center the complicated joy and pain of what it meant to be one of Barnum’s “creatures.”