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This comical introduction to cause and effect is ideal for emergent readers, who look for cues in simple rhymed text and bright, bold art as they take their first steps toward reading independently. When a twister hits the pond near Farmer Brown’s farm, some very odd things happen. The fish and frogs take flight. They land in some unlikely places—like the barn and the pigs’ trough—setting off an uproarious chain of events that affects the entire farm. Once the weather subsides and the farmer and his family emerge from the storm cellar, they encounter a whole new world, including some unexpected (and four-legged) tenants in their house! Step into Reading is a complete literacy program with something for every child. The program offers five steps to reading success. Children can progress through the steps at their own speed, developing confidence in their reading, no matter what their grade. Every book’s step is printed on the cover and the spine. Each title contains a fun story and is filled with colorful art.
A mama cow’s devotion to her calf provides lessons in motherhood to a poor Southern woman in this novel of family, survival, and human-animal bonds. South Carolina, 1950s. Homemaker Sarah Creamer has been left to care for young Emerson Bridge, the product of an affair between Sarah’s husband and her best friend. But beyond the deep wound of their betrayal, Sarah is daunted by the prophecy of her mother’s words, seared in her memory since childhood: “You ain’t got you one good mama bone in you, girl.” When Sarah finds Emerson a steer to compete at an upcoming cattle show, the young calf cries in distress on her farm. Miles away, his mother breaks out of a barbed-wire fence to find him. When Sarah finds the young steer contently nursing a large cow, her education in motherhood begins. But Luther Dobbins is desperate to regain his championship cattle dynasty, and he will stop at nothing to win. Emboldened by her budding mama bone, Sarah is committed to victory even after she learns the winning steer’s ultimate fate. Will she too stop at nothing, even if it means betraying her teacher? One Good Mama Bone explores the strengths and limitations of parental love and the ethical dilemmas of raising animals for food.
Lessons from the groundbreaking grassroots campaign that helped launch a new political revolution Rules for Revolutionaries is a bold challenge to the political establishment and the “rules” that govern campaign strategy. It tells the story of a breakthrough experiment conducted on the fringes of the Bernie Sanders presidential campaign: A technology-driven team empowered volunteers to build and manage the infrastructure to make seventy-five million calls, launch eight million text messages, and hold more than one-hundred thousand public meetings—in an effort to put Bernie Sanders’s insurgent campaign over the top. Bond and Exley, digital iconoclasts who have been reshaping the way politics is practiced in America for two decades, have identified twenty-two rules of “Big Organizing” that can be used to drive social change movements of any kind. And they tell the inside story of one of the most amazing grassroots political campaigns ever run. Fast-paced, provocative, and profound, Rules for Revolutionaries stands as a liberating challenge to the low expectations and small thinking that dominates too many advocacy, non-profit, and campaigning organizations—and points the way forward to a future where political revolution is truly possible.
A hilarious new middle grade novel from beloved and bestselling author Gordon Korman about what happens when the worst class of kids in school is paired with the worst teacher—perfect for fans of Ms. Bixby’s Last Day. A good choice for summer reading or anytime! The Unteachables are a notorious class of misfits, delinquents, and academic train wrecks. Like Aldo, with anger management issues; Parker, who can’t read; Kiana, who doesn’t even belong in the class—or any class; and Elaine (rhymes with pain). The Unteachables have been removed from the student body and isolated in room 117. Their teacher is Mr. Zachary Kermit, the most burned-out teacher in all of Greenwich. He was once a rising star, but his career was shattered by a cheating scandal that still haunts him. After years of phoning it in, he is finally one year away from early retirement. But the superintendent has his own plans to torpedo that idea—and it involves assigning Mr. Kermit to the Unteachables. The Unteachables never thought they’d find a teacher who had a worse attitude than they did. And Mr. Kermit never thought he would actually care about teaching again. Over the course of a school year, though, room 117 will experience mayhem, destruction—and maybe even a shot at redemption.
"[This work] is a bold challenge to the political establishment and the 'rules' that govern campaign strategy. It tells the story of a breakthrough experiment conducted on the fringes of the Bernie Sanders presidential campaign: A technology-driven team empowered volunteers to build and manage the infrastructure to make seventy-five million calls, launch eight million text messages, and hold more than one-hundred thousand public meetings--in an effort to put Bernie Sanders's insurgent campaign over the top. Fast-paced, provocative, and profound, 'Rules for Revolutionaries' stands as a liberating challenge to the low expectations and small thinking that dominates too many advocacy, non-profit, and campaigning organizations--and points the way forward to a future where political revolution is truly possible."--
Image Brokers" is an in-depth ethnography of the labor and infrastructure behind news images and how they are circulated. Zeynep Gursel presents an intimate look at the ways image brokers - the people who manage the distribution or restriction of images - construct and culturally mediate the images they circulate. Through this framework, news images become visual commodities that impact how politics and culture are visualized in the world. Set against the backdrop of the War on Terror and the industry-wide transition from analog to digital technologies, Image Brokers is a multi-sited ethnography based on fieldwork conducted at the industry's centers of power in New York and Paris. It also explores how new digital and social media platforms continue to change photojournalism and create ever-widening distribution networks. The book is a powerful investigation of the processes of decision making amid the changing infrastructures of representation.
The first biography in over sixty years of a great American artist whose paintings are more famous than the man who made them. George Catlin has been called the “first artist of the West,” as none before him lived among and painted the Native American tribes of the Northern Plains. After a false start as a painter of miniatures, Catlin found his calling: to fix the image of a “vanishing race” before their “extermination”—his word—by a government greedy for their lands. In the first six years of the 1830s, he created over six hundred portraits—unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin’s ambition to sell what he called his “Indian Gallery” as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, his exhibitions and writings made him the most celebrated American expatriate in London and Paris. He was toasted by Queen Victoria and breakfasted with King Louis-Philippe, who created a special gallery in the Louvre to show his pictures. But when he started to tour “live” troupes of Ojibbewa and Iowa, Catlin and his fortunes declined: He changed from artist to showman, and from advocate to exploiter of his native performers. Tragedy and loss engulfed both. This brilliant and humane portrait brings to life George Catlin and his Indian subjects for our own time. An American original, he still personifies the artist as a figure of controversy, torn by conflicting demands of art and success.
Paul Marriot, the secretary of the Barnstorm Village Sunday soccer team and coach of a school cricket team in Yorkshire, England, becomes involved with Emma Potter, the sister of a major player for their bitter rivals. Thus, begins an entangled web of romance and conflict.
Until 1947, professional ball players were paid only from opening day to season's end. Even during the season, a lot of their expenses came out of their own pockets. Even the best-paid players had trouble making ends meet. One answer to their money woes was barnstorming--tours out of season. Cities lacking their own major league teams were happy to host big-league players for such events, as well as for special exhibition games whose proceeds sometimes went to local charities. Here is a history of barnstorming and exhibition games from 1901 (when both of the two current major leagues began operating) through 1962 (when a team led by Willie Mays was unsuccessful in its attempt at a tour, signaling an end to true barnstorming). Decade by decade, it covers the teams, the games, and the players for a detailed look at how barnstorming and exhibition brought big-league baseball to the backyard ballparks of America.