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A profile of one of the most colorful sports figures of the twentieth century follows the life and career of boxer Barney Ross, from his youth as the child of Eastern European immigrants in a tough Chicago neighborhood and his hardscrabble early life, to his successful boxing career, exploits as a combat Marine during World War II, campaign against drug abuse, and fervent support of a Jewish state. 25,000 first printing.
Part of the Jewish Encounter series Born Dov-Ber Rasofsky to Eastern European immigrant parents, Barney Ross grew up in a tough Chicago neighborhood and witnessed his father’s murder, his mother’s nervous breakdown, and the dispatching of his three younger siblings to an orphanage, all before he turned fourteen. To make enough money to reunite the family, Ross became a petty thief, a gambler, a messenger boy for Al Capone, and, eventually, an amateur boxer. Turning professional at nineteen, he would capture the lightweight, junior welterweight, and welterweight titles over the course of a ten-year career. Ross began his career as the scrappy “Jew kid,” ended it as an American sports icon, and went on to become a hero during World War II, earning a Silver Star for his heroic actions at Guadalcanal. While recovering from war wounds and malaria he became addicted to morphine, but with fierce effort he ultimately kicked his habit and then campaigned fervently against drug abuse. And the fighter who brought his father’s religious books to training camp also retained powerful ties to the world from which he came. Ross worked for the creation of a Jewish state, running guns to Palestine and offering to lead a brigade of Jewish American war veterans. This first biography of one of the most colorful boxers of the twentieth century is a galvanizing account of an emblematic life: a revelation of both an extraordinary athlete and a remarkable man.
In the 1920s and 30s, anti-Semitism was rife in the United States and Europe. Jews needed symbols of strength and demonstrations of courage against their enemies, and they found both in two champions of boxing: Max Baer and Barney Ross. Baer was the only Jewish heavyweight champion in the twentieth century, while Ross was considered one of the greatest welterweight and lightweight champions of the era. Although their careers never crossed paths, their boxing triumphs played a common role in lifting the spirits of persecuted Jews. In Max Baer and Barney Ross: Jewish Heroes of Boxing, Jeffrey Sussman chronicles the lives of two men whose successful bouts inside the ring served as inspiration for Jewish fans across the country and around the world. Though they came from very different backgrounds—Baer grew up on his family’s ranch in California, while Ross roamed the tough streets of Chicago and was a runner for Al Capone—both would bask in the limelight as boxing champions. Their stories include legendary encounters with such opponents as Jimmy McLarnin (known as the Jew Killer), Max Schmeling (Hitler’s favorite athlete), and Primo Carnera (a sad giant controlled and mistreated by gangsters). While recounting the exploits of these two men, the author also paints an evocative picture of boxing and the crucial role it played in an era of anti-Semitism. A vivid and engaging look at these two heroes and the difficult era in which they lived, Max Baer and Barney Ross will appeal to boxing fans, sports historians, and anyone interested in Jewish history.
A provocative tale of an unlikely contender and her midlife transformation through boxing.
Everything Moose wants at his new job seems to be reserved for Barney Bear, so he sets out to confront him. Suggested level: preschool, junior.
Just what is the “participatory condition”? It is the situation in which taking part in something with others has become both environmental and normative. The fact that we have always participated does not mean we have always lived under the participatory condition. What is distinctive about the present is the extent to which the everyday social, economic, cultural, and political activities that comprise simply being in the world have been thematized and organized around the priority of participation. Structured along four axes investigating the relations between participation and politics, surveillance, openness, and aesthetics, The Participatory Condition in the Digital Age comprises fifteen essays that explore the promises, possibilities, and failures of contemporary participatory media practices as related to power, Occupy Wall Street, the Arab Spring uprisings, worker-owned cooperatives for the post-Internet age; paradoxes of participation, media activism, open source projects; participatory civic life; commercial surveillance; contemporary art and design; and education. This book represents the most comprehensive and transdisciplinary endeavor to date to examine the nature, place, and value of participation in the digital age. Just as in 1979, when Jean-François Lyotard proposed that “the postmodern condition” was characterized by the questioning of historical grand narratives, The Participatory Condition in the Digital Age investigates how participation has become a central preoccupation of our time. Contributors: Mark Andrejevic, Pomona College; Bart Cammaerts, London School of Economics and Political Science (LSE); Nico Carpentier, Vrije Universiteit Brussel (VUB – Free University of Brussels) and Charles University in Prague; Julie E. Cohen, Georgetown University; Kate Crawford, MIT; Alessandro Delfanti, University of Toronto; Christina Dunbar-Hester, University of Southern California; Rudolf Frieling, California College of Arts and the San Francisco Art Institute; Salvatore Iaconesi, La Sapienza University of Rome and ISIA Design Florence; Jason Edward Lewis, Concordia University; Rafael Lozano-Hemmer; Graham Pullin, University of Dundee; Trebor Scholz, The New School in New York City; Cayley Sorochan, McGill University; Bernard Stiegler, Institute for Research and Innovation in Paris; Krzysztof Wodiczko, Harvard Graduate School of Design; Jillian C. York.
This book strips away the myths and facile explanations to reaveal the real Kenesaw Mountain Landis—with all the subtleties and contradictions that made him not only czar of baseball, but also the most famous, popular, and controversial federal judge in America.
Sydney Taylor Award-winning novel Berlin Boxing Club is loosely inspired by the true story of boxer Max Schmeling's experiences following Kristallnacht. Publishers Weekly called it "a masterful historical novel" in a starred review. Karl Stern has never thought of himself as a Jew; after all, he's never even been in a synagogue. But the bullies at his school in Nazi-era Berlin don't care that Karl's family doesn't practice religion. Demoralized by their attacks against a heritage he doesn't accept as his own, Karl longs to prove his worth. Then Max Schmeling, champion boxer and German hero, makes a deal with Karl's father to give Karl boxing lessons. A skilled cartoonist, Karl has never had an interest in boxing, but now it seems like the perfect chance to reinvent himself. But when Nazi violence against Jews escalates, Karl must take on a new role: family protector. And as Max's fame forces him to associate with Nazi elites, Karl begins to wonder where his hero's sympathies truly lie. Can Karl balance his boxing dreams with his obligation to keep his family out of harm's way? Includes an author's note and sources page detailing the factual inspirations behind the novel.