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"Pornography is being indicted as a public health crisis in the U.S. and elsewhere, but the professional public health community is not behind the recent push to address pornography as a public health threat. While pornography may not be contributing directly to mortality or acute morbidity for a substantial percentage of people, it may be influencing other public health problems such as sexual violence, dating abuse, compulsive behaviour, and sexually transmitted infections. However, the evidence to support pornography as a causal factor is mixed and there are numerous other factors that have more strongly established associations with these outcomes of interest. Throughout history repressive forces have inflated the charges against sexually explicit material in order to advance a morality-based agenda. Nevertheless, a public health approach and tried public health practices, such as harm reduction and coalition-building, will be instrumental to addressing the emergence mainstream, internet pornography"--
Professor Gail Dines has written about and researched the porn industry for over two decades. She attends industry conferences, interviews producers and performers, and speaks to hundreds of men and women each year about their experience with porn. Students and educators describe her work as “life changing.” In Pornland—the culmination of her life’s work—Dines takes an unflinching look at porn and its affect on our lives. Astonishingly, the average age of first viewing porn is now 11.5 years for boys, and with the advent of the Internet, it’s no surprise that young people are consuming more porn than ever. But, as Dines shows, today’s porn is strikingly different from yesterday’s Playboy. As porn culture has become absorbed into pop culture, a new wave of entrepreneurs are creating porn that is even more hard-core, violent, sexist, and racist. To differentiate their products in a glutted market, producers have created profitable niche products—like teen sex, torture porn, and gonzo—in order to entice a generation of desensitized users. Going from the backstreets to Wall Street, Dines traces the extensive money trail behind this multibillion-dollar industry—one that reaps more profits than the film and music industries combined. Like Big Tobacco—with its powerful lobbying groups and sophisticated business practices—porn companies don’t simply sell products. Rather they influence legislators, partner with mainstream media, and develop new technologies like streaming video for cell phones. Proving that this assembly line of content is actually limiting our sexual freedom, Dines argues that porn’s omnipresence has become a public health concern we can no longer ignore.
Praise for Dylan Hicks: "Hicks is a terrific writer who can craft a simile with the best of them." —Kirkus Reviews "The joy in Hicks' debut arises less from plot than from the writing itself: nuanced, ingenious, perceptive, funny." —The Star Tribune "Do yourself a favor and read this smart, tender book. The characters will haunt you with their longing, and inspire you with their sweet, caustic wit." —Sam Lipsyte Archer is a semi-celebrated novelist and sex-toy heir. His best friend, John, is as earnest as Archer is feckless. John’s girlfriend, Sara, envies Archer’s writing career. And Sara’s roommate, Lucas, wishes he’d never lost his girlfriend to the man. Money, friendship, and resentment unspool in the conversations we have as we’re coming of age and coming to grips. Dylan Hicks is a writer and musician. His first novel, Boarded Windows, was published in 2012, along with a companion album of original songs, Dylan Hicks Sings Bolling Greene. His journalism has appeared in the Village Voice, the New York Times, the Guardian, the Star Tribune, and elsewhere. He lives in Minneapolis with his wife, Nina Hale, and their son, Jackson.
Extreme Championship Wrestling (ECW) was one extreme contradiction on top of another. An incredibly influential—but never profitable—company in the world of professional wrestling in the 1990s, it portrayed itself as the ultimate in anti-authority rebellion, but its leadership was working covertly with the World Wrestling Federation and the World Championship Wrestling. Most of all, it blurred the line between reality and the fantasy world of professional wrestling. Hardcore History: The Extremely Unauthorized Story of ECW offers a frank, balanced look at the evolution of ECW starting before its early days as a Philadelphia-area independent group and extending past its death in 2001. Featuring dozens of interviews with fans, officials, business partners, and the wrestlers themselves, this is a very balanced account of this bizarre company—and it’s sure to be extremely controversial for fans and critics of ECW, and wrestling, alike. Skyhorse Publishing, as well as our Sports Publishing imprint, is proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team. In addition to books on popular team sports, we also publish books for a wide variety of athletes and sports enthusiasts, including books on running, cycling, horseback riding, swimming, tennis, martial arts, golf, camping, hiking, aviation, boating, and so much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
Meet Julian. He invites you into his world of secrets and lies; of confessions and sins, and forces you to analyse the meanings of right and wrong, good and bad. One day he meets Matt — a schoolboy, as beautiful as he is cunning. The moment their eyes lock, Julian is trapped in an endless spiral downwards, unable to step away from the darkness Matt brings with his company. What Julian fears the most, is that he doesn’t want to. What lengths will he go, how far will he stray from what he knows is right? You join Julian on a road to self discovery, but be prepared — the person he discovers may not be who you originally thought he was. Beginning on an innocent enough day out in London, Julian is at a café, having breakfast with a boy he knows he should not be. He tells himself it’s just an hour, just food. Just this and just that. That same day, an hour turns into ten, and by the time he’s dropped the boy off home, Julian realises that he’s incapable of saying no to his charming and convincing ways. The closer they get, the more Matt lets slip his veil of innocence; and the more Julian falls for him, the harder it is for him to resist his devious ways. Uncovering secret after lie after manipulation, Julian knows he needs to stop, to end this, to walk away in the opposite direction that he’s pulled towards while he has the chance. Thing is – Julian is nothing, if not indecisive; and Matt nothing, if not aggressive in his pursuit. By the time he can make up his mind, it’s been made for him, when something goes horribly wrong and it exposes Julian right where it will hurt him the most. They’ve been caught, and this time it’s serious. This time the person who catches them isn’t going to just storm out and then come around a couple days later. This time Julian has to make a decision that will bind him to the boy forever, or face suicide in every definition of the word apart from death. This sets into motion his undoing at the hands of Matt, as he finally faces the demons he’s kept buried while discovering even darker ones that are lurking within. He joins Matthew on the path to lust and destruction, and is forced to accept that perhaps they aren’t so different after all. Obsession begets depravity. Julian realises who he is, who they are – and it isn’t pretty. What’s more terrifying to him is that he likes what the sum of them together makes. That it’s the highest he’s ever climbed, the hardest he’s ever fallen, and that there’s nothing he wouldn’t do if Matthew asked it of him — be it good or bad, evil or innocent, love or hate, blood or tears, and life or death.
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
A fearless, “funny, poignant, and super-smart” (Ms. magazine) essay collection about race, justice, and the limits of good intentions. In this “inspiring, determined work of personal narrative and cultural criticism” (Saeed Jones, author of How We Fight for Our Lives), essayist and award-winning voice actor Tajja Isen explores the absurdity of living in a world that has grown fluent in the language of social justice but doesn’t always follow through. These nine daring essays explore the sometimes troubling and often awkward nature of that discord. Some of My Best Friends takes on subjects including the cartoon industry’s pivot away from colorblind casting, the pursuit of diverse representation in the literary world, the law’s refusal to see inequality, and the cozy fictions of nationalism. Throughout, Isen “shows a bracing willingness to tackle sensitive issues that others often sweep under a rug” (Kirkus Reviews, starred review). In the spirit of Zadie Smith, Cathy Park Hong, and Jia Tolentino, Isen interlaces cultural criticism with her lived experience to explore the gaps between what we say and what we do, what we do and what we value, what we value and what we demand.
NEW YORK TIMES BESTSELLER • “A superior crime novel.”—The Washington Post WATCH WILL TRENT ON ABC Ansley Park is one of Atlanta’s most upscale neighborhoods—but in one gleaming mansion, in a teenager’s lavish bedroom, a girl has been savagely murdered. And in the hallway, her mother stands amid shattered glass, having killed her daughter’s attacker with her bare hands. Detective Will Trent of the Georgia Bureau of Investigation is one of the first on the scene. Trent soon sees something that the Atlanta cops are missing, something in the trail of blood, in a matrix of forensic evidence, and in the eyes of the stunned mother. When another teenage girl goes missing, Trent knows that this case, which started in the best of homes, is about to cut quick and deep through the ruins of perfect lives broken wide-open: where human demons emerge with a vengeance.