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A collection of worship and reflection resources for the summer period of Ordinary Time - prayers, stories, responses, songs, poems, reflections and meditations, written by Iona Community members, associates, friends and others.
Here, in the 'Celtic' tradition, are prayers from members, associates and friends of the Iona Community for the whole of life: for starting an engine, for keeping us engaged and on the road to God's Kingdom; for taking a daily walk, for refugees travelling dangerous seas; an Iona Abbey kitchen prayer for chopping carrots, making bread and sanitising surfaces, and a Harvest supper prayer of sharing; prayers for personal healing, and for our deeply wounded world; a prayer for self-knowledge, and another for doing the laundry and remembering 'lost socks' ...
Olives and Obligations is a collection of stories, scripts and reflections written by Iona Community members, associates, friends and others. The collection is based on the biblical books from Genesis to Nehemiah. Esther to Maccabees will follow. There are some beautiful stories in the Bible and there are some hideous stories as well. What do we do with them? Do we tell them in Sunday school? Do we omit them from the lectionary? Do we try to explain them? Stories are important. Stories are powerful.
Blood on the Table brings to life the same powerful emotions and riveting excitement that Gerry Spence evoked from juries when the blood was real. Blood on the Table is a blend of darkness, sex, and violence, with characters who are far from perfect and often are their own worst enemies. Spence takes the reader to savage—back country Wyoming, where an eleven-year-old boy must take the witness stand against a vicious prosecutor, corrupt police, and a prejudiced judge, to keep his family safe. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Ancella and Emelie are best friends. Together, they played games in the ash-key wing of Tanqueray Manor. This was where ancient Aunt Zerenity told them about the dance called Kiss-in-the-Dark. It sounded romantic and not at all proper, but Ancella and Emelie never expected to dance it themselves. Years later, Ancella is being courted by Pomeroy Harcourt. After his amazing New Year gift to her, she has almost decided to accept his proposal if he ever gets around to making it. Why not? Her family likes him. So does her dog, Glory. Emelie seems less than impressed, but at the New Year ball Emelie arrives with a handsome beau of her own. The scene is set for a night of romance, music, annoying brothers, misunderstandings and the late Aunt Zerenity’s desire that the young folk should dance Kiss-in-the-Dark.