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Think like a coder while playing sports, crafting . . . even pet-sitting? At Code Camp, Barbie and her friends are discovering all the ways they use coding concepts every day! In their final project, Barbie, Nikki, and Teresa share all the fun ways you can think like a coder, too! Concepts include Algorithms, Sequences, Loops, Debugging, and more! You don’t need a computer to start learning about coding. Unplug with Barbie and her friends and start thinking like a computer programmer, today!
Once in a millennium emerges an all-encompassing assisted reality and science fiction novel that exemplifies literary greatness and unique storytelling dexterity. Camp Nameless main character, Leigh-Ellen Srey, a fearless protagonist who welcomes challenges from all aspects of life from flying USAF F-22 Raptor in Iraq to training in artistic gymnastics for the 2024 Paris Olympics in her preteen years. Camp Nameless derives its sequences of events from Leigh- Ellen’s point of view which derives from her dream sequences, and dream sequences within dream sequences; readers will engulf in events such as post nuclear apocalyptic Korea, multiple virtual reality environments, US West Point Military Academy’s outpost summer camp, and military covert operations with multinationals elite troopers. Camp Nameless is an enmeshed-up genres...but the one thing remains constant is Leigh-Ellen Srey’s zany, witty persona: she speaks her mind and outwardly exhibits her personal belief in sense of judicatory for all.
The Devil’s Agent: The Life and Crimes of Nazi Klaus Barbie is a captivating and unique book that reveals the dark secrets and mindset of the Butcher of Lyon, his work as a U.S. and West German spy, his network of escaped Nazis in South America, and his nefarious connections with mercenaries, cocaine traffickers and military dictators. During 1942-1944, Klaus Barbie was a mid-level Nazi officer in charge of the Gestapo HQ in Lyon, France. His treatment of prisoners ranged from banal indifference to pleasure as he sadistically tortured and murdered his victims. After the war, what set him apart was the public role he played as an unscrupulous businessman and adviser to military rulers, and Western intelligence agencies, in close alliance with other escaped Nazis, while living in Bolivia. The unrepentant war criminal was the most important Nazi to continue operating as a public figure after World War II. The Devil’s Agent describes co-author Peter McFarren’s personal encounters with Klaus Barbie in 1981, when McFarren and his colleague Maribel Schumacher were arrested in front of the Nazi’s Bolivian home after trying to interview him for a story for The New York Times. McFarren obtained hundreds of Barbie’s personal photographs and letters from prison that have never been made public before. Beyond their historical significance, these shine a light into Barbie’s compartmentalized inner life: devoted husband, torturer, loving father, spy, adaptive businessman, anti-Semite, opportunist. Combined with extensive use of the wealth of historical materials released in the decades since the fall of the Berlin Wall, the authors connect the inner Barbie with his times to provide insight into how collective evil occurs. From crimes against humanity to Holocausts, it happens step by banal step. McFarren also worked on the documentaries Hotel Terminus: The Life and Times of Klaus Barbie and My Enemy’s Enemy and wrote numerous articles about Barbie and the military regimes he supported. After an extensive, decades-long search by Nazi hunters Beate and Serge Klarsfeld, Barbie was identified, captured and extradited to France. He was one of the few escaped Nazis tried and sentenced for crimes against humanity in occupied France. His expulsion from Bolivia to France in 1983 and his unprecedented trial and conviction generated tremendous publicity and deep soul-searching for a country that had still not faced up to its mixed record of supporting the Nazi regime while also resisting its occupation. The book also details Barbie’s family history, the role he played as a Gestapo officer in Germanoccupied France, his responsibility for the murders of more than 14,000 Jews and French Resistance fi ghters during the Nazi Holocaust, his fl ight from Europe after the war with the backing of the U.S. Government, the Vatican and the International Red Cross, and his settlement in Bolivia with his wife Regine and two children. In Bolivia, Barbie traffi cked in tanks and weapons and supported the hunt for the Argentine-Cuban guerrilla leader “Che” Guevara. He collaborated with cocaine traffi cking kingpin Roberto Suárez Gómez, authoritarian rightwing military governments and a network of escaped Nazis, paramilitaries and mercenaries from Europe and South America to overthrow a Bolivian civilian government in 1980. Klaus Barbie came to symbolize greed, inhumanity, hatred, abuse of power and collective and personal evil during the half century he operated in Europe and Latin America. His most sadistic and monstrous acts were committed during World War II, but it was in Bolivia that Barbie established a reputation as a cunning, ruthless and violent operative who acted without a moral compass. The Devil’s Agent serves not only as a reminder of the horrors of the Holocaust; it takes us inside the inhuman and merciless mindsets that were behind these crimes and continue to plague our world today.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Containing 2,500 entries, this Dictionary includes entries that cover ancient, medieval, and modern antisemitism; pagan, Christian, and Muslim antisemitism; religious, economic, psychosocial, racial, cultural, and political antisemitism. A comprehensive scholarly introduction discusses the definitions, causes, and varieties of antisemitism.
Danielle is the classic girl- next- door, minding her own business both at home and at the office. But she’s about to turn thirty, still single, and her sisters have decided she needs to be shaken out of her quiet life. What better way than at a weeklong paintball boot camp? Determined to have a good time, Danielle is thrown off her game when she meets the handsome team captain, Trevor. After breaking up with his cheating girlfriend of five years, Trevor is having trouble trusting women. Coerced into joining a paintball boot camp by his best friend, Trevor wants nothing to do with anyone of the opposite sex...until he catches the eye of the sleek and poised team's head cook, Danielle. Could she be the one to turn him back onto romance? As Danielle finds herself battling more that flying paintballs, Trevor struggles to bring home the win for the team—and for himself. With a lot of laughter, some secretive gatherings, and the power of prayer to fend off an unlikely saboteur, can these two young people find their way to each other—and the love they deserve?
Until now, writings on the celebrated movements in literature and film that emerged in France in the mid-1950s - the New Novel and New Wave - have concentrated on their formal innovations, not on their engagement with history or politics. New Novel, New Wave, New Politics overturns this traditional approach. Lynn A. Higgins argues that the New Novelists (e.g., Alain Robbe-Grillet, Claude Simon, Marguerite Duras) and New Wave filmmakers (e.g., Claude Chabrol, Francois Truffaut, Jean-Luc Godard, Alain Resnais) "engage in a kind of historiography.... They enact the conflicts, the double binds of postwar history and representation." Higgins claims that what art historian Serge Guilbaut has said of American Abstract Expressionism is equally true of the New Novel and New Wavethat its aesthetic innovations "provided a way for avant-garde artists to preserve their sense of social 'commitment'... while eschewing the art of propaganda and illustration. It was in a sense a political apoliticism." Higgins shows how the New Novel and New Wave are related developments. "While their individual styles and themes remain distinctive, " she writes, "they share an ecriture that can be described as alternately, or interconnectedly, filmic and novelistic." New Wave filmmakers borrowed novelistic devices and made frequent literary allusions, while the "vision of the novelists is distinctly cinematic." A lively account that takes us to the crossroads where culture and politics meet, New Novel, New Wave, New Politics dramatically revises our view of a whole generation of important, influential artists.
A brave heroine whose quest involves living her true gender. A genderqueer knight who battles the transphobic court to save their prince. Often fearing discovery, the trans hero embarks on adventure, aided by an accepting mentor and other allies, and challenged by transphobic villains and sometimes uncomprehending family members. Ultimately, the trans hero triumphs, finding love, selfhood, and affirmation. This book adapts Joseph Campbell's classic pattern of comparative mythology and applies it to trans and non-binary heroes in modern popular media who are traversing multiple worlds. Analyzed are works for the screen such as Steven Universe, The Matrix, Sense8, and Sandman; print materials such as DC and Marvel comics; and television, fantasy books, and graphic novels from trans and non-binary creators worldwide.
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.