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LYNNS JOURNAL THE THIRD BOOK IN A TRILOGY Lynn Bosen grew up in a trailer park. Her father abused her until he died when Lynn was nine years old. Her mother was a recluse, showing little interest or affection for Lynn. Lynn grew up with three survival qualities. She could run like the wind, she had a powerful mind, and she had a beautiful body. Boys and men were drawn to her. Lynn is now Lynn Bosen Noble. Her husband, Mike Noble, is a graduate professor and vice president of Great Rivers University (GRU). Mike Noble has studied in diverse academic fields including studies of writing and healing. In Stem: Cells That Divide, Lynn was left for dead in an explosion meant to kill her and to destroy the Stem Cell Laboratory on the campus of GRU. She survived and Mike encouraged her to write of her life in a journal, thus, Lynns Journal. Lynn takes on the task with little enthusiasm; however, she addresses the challenge and she enjoys the process. You will respect her courage and her survival skills. She has trepidation about sharing it with Mike. This is her unexpurgated journal, or as some are wont to say, warts and all. Enjoy!
Personal reflections on the vital role of the notebook in creative writing, from Dorianne Laux, Sue Grafton, John Dufresne, Kyoko Mori, and more. This collection of essays by established professional writers explores how their notebooks serve as their studios and workshops—places to collect, to play, and to make new discoveries with language, passions, and curiosities. For these diverse writers, the journal also serves as an ideal forum to develop their writing voice, whether crafting fiction, nonfiction, or poetry. Some include sample journal entries that have since developed into published pieces. Through their individual approaches to keeping a notebook, the contributors offer valuable advice, personal recollections, and a hearty endorsement of the value of using notebooks to document, develop, and nurture a writer’s creative spark.
A young wanderer on the threshold of adulthood scribbles events involved in his personal perspective progression via exposure to multifarious novel external environments. Travelling from the lows to the highs of the natural and economical worlds, a wider lens through which to view the vicissitudes of existence is acquired.
Do you ever wish you could write a letter to your former, younger self about the details of your present life, maybe as a way to do something different? Well, as you know, we can't change our past; however, we can change our future and how we are looking at our past.In this book, you will read stories about my lifetime. My personal ups and downs, triumphs, good times and bad, people I've met, and for good measure, a few stories to give you an insight on how I think and the many things I think about.As each story unfolds with detailed emotion and witty sarcasm, you'll see as my thoughts transform to understanding. There is a reason for everything, and only you can change your future, like I changed mine.This book is my way of saying we are not alone in this world.
This book provides you with all the tools you need to write an excellent academic article and get it published.
We bought eighty acres of trees bordering the Mark Twain National Forest and built a Cape Cod-style house on it. This was in Christian County Missouri, twenty-six miles from my college teaching position in Springfield. And for a time it was a wonderful place to raise our three children. But by 1969, when this volume ends, the marriage was in trouble.
For a long time now, readers and scholars have strained against the limits of traditional literary criticism, whose precepts--above all, "objectivity"--seem to have so little to do with the highly personal and deeply felt experience of literature. The Intimate Critique marks a movement away from this tradition. With their rich spectrum of personal and passionate voices, these essays challenge and ultimately breach the boundaries between criticism and narrative, experience and expression, literature and life. Grounded in feminism and connected to the race, class, and gender paradigms in cultural studies, the twenty-six contributors to this volume--including Jane Tompkins, Henry Louis Gates, Jr., Shirley Nelson Garner, and Shirley Goek-Lin Lim--respond in new, refreshing ways to literary subjects ranging from Homer to Freud, Middlemarch to The Woman Warrior, Shiva Naipaul to Frederick Douglass. Revealing the beliefs and formative life experiences that inform their essays, these writers characteristically recount the process by which their opinions took shape--a process as conducive to self-discovery as it is to critical insight. The result--which has been referred to as "personal writing," "experimental critical writing," or "intellectual autobiography"--maps a dramatic change in the direction of literary criticism. Contributors. Julia Balen, Dana Beckelman, Ellen Brown, Sandra M. Brown, Rosanne Kanhai-Brunton, Suzanne Bunkers, Peter Carlton, Brenda Daly, Victoria Ekanger, Diane P. Freedman, Olivia Frey, Shirley Nelson Garner, Henry Louis Gates, Jr., Melody Graulich, Gail Griffin, Dolan Hubbard, Kendall, Susan Koppelman, Shirley Geok-Lin Lim, Linda Robertson, Carol Taylor, Jane Tompkins, Cheryl Torsney, Trace Yamamoto, Frances Murphy Zauhar