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My daddy died when I was (one...two...) three years old. Today we are out in the garden. It always makes me think about my daddy because he LOVED his garden. Sometimes, I wonder what happened to my daddy's body... This picture book aims to help children aged 3+ to understand what happens to the body after someone has died. Through telling the true story of what happened to his daddy's body, we follow Alex as he learns about cremation, burial and spreading ashes. Full of questions written in Alex's own words, and with the gentle, sensitive and honest answers of his mother, this story will reassure any young child who might be confused about death and what happens afterwards. It also reiterates the message that when you have experienced the loss of a loved one, it is okay to be sad, but it is okay to be happy, too.
In this companion book to the bestselling "I Love My Hair!, " a young boy, Miles, makes his first trip to the barbershop with his father. With the support of his dad, the barber, and the other men in the barbershop, Miles bravely sits through his first haircut.
When we were on a No Girls Allowed! holiday, my daddy's heart stopped beating and I had to find help all by myself. He was very badly broken. Not even the ambulance people could help him... This honest, sensitive and beautifully illustrated picture book is designed to help explain the concept of death to children aged 3+. Written in Alex's own words, it is based on the real-life conversations that Elke Barber had with her then three-year-old son, Alex, after the sudden death of his father. The book provides reassurance and understanding to readers through clear and honest answers to the difficult questions that can follow the death of a loved one, and carries the invaluable message that it is okay to be sad, but it is okay to be happy, too.
Coretta Scott King Award winner A young girl’s beloved uncle is a talented barber without a shop who never gives up on his dream in this richly illustrated, stirring picture book. Everyone has a favorite relative. For Sarah Jean, it’s her Uncle Jed. Living in the segregated South of the 1920s, where most people are sharecroppers, Uncle Jed is the only black barber in the county and has to travel all over the county to cut his customers’ hair. He lives for the day when he could open his very own barbershop. But there are a lot of setbacks along the way. Will Uncle Jed ever be able to open a shiny new shop?
This is how the story begins, it was a Wednesday night and I went to a dance every Wednesday night at the P.S. Pavilion; a nice big dance hall like the big ones we had in Chicago, with the big bands. I felt like I was about 18 years old and I danced every dance. I had a few drinks and I left the dance about 11 :00 P.M. I got to bed about 11:45 p.m. I woke up about 5 a.m the next morning. I couldn't breathe, I was having a tough time breathing; so I called 911. I knew I was in some kind of trouble so I took my pajamas off, put on shorts and with that I put my medicare card and blue cross/blue shield card, and my driver's license in my pocket I waited out side. It seemed like an hour but it was probably only a few minutes, before the fire dept arrived with their wagon. I was standing in the driveway, waiting for them to arrive. I said, "I'm having a hard time breathing would you please give me some oxygen." They kept asking, what's your name, . . .where do you live? I kept asking them to please give me some oxygen. I was having a tough time breathing.
A rhyming celebration of Afro hair, barbershops and father-son relationships, from hair care coach and author Tọlá Okogwu and rising star illustrator, Chanté Timothy. Nana’s getting married, and today is the big day! I’m her little page boy; Daddy’s giving her away. “Deji and Daddy, just look at your hair!” Uh oh, we’re in trouble. Nana shoots us a glare. “You better find a barber. You both need a cut. Now hurry along,” she adds with a tut. It’s the morning of Nana’s wedding, and Deji and Daddy need haircuts – right away! Join them on a race against the clock to make sure they look slick just in time to walk Nana down the aisle. This story features a fun and heart-warming portrayal of the quality time spent between parent and child. This is the second book in the Daddy Do My Hair series, with joyful rhyming text paired with bold and beautiful illustrations from Chanté Timothy (Hey You! by Dapo Adeola). Other Daddy Do My Hair books, by Tọlá Okogwu and Chanté Timothy: Beth’s Twists Also includes haircare tips for Afro hair from the author!
This relatable story from award-winning author-illustrator Hyewon Yum explores the universal fear of first haircuts with honesty, tenderness, and humor Little lion needs a haircut. But he doesn’t want one! Is he worried? No. Is he scared? NO! He just likes his hair the way it is. R-O-A-R! But there’s someone else who needs a haircut, too . . . it’s Dad, and he doesn’t want one, either! Maybe if they go to the barbershop together, there will be nothing to worry about.
A pivotal twentieth-century composer, Samuel Barber earned a long list of honors and accolades that included two Pulitzer Prizes for Music and the public support of conductors like Arturo Toscanini, Serge Koussevitzky, and Leonard Bernstein. Barber’s works have since become standard concert repertoire and continue to flourish across high art and popular culture. Acclaimed biographer Howard Pollack (Aaron Copland, George Gershwin) offers a multifaceted account of Barber’s life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber’s path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the Adagio for Strings, the Violin Concerto, Knoxville: Summer of 1915 for voice and orchestra, the Piano Concerto, and the operas Vanessa and Antony and Cleopatra, stand alongside revealing accounts of the music’s commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber’s encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. He also provides an eloquent portrait of the composer’s decades-long relationship with the renowned opera composer Gian Carlo Menotti. Informed by new interviews and immense archival research, Samuel Barber is a long-awaited critical and personal biography of a monumental figure in twentieth-century American music.
My name is Depression. I have several nicknames. Some call me lazy or quitter or loser. The advice I am given is to, buck-up, grow a pair, get over it, be a man. Some even go further and describe me Sloth like, spineless and a whiner. The professionals’ have given me all the right answers and encouragements. I fully know they will work for others but I am convinced those answers will not work for me. I am without faith. Without faith there can be no hope. If I can’t find the strength to believe, you will know and call me by another name. Suicide. Follow along with Clinton Flanagan’s lifelong journey to living free. Walk his path, side by side to sanity and joy. You too will find peace, as you learn to leave the wreckage of your past behind. There may be days when hope is all you have left. Know that hope, is all you will need, each day.