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Barbara Blombergis a historical novel set in medieval Europe, telling the tale of young German singer who managed to caught an eye of the great Emperor Charles V._x000D_ "Yet many long minutes elapsed ere he noticed the dish, though it was one of his favourite viands. Barbara's song stirred the imperial lover of music at the nocturnal banquet just as it had thrilled the great musicians a few hours before. He thought that he had never heard anything more exquisite, and when the Benedictio Mensa: died away he clasped his sister's hand, raised it two or three times to his lips, and thanked her with such affectionate warmth that she blessed the accomplishment of her happy idea, and willingly forgot the unpleasant moments she had just undergone. Now, as if completely transformed, he wished to be told who had had the lucky thought of summoning his orchestra and her boy choir, and how the plan had been executed; and when he had heard the story, he fervently praised the delicacy of feeling and true sportsmanlike energy of her strong and loving woman's heart. This time it gave the most beautiful portion of Joscluin de Pres's hymn to the Virgin, "Ecce tupulchraes"; and when Barbara's "Quia amore langueo" reached his ear and heart with its love-yearning melody, he nodded to his sister with wondering delight, and then listened, as if rapt from the world, until the last notes of the motet died away."_x000D_ _x000D_ _x000D_
DigiCat Publishing presents to you this special edition of "Barbara Blomberg — Complete" by Georg Ebers. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
As one can guess from the title, the following book is a collection of quotations and sayings from George Ebers. He was a German Egyptologist and novelist. He is best known today for his purchase of the Ebers Papyrus, one of the oldest Egyptian medical documents in the world.
Together with Bertolt Brecht and Gerhart Hauptmann, Carl Zuckmayer (1890-1977) was one of the most popular and significant German dramatists of the twentieth century. His folk play The Merry Vineyard (1925) marked the end of German expressionism; his comedy The Captain of Kopenick (1931), a scathing satire on German militarism, and his drama The Devil's General (1946), about a Nazi general and German resistance, were some of the most frequently performed plays in recent German theater history. During the Third Reich Zuckmayer's works were banned in Germany while their author lived as an exile in the United States, trying to survive as a farmer in Vermont. For that reason, Zuckmayer scholarship was off to a slow start. Wagener demonstrates that it received its main impetus from the United States where the majority of dissertations on Zuckmayer were written. He shows the development of scholarship from reviews to general assessments, from positivistic biographical fact finding to the New Criticism and finally to recent modes of critical assessment, including feminist criticism. Wagener draws particular attention to the role of the Carl Zuckmayer Society in critical discourse about this neglected author.