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Bantu Art and Culture is a book about how the East, Central, and South African cultures have merged from the precolonial period until the late twentieth century. Fled from the north of Africa after the great kingdom of Egypt fell apart, these civilizations settled themselves around the Nile to create new nations known as the Kongo, Bamoun, Kuba, Lunda, Bamileke, Monomotapa, Ngola-Dongo-Matamba, and Zulu kingdoms. In this book, the reader will explore the settings of each empire through its politics, art, music, customs, as well as the role of each individual living in the African society.
"Werner Gillon examines the major influences on African culture and art over the centuries: the civilizations of Egypt and the Mediterranean coast, the spread of Islam, the Bantu migrations, the evolution of the tribal system, the arrival of the Europeans and Christianity and the development of trade within Africa and beyond. He then examines the earliest known art forms, the astonishing prehistoric rock art found in a number of regions and the sophisticated artefacts of the ancient Nubian, Aksumite and Nok cultures, and goes on to consider the development of the visual arts in a number of individual regions ranging from the Sahara to the Cape from Ethiopia and the Swahili coast in the east to the Niger Delta and Benin in the West."--Publisher's description
This unique book presents sculptures from the Nok, Sokoto and Katsina cultures of Nigeria in fascinating detail. The terra-cotta statues, which date from 600BC to 300AD, are the oldest traces of the remarkable tradition of sculpture in sub-Saharan Africa. Varying in size from four-inch miniature amulets to monumental seated and kneeling sculptures, often of kings, priests or soothsayers, the statues also display the very rich variety of headdresses, beads, necklaces and bracelets that existed within these cultures. This book brings is a synthesis of the discoveries made since the groundbreaking 1977 study by Bernard Fagg. An essay on dating methods -- carbon dating and thermoluminescence -- provides the most recent results, as well as detailing new cross-dating techniques. A classification of poses common to the sculptures, and parallel photographic evidence of the continuing decorative tradition, enhance the academic value of this definitive work.
From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. It is the story of a community that made its way through the travails of white supremacist South Africa and demonstrates how the art students and teachers made together became the art of their lives. Daniel Magaziner radically reframes apartheid-era South African history. Against the dominant narrative of apartheid oppression and black resistance, as well as recent scholarship that explores violence, criminality, and the hopeless entanglements of the apartheid state, this book focuses instead on a small group’s efforts to fashion more fulfilling lives for its members and their community through the ironic medium of the apartheid-era school. There is no book like this in South African historiography. Lushly illustrated and poetically written, it gives us fully formed lives that offer remarkable insights into the now clichéd experience of black life under segregation and apartheid.