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A young noblewoman flees to London and poses as a servant to evade a murderer in this richly detailed and “compelling” (Publishers Weekly) historical novel. A SECRET TREATY AND A SECRET LIFE LONDON, 1812: Giselle Barrington is living a double life, juggling the duties of chef with those of spy catcher. She must identify her father’s savage killer before the shadowy man finds her and uncovers the explosive political document her father entrusted to her safekeeping. Posing as a French cook in the home of Lord Aldridge, Giselle is surrounded by unlikely allies and vicious enemies. In the streets where she once walked freely among polite society, she now hides in plain sight, learning the hard lessons of class distinction and negotiating the delicate balance between servant and master. Lord Aldridge’s insatiable curiosity about his mysterious new chef blurs the line between civic duty and outright desire. Carefully watching Giselle’s every move, he undertakes a mission to figure out who she really is—and, in the process, plunges her straight into the heart of danger when her only hope for survival is to remain invisible.
Contemporary erotic fiction has a new notable book--where Islam meets sexual and cultural taboos.
"When factory worker Dan Dong accidentally discovers how easy it is to infiltrate state- and corporate-sponsored banquets by posing as a journalist, he quickly becomes addicted to the insane luxury of these meals. For the first time, he tastes crab-claw tips, exotic fungi, and a dish made from thousands of pigeon tongues arranged in the shape of a chrysanthemum. But when Dan's disguise enables him to become privy to a deep-rooted scandal, his conscience compels him to cross the line between subterfuge and reality by actually writing an expose. With the help of the witty, jaded reporter Happy Gao, Dan embarks on a journey that will take him from the highest rungs of society to its most sordid depths." "Throughout the book, food - from the spicy, oily fare Dan orders for a high-class prostitute at a restaurant called Pink Chamber, to the humble noodle dishes prepared by his long-suffering wife, Little Plum - is present on almost every page, described so vividly that you can almost smell and taste it. But by the final page of The Banquet Bug, it has become clear that the perils of consumption run parallel to its pleasures."--BOOK JACKET.
What could be more moving than a reunion of childhood friends making peace after long enmity and tragic misunderstanding? Lucius Murena and the Emperor emerge from their long-awaited meeting with rekindled trust and affection. But in Nero's Rome, such victories are always fleeting. When a brutal murder attempt leaves Murena on the brink of death, his memory is erased by a family of patricians plotting to assassinate Nero with the help of the Emperor's own dear advisor, Seneca. The series, a dive into the intricate and deadly world of ancient Rome, is back with this tenth volume.
All autobiographers are unreliable narrators. Yet what a writer chooses to misrepresent is as telling -- perhaps even more so -- as what really happened. Timothy Adams believes that autobiography is an attempt to reconcile one's life with one's self, and he argues in this book that autobiography should not be taken as historically accurate but as metaphorically authentic. Adams focuses on five modern American writers whose autobiographies are particularly complex because of apparent lies that permeate them. In examining their stories, Adams shows that lying in autobiography, especially literary autobiography, is not simply inevitable. Rather it is often a deliberate, highly strategic decision on the author's part. Throughout his analysis, Adams's standard is not literal accuracy but personal authenticity. He attempts to resolve some of the paradoxes of recent autobiographical theory by looking at the classic question of design and truth in autobiography from the underside -- with a focus on lying rather than truth. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Being angry at God is full of pain, confusion, and loneliness. Where does a believer in Jesus Christ turn when they find themselves angry and suspicious of God? Where did the anger come from? When will the pain end? Can God be trusted? These are the questions those angry at God ask. Where can hope be found when a believer feels let down by God? There is path away from being angry at God that takes us from rage to peace and trust. It is a long journey that is both familiar and unknown.
Many Christians write off the Old Testament as an outdated rule book which has little to say to them and has been superseded by the New Testament and the Christian tradition.Lies, Sex and Politicians is for those thinking Christians who want to 'recapture' the Old Testament from those who, in wanting to promote it in a particular way (e.g. in the homosexuality debate), have closed it off to the majority.John Holdsworth offers a way into the Old Testament through linking some of the themes found in this very diverse collection of texts with themes found in contemporary culture. This in turn enables readers to engage with the Old Testament as a resource for doing Christian theology and ethics today.Each chapter concentrates on a text-based theme. This leads to exegetical input and discussion of the wider theme in the light of contemporary scholarship. The text is then approached from the direction of some element of contemporary culture or concern. A final suggested exercise aims to bring these elements together in a creative and interesting way.
Andreas Stokke presents a comprehensive study of lying and insincere language use. He investigates how lying relates to other forms of insincerity and explores the kinds of attitudes that go with insincere uses of language. Part I develops an account of insincerity as a linguistic phenomenon. Stokke provides a detailed theory of the distinction between lying and speaking insincerely, and accounts for the relationship between lying and deceiving. A novel framework of assertion underpins the analysis of various kinds of insincere speech, including false implicature and forms of misleading with presuppositions, prosodic focus, and semantic incompleteness. Part II sets out the relationship between what is communicated and the speaker's attitudes. Stokke develops the view of insincerity as a shallow phenomenon that is dependent on conscious attitudes rather than deeper motivations. The various of ways of speaking while being indifferent toward what one communicates are covered, and the phenomenon of 'bullshitting' is distinguished from lying and other forms of insincerity. Finally, an account of insincere uses of interrogative, imperative, and exclamative utterances is also given.
SIXTY-SIX SONGS features an exotic array of birds with a song each celebrating life in its many colourful dimensions. Crafted in the great tradition of Negritude , the collections flows with a sweet cadence, fi lling the soul with ethereal melody to herald the light of a new beginning.