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Banning Black Gods is a global examination of the legal challenges faced by adherents of the most widely practiced African-derived religions in the twenty-first century, including Santeria/Lucumi, Haitian Vodou, Candomblé, Palo Mayombe, Umbanda, Islam, Rastafari, Obeah, and Voodoo. Examining court cases, laws, human rights reports, and related materials, Danielle N. Boaz argues that restrictions on African diaspora religious freedom constitute a unique and pervasive form of anti-Black discrimination. Emphasizing that these twenty-first-century cases and controversies are not a new phenomenon but rather a reemergence of colonial-era ideologies and patterns of racially motivated persecution, Boaz focuses each chapter on a particular challenge to Black religious freedom. She examines issues such as violence against devotees, restrictions on the ritual slaughter of animals, limitations on the custodial rights of parents, and judicial refusals to recognize these faiths as protected religions. Boaz introduces new issues that have never been considered as a question of religious freedom before—such as the right of Palo Mayombe devotees to possess remains of the dead—and she brings together controversies that have not been previously regarded as analogous, such as the right to wear headscarves and the right to wear dreadlocks in schools. Framing these issues in comparative perspective and focusing on transnational and transregional issues, Boaz advances our understanding of the larger human rights disputes that country-specific studies can overlook. Original and compelling, this important new book will be welcomed by students and scholars of African diaspora religions and discerning readers interested in learning more about the history of racial discrimination
Exploring various African religions as part of a cultural system, relevant to national identity in Trinidad, this text deals with the dynamic doctrinal and ideological changes that have occurred within the religions and documents the legislative and social acceptance of African religion.
Introduction : beginning to rethink twins / Philip M. Peek -- Twins and double beings among the Bamana and Maninka of Mali / Pascal James Imperato and Gavin H. Imperato -- Twins and intertwinement : reflections on ambiguity and ambivalence in northwestern Namibia / Steven Van Wolputte -- Sustaining the oneness in their twoness : poetics of twin figures (ère ìbejì) among the Yoruba / Babatunde Lawal -- "Son dos los jimagüas" ("the twins are two") : worship of the sacred twins in Lucumí religious culture / Ysamur Flores-Pena -- Twins, couples, and doubles and the negotiation of spirit-human identities among the Win / Susan Cooksey -- Double portraits : images of twinness in West African studio photography / C. Angelo Micheli -- Forever liminal : twins among the Kapsiki/Higi of north Cameroon and northeastern Nigeria / Walter E.A. Van Beek -- Snake, bush, and metaphor : twinship among Ubangians / Jan-Lodewijk Grootaers -- Fiction and forbidden sexual fantasy in the culture of Temne twins / Frederick John Lamp -- Embodied dilemma : Tabwa twinship in thought and performance / Allen F. Roberts -- Children of the moon : twins in Luba art and ontology / Mary Nooter Roberts -- Two equals three : twins and the trickster in Haitian vodou / Marilyn Houlberg -- Divine children : the ibejis and the erês in Brazilian candomblé / Stefania Capone -- The ambiguous ordinariness of Yoruba twins / Elisha P. Renne -- Twins, albinos, and vanishing prisoners : a Mozambican theory of political power / Paulo Granjo.
This book is an in-depth, comparative study of two of the most popular and influential intellectual and spiritual traditions of West Africa: Tijani Sufism and Ifa. Employing a unique methodological approach that thinks with and from—rather than merely about—these traditions, Oludamini Ogunnaike argues that they contain sophisticated epistemologies that provide practitioners with a comprehensive worldview and a way of crafting a meaningful life. Using theories belonging to the traditions themselves as well as contemporary oral and textual sources, Ogunnaike examines how both Sufism and Ifa answer the questions of what knowledge is, how it is acquired, and how it is verified. Or, more simply: What do you know? How did you come to know it? How do you know that you know? After analyzing Ifa and Sufism separately and on their own terms, the book compares them to each other and to certain features of academic theories of knowledge. By analyzing Sufism from the perspective of Ifa, Ifa from the perspective of Sufism, and the contemporary academy from the perspective of both, this book invites scholars to inhabit these seemingly “foreign” intellectual traditions as valid and viable perspectives on knowledge, metaphysics, psychology, and ritual practice. Unprecedented and innovative, Deep Knowledge makes a significant contribution to cross-cultural philosophy, African philosophy, religious studies, and Islamic studies. Its singular approach advances our understanding of the philosophical bases underlying these two African traditions and lays the groundwork for future study.
In the 1920s, Robert Athlyi Rogers founded the Afro-Athlican Constructive Gaathly religion in the West Indies. He wrote The Holy Piby as a guiding text, seeing Ethiopians - in the classical meaning of all Africans - as God's chosen people, and he preached self-determination and self-reliance. The Holy Piby is a major source of influence to the Rastafarian faith, which holds Haile Selassie I as Christ, and Marcus Garvey as his prophet. The Holy Piby consists of four books, and the seventh chapter of the second book identifies Marcus Garvey as one of three apostles of God. Original copies are extremely rare, and it is not even listed in the Library of Congress. The text was banned in Jamaica and many other Caribbean Islands until the late 1920s.
Just before dawn one winter's morning, a hijacked jetliner explodes above the English Channel. Through the falling debris, two figures, Gibreel Farishta, the biggest star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years, plummet from the sky, washing up on the snow-covered sands of an English beach, and proceed through a series of metamorphoses, dreams, and revelations.
Like Fela Kuti and Bob Marley, singer, composer, and bandleader Thomas Mapfumo and his music came to represent his native country's anticolonial struggle and cultural identity. Mapfumo was born in 1945 in what was then the British colony of Rhodesia (now Zimbabwe). The trajectory of his career—from early performances of rock 'n' roll tunes to later creating a new genre based on traditional Zimbabwean music, including the sacred mbira, and African and Western pop—is a metaphor for Zimbabwe's evolution from colony to independent nation. Lion Songs is an authoritative biography of Mapfumo that narrates the life and career of this creative, complex, and iconic figure. Banning Eyre ties the arc of Mapfumo's career to the history of Zimbabwe. The genre Mapfumo created in the 1970s called chimurenga, or "struggle" music, challenged the Rhodesian government—which banned his music and jailed him—and became important to Zimbabwe achieving independence in 1980. In the 1980s and 1990s Mapfumo's international profile grew along with his opposition to Robert Mugabe's dictatorship. Mugabe had been a hero of the revolution, but Mapfumo’s criticism of his regime led authorities and loyalists to turn on the singer with threats and intimidation. Beginning in 2000, Mapfumo and key band and family members left Zimbabwe. Many of them, including Mapfumo, now reside in Eugene, Oregon. A labor of love, Lion Songs is the product of a twenty-five-year friendship and professional relationship between Eyre and Mapfumo that demonstrates Mapfumo's musical and political importance to his nation, its freedom struggle, and its culture.
Presented here are two volumes of apocryphal writings reflecting the life and time of the Old and New Testaments. Stories told by contemporary fiction writers of historical Bible times in fascinating and beautiful style.
We are all called to be change-makers in the world, and yet many of us don't know how to answer the call. Jesus Culture founder and pastor Banning Liebscher reveals the three key moves that will awaken your heart and propel you into a life of divine purpose. You were made for more than a life of holy discontent--more than the frustrating sense of sitting on the sidelines of your own life's purpose. From the beginning, Jesus has beckoned us out of passivity and into a high-stakes adventure with hearts fully alive, lives fully engaged, and the courage needed for both. With a heart-stirring message and compelling stories, founder of Jesus Culture and pastor Banning Liebscher will equip you with practical guidance to be and do all that God has called you to. The Three-Mile Walk draws from the biblical story of Jonathan, who, after a treacherous three-mile hike, boldly stepped into battle and watched God work a stunning victory in the midst of impossible odds. Likewise, Liebscher presents the three key attributes you need to fully engage your mission--courage, holiness, and faith. In his power-packed, memorable style, Liebscher offers fresh insight and instruction for answering your calling with a courageous "yes," and setting out on the journey of a lifetime. You are meant to change the world. It's going to be tough, surprising, and more fulfilling than you can imagine. You just need the courage to rise up and walk it out.
Gerald tells of the very unusual animals he would add to the zoo, if he were in charge.