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With urban poverty rising and affordable housing disappearing, the homeless and other "disorderly" people continue to occupy public space in many American cities. Concerned about the alleged ill effects their presence inflicts on property values and public safety, many cities have wholeheartedly embraced "zero-tolerance" or "broken window" policing efforts to clear the streets of unwanted people. Through an almost completely unnoticed set of practices, these people are banned from occupying certain spaces. Once zoned out, they are subject to arrest if they return-effectively banished from public places. Banished is the first exploration of these new tactics that dramatically enhance the power of the police to monitor and arrest thousands of city dwellers. Drawing upon an extensive body of data, the authors chart the rise of banishment in Seattle, a city on the leading edge of this emerging trend, to establish how it works and explore its ramifications. They demonstrate that, although the practice allows police and public officials to appear responsive to concerns about urban disorder, it is a highly questionable policy: it is expensive, does not reduce crime, and does not address the underlying conditions that generate urban poverty. Moreover, interviews with the banished themselves reveal that exclusion makes their lives and their path to self-sufficiency immeasurably more difficult. At a time when more and more cities and governments in the U.S. and Europe resort to the criminal justice system to solve complex social problems, Banished provides a vital and timely challenge to exclusionary strategies that diminish the life circumstances and rights of those it targets.
Embracing Illusion is an interdisciplinary study of a classic Korean novel. It argues that a work of narrative fiction can be taken seriously as Buddhist philosophical discourse. The capacity of fiction to speak on behalf of Buddhist truths is set in the larger context of how the literary imagination approaches the exploration of reality.
Starting from S&øren Kierkegaard's insight that fully accepting the human condition requires one to live with the persistent temptation to escape from it, Ronald Hall finds similar concerns reflected in the work of two modern-day philosophers, Stanley Cavell and Martha Nussbaum, who equally find in a philosophy of love and marriage the key to understanding how humans may achieve happiness in the acceptance of their humanity. All three thinkers follow a &"logic of paradox&" in showing how success in the human quest to be human depends crucially on the struggle humans experience with the ever-present opportunities to pursue alternative paths. What Kierkegaard called &"living existentially&" can be achieved only after confronting and refusing the possibilities of living in &"aesthetic,&" &"ethical,&" or even &"religious&" denial of one's true humanity. By creating this dialogue between the nineteenth-century Danish thinker and two eminent twentieth-century philosophers, Hall reveals the continuing relevance of Kierkegaard's thought to our own age and its cogency as an interpretation of the human predicament.
Jane Austen's novels have been widely read and discussed, but one topic that is rarely studied is her use of speech. In this volume, writers from around the world consider Austen's sometimes playful, always witty and significant use of dialogue. Features contributions from Juliet McMaster, Isobel Grundy, Linda Bree, Gary Kelly, Jan Fergus, Jocelyn Harris, Kay Young and others.
While surveys show that most of us would prefer to die at home, 80% of us will die in a health care facility, many hooked up to machines and faced with tough decisions. When you, a family member, or a friend are in this situation, what should you do next? In Embracing Our Mortality, Dr. Lawrence J. Schneiderman, a physician who is our leading expert on medical ethics at the end of life, urges all of us, including health care professionals caring for people at the end of life, to face these decisions with sensitivity and realism informed by both the latest medical evidence as well as the oldest humanistic visions. Dr. Schneiderman vividly demonstrates the wisdom of this approach by interweaving true stories of his patients, current empirical research in care at the end of life, displays of the power of empathy and imagination as embodied in the work of writers like Tolstoy and Chekov, and examples of how the distortion of medical research by media, and its misunderstanding even by health care professionals, cloud the ability to think, feel, and decide clearly about mortal concerns. He ends by addressing the question implicit in all of this which is how to achieve a just and universal health care. Dr. Schneiderman proves a refreshingly honest, astringent, and life-affirming guide to thinking about the choices that we or people we love will face when we dienot if, as the technological imperatives of modern medicine can suggestand to making decisions at the end of life that respect all that has preceded it.
In Night Pleasures, Kyrian of Thrace---an immortal who protects humans from vampires---wakes up one morning handcuffed to the one thing that can scare him: a conservative woman in a button-down shirt. But Amanda Devereaux turns out to be his perfect partner for hunting down a deadly foe, and for helping him to regain his soul and learn that love doesn't have to bite. Night Embrace spins the story of Talon, an ancient Celtic warrior who killed the son of the god Camulus. Camulus cursed Talon, decreeing death for everyone he loved. Now a Dark-Hunter in modern-day New Orleans, Talon meets Sunshine, who is key to ending his curse once and for all. Not to mention helping him to save New Orleans from an ancient god bent on total destruction.... Enter a realm like none you've ever experienced with Night Pleasures and Night Embrace. Now together in one volume!
Posthuman Suffering investigates the core assumptions of posthumanist discourse via philosophy, cultural studies, psychoanalytic theory, and close textual and filmic readings of Thomas Pynchon's The Crying of Lot 49, Don DeLillo's White Noise and Steven Spielberg's film, AI: Artificial Intelligence, bringing the more ontological and epistemological implications of posthumanism to the forefront. In the age of technology our own limitations are legitimized as unique to the human condition.