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This beautifully illustrated story, from the Yuin people of Wallaga Lake, New South Wales, tells the tale of Bangu, the Flying Fox, and the lesson she learns about sticking by her friends. With the permission of the elders of Wallaga Lake, their people's story is retold in this form so that children everywhere can share it and learn from it.
This beautifully illustrated story, from the Yuin people of Wallaga Lake, New South Wales, tells the tale of Bangu, the Flying Fox, and the lesson she learns about sticking by her friends. With the permission of the elders of Wallaga Lake, their people's story is retold in this form so that children everywhere can share it and learn from it.
This transnational and transcultural study intimately investigates the theatre making practices of Indigenous women playwrights from Australia, Aotearoa, and Turtle Island. It offers a new perspective in Performance Studies employing an Indigenous standpoint, specifically an Indigenous woman’s standpoint to privilege the practices and knowledges of Maori, First Nations, and Aboriginal women playwrights. Written in the style of ethnographic narrative the author affords the reader a ringside seat in providing personal insights on the process of negotiating access to rehearsals in each specific cultural context, detailed descriptions of each rehearsal location, and describing the visceral experiences of observing Indigenous theatre makers from inside the rehearsal room. The Indigenous scholar and theatre maker draws on Rehearsal Studies as an approach to documenting the day-to-day working practices of Indigenous theatre makers and considers an Indigenous Standpoint as a valid framework for investigating contemporary Indigenous theatre practices in a colonised context.
Topics covered are: Cultures, faiths and beliefs ; Local history ; This is Australia ; British arrival in Australia ; Enterprise in the community.
Sorry Sorry could be a first step of informing these young children of a significant aspect of Australian history, with age appropriate illustrations and dialogue. This book could also be an introduction to understanding the journey of reconciliation with Australia’s First Peoples.
*Longlisted for the CBCA 2020 Eve Pownall Award for Information Books* *Winner of the Booksellers' Choice 2020 Children's Book of the Year Award* *Shortlisted for the 2020 NSW Premier’s Literary Awards Patricia Wrightson Prize for Children's Literature* *Shortlisted for the ABIA Book of the Year for Younger Children (ages 7-12)* *Shortlisted for the Indie Book Awards 2020: Children's* Age range 10+. The highly-anticipated junior version of Bruce Pascoe’s multi award-winning book. Bruce Pascoe has collected a swathe of literary awards for Dark Emu and now he has brought together the research and compelling first person accounts in a book for younger readers. Using the accounts of early European explorers, colonists and farmers, Bruce Pascoe compellingly argues for a reconsideration of the hunter-gatherer label for pre-colonial Aboriginal Australians. He allows the reader to see Australia as it was before Europeans arrived — a land of cultivated farming areas, productive fisheries, permanent homes, and an understanding of the environment and its natural resources that supported thriving villages across the continent. Young Dark Emu — A Truer History asks young readers to consider a different version of Australia’s history pre-European colonisation. 'Adapted for a younger readership from Pascoe's best-selling Dark Emu, this exquisitely illustrated picture book will transform how we see Australian history. Bruce uses the diaries of early explorers and colonists to show us the Australia where Aboriginal people built houses, dams and wells and farmed the land.' — Fiona Stager, The Courier Mail