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7 children are given super powers to save the world.
Lily Mitchell vowed never to date another musician, but Dylan Parker is nothing like the stereotype. Sure, he’s mysterious and sexy, with a flashy car and serious bedroom skills, but he’s also smart, hardworking, and humble. He shares Lily’s passion for classic literature and constantly surprises her with romantic gestures. Their steamy relationship moves at whirlwind pace, and Lily has never been happier. It’s all so perfect that at first, Lily wills herself to ignore the emerging red flags. As her worries about Dylan increase, she finds friendship and comfort in his brother and bandmate, Thomas. But Lily soon discovers that as much as Thomas cares for his brother, he’s also fallen hard for her. As Dylan spirals further out of control, Lily must decide what she really wants, and whom she is willing to hurt.
This sequel to Grammy-nominated bestseller Under the Big Black Sun continues the up-close and personal account of the L.A. punk scene—and includes fifty rare photos. Picking up where Under the Big Black Sun left off, More Fun in the New World explores the years 1982 to 1987, covering the dizzying pinnacle of L.A.'s punk rock movement as its stars took to the national—and often international—stage. Detailing the eventual splintering of punk into various sub-genres, the second volume of John Doe and Tom DeSavia's west coast punk history portrays the rich cultural diversity of the movement and its characters, the legacy of the scene, how it affected other art forms, and ultimately influenced mainstream pop culture. The book also pays tribute to many of the fallen soldiers of punk rock, the pioneers who left the world much too early but whose influence hasn't faded. As with Under the Big Black Sun, the book features stories of triumph, failure, stardom, addiction, recovery, and loss as told by the people who were influential in the scene, with a cohesive narrative from authors Doe and DeSavia. Along with many returning voices, More Fun in the New World weaves in the perspectives of musicians Henry Rollins, Fishbone, Billy Zoom, Mike Ness, Jane Weidlin, Keith Morris, Dave Alvin, Louis Pérez, Charlotte Caffey, Peter Case, Chip Kinman, Maria McKee, and Jack Grisham, among others. And renowned artist/illustrator Shepard Fairey, filmmaker Allison Anders, actor Tim Robbins, and pro-skater Tony Hawk each contribute chapters on punk's indelible influence on the artistic spirit. In addition to stories of success, the book also offers a cautionary tale of an art movement that directly inspired commercially diverse acts such as Green Day, Rancid, Red Hot Chili Peppers, Wilco, and Neko Case. Readers will find themselves rooting for the purists of punk juxtaposed with the MTV-dominating rock superstars of the time who flaunted a "born to do this, it couldn't be easier" attitude that continued to fuel the flames of new music. More Fun in the New World follows the progression of the first decade of L.A. punk, its conclusion, and its cultural rebirth.
One fine day, Om and Vidya realize that they are not ordinary children; after Sam and Julie, it is time for them to learn about their legacy. This is the second installment in the "Legacy Of The Gods" Trilogy.
Forced to live in shame for his father's accused crime of murder, Riorik, a young elf, vows to restore his family's honor and prove his father's innocence. After Riorik discovers an ancient legend might be connected to his father's circumstances, Riorik and his friends leave all that they know behind in the search for the truth.
An investigative account of the medical, sexual, and scientific questions surrounding the spread of AIDS across the country.
"NEW REISSUE! The Who burst upon a startled world in the early sixties and since then have maintained a pre-eminent position in shaping the sound and style of a generation. Best-selling Rolling Stone writer Dave Marsh’s Before I Get Old is the first book to discard the myth and nonsense; it tells the story of not one but six personalities; guitarist Pete Townshend, bassist John Entwistle, drummer Keith Moon and singer Roger Daltrey and their original managers Kit Lambert and Chris Stamp. It charts their origins in the steamy nightlife of London as well as their meteoric rise to fame, describing the creation of the rock opera Tommy, which turned the Who into superstars. In short, this story contains every line of fascinating, shocking, hilarious material on the Who and their wild, crazy lives and careers."--Publisher's website.
The endurance of Pink Floyd's The Dark Side of the Moon on the Billboard Top 100 Chart is legendary, and its continuing sales and ongoing radio airplay ensure its inclusion on almost every conceivable list of rock's greatest albums. This collection of essays provides indispensable studies of the monumental 1973 album from a variety of musical, cultural, literary and social perspectives. The development and change of the songs is considered closely, from the earliest recordings through to the live, filmed performance at London's Earls Court in 1994. The band became almost synonymous with audio-visual innovations, and the performances of the album at live shows were spectacular moments of mass-culture although Roger Waters himself spoke out against such mass spectacles. The band's stage performances of the album serve to illustrate the multifaceted and complicated relationship between modern culture and technology. The album is therefore placed within the context of developments in late 1960s/early 1970s popular music, with particular focus on the use of a variety of segues between tracks which give the album a multidimensional unity that is lacking in Pink Floyd's later concept albums. Beginning with 'Breathe' and culminating in 'Eclipse', a tonal and motivic coherence unifies the structure of this modern song cycle. The album is also considered in the light of modern day 'tribute' bands, with a discussion of the social groups who have the strongest response to the music being elaborated alongside the status of mediated representations and their relation to the 'real' Pink Floyd.
A compact, illustrated account of the first major battle in the Western theatre of the American Civil War. Shiloh came as a horrifying shock to both the American public and those in arms. For the first time they had some idea of the terrible price that would be paid for the preservation of the Union. On 6 April 1862 General Albert Sidney Johnston caught Grant and Sherman by surprise and very nearly drove them into the River Tennessee, but was mortally wounded in the process. Somehow Grant and Sherman hung on and the next day managed to drive back the hordes of grey-clad rebels. Featuring battle maps and rich illustrations throughout, James R. Arnold's book explores the plans, the battle itself and its consequences for America.