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In Greenwich Village in the late 1920s Al, an artist, moves into a rooming house on Macdougal Street and finds himself being pulled deeper and deeper into the lives of its inhabitants. Above him live Mary Margaret, a lost actress from Ohio, and her philandering poet boyfriend, Jem. Al meets Mary Margaret when she comes home drunk one night and blunders into his bed. He falls in love with her. The landlord, McLish, keeps bursting into Al's room to help him with his romance. McLish, a failed writer, has his own troubles: a beautiful but compulsively disloyal wife. And somebody keeps playing "The Saint James Infirmary Blues." Al's attempt to rescue Mary Margaret is the core of this richly atmospheric love story which vividly recreates the world of artists and writers in this era. (Mary Margaret also appears in his Anima Mundi and Laestrygonians.) In Pendragon Plays.
Life styles in California, New York and Arizona are grumbled at to create a hilarious reading experience.
Silent film starlet Mary Margaret is alone in her Hollywood bungalow, about to kill herself. A former Shakespearean stage actor, now a drunken silent movie leading man with a bad reputation, calls on her and tries to convince her to face life. In the course of their hilarious conflict, images of the actor's past emerge. His efforts to help Mary Margaret live force him to deal with his own demons and find a way to cope with the terrible secret that eats away at him like the cannibal Laestrygonians in Homer's Odyssey. Funny and rich in character and language, this powerful and unusual love story, part of the Pendragon series of plays, is rich with great audition monologues and scenes. Don Nigro's followers will recognize some of the characters from Chronicles, Anima Mundi, Beast with Two Backs, Autumn Leaves and Dramatis Personae--all plays from his series Pendragon Plays
Contents: Dutch Interiors French Gold Rat Wives Rhiannon The Rooky Wood
Sycorax. Sycorax, the witch mother of Caliban on Prospero's Island, tries to explain that the old house she lives in is haunted to him, and tries to solve the mystery of the house and of her own dark past.
Adapted from the novel by Terry Woo
A wonderful collection of never-before-collected one-acts: “The peak of my virtuosity was in the one- act plays. Some of which are like firecrackers in a rope” (Tennessee Williams). Here are portraits of American life during the Great Depression and after, populated by a hopelessly hopeful chorus girl, a munitions manufacturer ensnared in a love triangle, a rural family that deals “justice” on its children, an overconfident mob dandy, a poor couple who quarrel to vanquish despair, a young “spinster” enthralled by the impulse of rebellion, and, in “The Magic Tower,” a passionate artist and his wife whose youth and optimism are not enough to protect their “dream marriage.” This new volume gathers some of Williams’s most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas: “The Pretty Trap,” a cheerful take on The Glass Menagerie, and “Interior: Panic,” a stunning precursor to A Streetcar Named Desire. The plays include: • At Liberty • The Magic Tower • Me, Vashya • Curtains for the Gentleman • In Our Profession • Every Twenty Minutes • Honor the Living • The Case of the Crushed Petunias • Moony’s Kid Don’t Cry • The Dark Room • The Pretty Trap • Interior: Panic • Kingdom of Earth • I Never Get Dressed Till After Dark on Sundays • Some Problems for The Moose Lodge
Contains selected papers from the conference 'Building Liberty, Canada and World Peace, 1945-2005' (June 2-4, 2005) held by The Association for Canadian Studies in the Netherlands (ACSN) at Middelburg; and poems by George Elliott Clarke, Frank Davey, Janice Kulyk Keefer, and Christl Verduyn.