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A professional dancer's career, like a professional athlete's, lasts an average of 10 to 15 years. Once the prime years of physical prowess have passed, retirement is inevitable, but dancers still have many years of adult life ahead. The challenge for many is making the transition into a new career. Motivated by her own career transition, author Nancy Upper interviewed former ballet dancers who made successful transitions into new careers after they stopped performing. Part 1 of the book features dancers who remained in ballet-related careers. Part 2 features four individuals who chose careers outside the field of dance. Part 3 focuses on dancers who pursued non-dance careers that help dancers and other performing artists. Appendices include the marketable qualities dancers develop as a result of their training, career transition tips, transition resources, and a graph mapping the transition process.
In Starting Your Career as a Dancer, author Mande Dagenais explains what it really takes to get into the business, be in the business, and survive in the business. Based on more than twenty-five years of experience in the performing arts as a dancer, teacher, choreographer/director, and producer, Dagenais offers insider advice and shares her vast knowledge while answering questions asked by professionals and beginners alike. Aspiring dancers will learn about different markets, venues, and types of work for dancers, and what to expect from a dancing job, while experienced dancers will appreciate helpful tips on where and how to find work, business management, and career transition. Covering topics ranging from audition dos and don’ts to injury prevention, this is absolutely the most comprehensive and practical guide you will find to the dancer’s profession.
A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.
The early career transitions of semi-elite amateur ballet dancers have been found to elicit feelings of hopelessness (Sandham, 2012). Despite research highlighting the importance of hope in major change processes (Harris & Larsen, 2008; Jevne, 2005; Larsen et al., 2013; Larsen et al., 2014), the role that hope plays in early career transitions of young ballerinas who were unsuccessful at attaining professional careers has yet to be explored. The purpose of this study was to explore the lived experience of hope during career transitions of semi-elite female amateur ballet dancers. I sought to answer, "How do former semi-elite female amateur ballet dancers experience hope as they successfully transition to meaningful alternate careers?" Related objectives included exploring: (a) personal experiences that fostered hope; (b) barriers to hope; and (c) environmental factors related to hope during this transition. A qualitative study using interpretative phenomenological analysis (IPA) was employed with 10 women. Data were collected through three in-depth, semi-structured interviews. Participants were also invited to share artistic representations of hope during their career transitions. Four overarching themes were co-constructed: (1) hope not achieved; (2) hope as a process; (3) hope as internal to the self; and (4) hope as external to the self. I anticipate that findings will facilitate future research in this area in addition to informing parents/caregivers and ballet teachers how to better support former semi-elite amateur ballet dancers during their early career transitions.
“A glimpse into the fragile psyche of a dancer.” —The Washington Post Jenifer Ringer, a principal dancer with the New York City Ballet, was thrust into the headlines after her weight was commented on by a New York Times critic, and her response ignited a public dialogue about dance and weight. Ballet aficionados and aspiring performers of all ages will want to join Ringer behind the scenes as she shares her journey from student to star and candidly discusses both her struggle with an eating disorder and the media storm that erupted after the Times review. An unusually upbeat account of life on the stage, Dancing Through It is also a coming-of-age story and an inspiring memoir of faith and of triumph over the body issues that torment all too many women and men.
An autobiographical meditation on art from the world-renowned dancer and choreographer In this ceaselessly questioning book, acclaimed African American dancer, choreographer, and director Bill T. Jones reflects on his art and life as he describes the genesis of Story/Time, a recent dance work produced by his company and inspired by the modernist composer and performer John Cage. Presenting personally revealing stories, richly illustrated with striking color photographs of the work's original stage production, and featuring a beautiful, large-format design, the book is a work of art in itself. Like the dance work, Story/Time the book is filled with telling vignettes—about Jones’s childhood as part of a large, poor, Southern family that migrated to upstate New York; about his struggles to find a place for himself in a white-dominated dance world; and about his encounters with notable artists and musicians. In particular, Jones examines his ambivalent attraction to avant-garde modernism, which he finds liberating but also limiting in its disregard for audience response. As he strives to make his work more personal and broadly engaging, especially to an elusive African American audience, Jones—who is still drawn to the avant-garde—wrestles with questions of how an artist can remain true to himself while still caring about the popular reception of his work. A provocative meditation on the demands and rewards of artistic creation, Story/Time is an inspiring and enlightening portrait of the life and work of one of the great artists of our time.