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On April 15, 1920, Parmenter, a paymaster, and Berardelli, his guard, were fired upon and killed. Sacco and Vanzetti were charged on May 5, 1920, with the crime of the murders, were indicted on September 14, 1920, and put to trial May 31, 1921, at Dedham, Norfolk County, Massachusetts. compare pages [3]-8.
Nicola Sacco and Bartolomeo Vanzetti were Italian immigrants and they were anarchists. Were these their only crimes? Or did they really murder a factory paymaster and his guard in Braintree, Massachusetts, in April 1920? Seven years later, they were both put to death in the electric chair, and the thousands of mourners who followed their funeral cortege thought that they were victims of prejudice. Were they merely killers? In Sacco and Vanzetti, the latest addition to "New England Remembers" series, Eli C. Bortman decodes one of the most fascinating murder cases in New England history. And he considers the significance of a case that continues to cause controversy. Vanzetti believed that he and Sacco were not dying in vain-that their execution would trigger an international revolt of anarchists. This did not happen, but the shock waves continue to reverberate.
This is an illustrated "graphic history" based on an 1876 court transcript of a West African woman named Abina, who was wrongfully enslaved and took her case to court. The main scenes of the story take place in the courtroom, where Abina strives to convince a series of "important men"--A British judge, two Euro-African attorneys, a wealthy African country "gentleman," and a jury of local leaders --that her rights matter.--Publisher description.
What began as the obscure local case of two Italian immigrant anarchists accused of robbery and murder flared into an unprecedented political and legal scandal as the perception grew that their conviction was a judicial travesty and their execution a political murder. This book is the first to reveal the full national and international scope of the Sacco-Vanzetti affair, uncovering how and why the two men became the center of a global cause celebre that shook public opinion and transformed America's relationship with the world. Drawing on extensive research on two continents, and written with verve, this book connects the Sacco-Vanzetti affair to the most polarizing political and social concerns of its era. Moshik Temkin contends that the worldwide attention to the case was generated not only by the conviction that innocent men had been condemned for their radical politics and ethnic origins but also as part of a reaction to U.S. global supremacy and isolationism after World War I. The author further argues that the international protest, which helped make Sacco and Vanzetti famous men, ultimately provoked their executions. The book concludes by investigating the affair's enduring repercussions and what they reveal about global political action, terrorism, jingoism, xenophobia, and the politics of our own time.
An anecdotal history of the progressive movements that have shaped the growth of the United States, and the songs that have accompanied and defined them
Here in their own words are Frederick Douglass, George Jackson, Chief Joseph, Martin Luther King Jr., Plough Jogger, Sacco and Vanzetti, Patti Smith, Bruce Springsteen, Mark Twain, and Malcolm X, to name just a few of the hundreds of voices that appear in Voices of a People's History of the United States, edited by Howard Zinn and Anthony Arnove. Paralleling the twenty-four chapters of Zinn's A People's History of the United States, Voices of a People’s History is the long-awaited companion volume to the national bestseller. For Voices, Zinn and Arnove have selected testimonies to living history—speeches, letters, poems, songs—left by the people who make history happen but who usually are left out of history books—women, workers, nonwhites. Zinn has written short introductions to the texts, which range in length from letters or poems of less than a page to entire speeches and essays that run several pages. Voices of a People’s History is a symphony of our nation’s original voices, rich in ideas and actions, the embodiment of the power of civil disobedience and dissent wherein lies our nation’s true spirit of defiance and resilience.
Winner of the Oklahoma Book Award and the Deems Taylor ASCAP Award for Best Folk, Pop, or Jazz Biography "A beautiful job…In exploring the nuances of Guthrie's work, Cray's exacting style is pitch-perfect." —Los Angeles Times Book Review A patriot and a political radical, Woody Guthrie captured the spirit of his times in his enduring songs. He was marked by the FBI as a subversive. He lived in fear of the fatal fires that stalked his family and of the mental illness that snared his mother. At forty-two, he was cruelly silenced by Huntington’s disease. Ed Cray, the first biographer to be granted access to the Woody Guthrie Archive, has created a haunting portrait of an American who profoundly influenced Pete Seeger, Bob Dylan, Bruce Springsteen, and American popular music itself.
This long-overdue collection, which gathers together more than two hundred poems written over a span of six decades, along with an extended biographical analysis by Fred Whitehead, permits a comprehensive assessment of the work of a man Thomas McGrath described as "one of the very best of the revolutionary poets." Don Gordon made his name in the 1930s as a passionate and outspoken political poet, his work being published in the most prestigious American journals. In spite of his growing literary reputation he was called before the Un-American Activities Committee of the U.S. House or Representatives in September, 1951. Due to his openly communist views and his reluctance to give the committee names of fellow radical writers, Gordon was blacklisted from employment in the film industry. He devoted his time to writing poems, despite the difficulty of finding a wide audience for them. Many of Gordon's poems are suffused with themes of revolution and political activism, but this collection showcases the breadth of the subjects he addressed in his sixty years of writing, expressed with a rigorous aesthetic sensibility in a style that incorporates diverse influences, including modernism and surrealism. "Don Gordon is great," Meridel LeSueur wrote, "because he shows the vigorous and wondrous strength of the people." With this complete collection of his poems, readers can at last experience the full range of this vigorous and challenging writer.