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This biography marks the 70th anniversary of the end of World War 1 and Wilfred Owen's death. It is an account of Owen's life from his childhood spent in the back streets of Birkenhead and Shrewsbury to the appalling months in the trenches, but it is also a poet's enquiry into the workings of a poet's mind.
Reproduction of the original: Ballads of Peace in War by Michael Earls
Bruccoli Great War Collection at the University of South Carolina: An Illustrated Catalogue provides a reference tool for the study of one of the great watershed moments in history on both sides of the Atlantic serving historians, researchers, and collectors.
In the preparation of these volumes there has been no attempt at completeness. The literature from which the materials are drawn is much too vast to be compressed into two little volumes like these. The aim has been simply to make the collection fairly representative in character, and to include in it those pieces relating to our several wars which best reflect the spirit of the times that produced them. The work of selection in such a case must always be difficult and the result more or less unsatisfactory. There are many reasons for this, some of which no one who has not undertaken a task of this kind can fully appreciate. There is no fixed standard of judgment by which to make a certainly just comparative estimate of the quality of several poems, some of which must be taken and the others left. Merit, in the case of war poems, is the composite result of so many different things that no criticism can hope to make an entirely satisfactory qualitative analysis of such literature. The poetic quality of some pieces entitles them to editorial acceptance, quite irrespective of other considerations, while there are other pieces having very little poetic quality, or none at all, whose claim to consideration on other grounds is incontestable. Mr. Stedman's "Wanted—A Man," Mr. William Winter's exquisitely tender poem "After All," Miss Osgood's "Driving Home the Cows," and Mr. George Parsons Lathrop's "Keenan's Charge," may serve as examples of pieces which no editor with the least capacity of poetic appreciation would hesitate to include in such a collection on the ground of merit even if their character were somewhat at variance, as in this case it is not, with the scheme of the collection. On the other hand there are such things as "Three Hundred Thousand More," several of the rude songs of the war of 1812, and many other pieces, which make equally imperative claims to favor on grounds that have no relation to the question of poetic merit. The song concerning the "Constitution and Guerrière," for example, is very nearly as destitute of poetic quality as metrical writing can be, and yet no editor of a collection like this would think of omitting a piece that had for so many years stirred the hearts of patriots and moved them to rejoice in the achievements of their country's heroes. The complex nature of the considerations that must determine the choice of poems for inclusion is but one of several difficulties encountered in the execution of such a task as this. In any event, many things must be omitted which merit insertion, and the reader who misses a favorite piece is prompt to point to others which seem to him less worthy, and to ask why these were not made to give place to the one omitted. There are three answers to be made to the challenge of such a reader: first, that his judgment in the matter may be wrong; second, that the editor, being human, may have erred in his choice; and third, that in a collection intended to be broadly representative rather than complete, preference must sometimes be given to the less worthy piece which happens to reflect some phase of sentiment not otherwise presented, even at the cost of sacrificing the worthier one which illustrates aspects otherwise sufficiently shown.
The dramatic life of Vietnam War hero Roy Benavidez, a Mexican American Green Beret from a working-class family with deep roots in Texas, revealing how Hispanic Americans have long shaped US history In May 1968, while serving in Vietnam, Master Sergeant Roy Benavidez led the rescue of a reconnaissance team surrounded by hundreds of enemy soldiers. He saved the lives of at least eight of his comrades that day in a remarkable act of valor that left him permanently disabled. Awarded the Medal of Honor after a yearslong campaign, Benavidez became a highly sought-after public speaker, a living symbol of military heroism, and one of the country’s most prominent Latinos. Now, historian William Sturkey tells Benavidez’s life story in full for the first time. Growing up in Jim Crow–era Texas, Benavidez was scorned as “Mexican” despite his family’s deep roots in the state. He escaped poverty by enlisting in a desegregating military and was first deployed amid the global upheavals of the 1950s. Even after receiving the Medal of Honor, Benavidez was forced to fight for disability benefits amid Reagan-era cutbacks. An unwavering patriot alternately celebrated and snubbed by the country he loved, Benavidez embodied many of the contradictions inherent in twentieth-century Latino life. The Ballad of Roy Benavidez places that experience firmly at the heart of the American story.
When the world feels chaotic, find peace within through an accessible mindfulness practice from the bestselling picture-book dream team that brought us I Am Yoga. Express emotions through direct speech. Find empathy through imagination. Connect with the earth. Wonder at the beauty of the natural world. Breathe, taste, smell, touch, and be present. Perfect for the classroom or for bedtime, Susan Verde’s gentle, concrete narration and Peter H. Reynolds’s expressive watercolor illustrations bring the tenets of mindfulness to a kid-friendly level. Featuring an author’s note about the importance of mindfulness and a guided meditation for children, I Am Peace will help readers of all ages feel grounded and restored.
As well as the name of a virus, a corona is a crown, the pearly glow around the sun in certain astronomical conditions and a poetic form where interlinking lines connect a sequence. It is the perfect name therefore for this new collection of 150 poems by the bestselling poet Malcolm Guite, each one written in response to the Bible’s 150 psalms as they appear in William Coverdale’s timeless translation. The Psalms express every human emotion with disarming honesty, as anger and thankfulness alike are directed at God. All of life is here with its moments of beauty and its times of despair and shame. Like the Psalms themselves, the poems do not avoid the cursing and glorying over the downfall of your enemies, but wrestle honestly with them as we do when we come to say them.
Nathaniel Bloomfield's 'An Essay on War, in Blank Verse; Honington Green, a Ballad; the Culprit, an Elegy; and Other Poems' is a poignant collection that delves into the complex facets of war, reflecting the author's deep contemplations on humanity and conflict. Written in blank verse, Bloomfield's poems are characterized by their lyrical and emotive style, bringing to life the harrowing experiences of war and the profound impact it has on individuals and society. The inclusion of 'Honington Green, a Ballad' and 'The Culprit, an Elegy' adds depth to the collection, showcasing Bloomfield's versatility and range as a poet. Set against the backdrop of the Romantic era, Bloomfield's work is a significant contribution to the literary discourse on war and human suffering. Nathaniel Bloomfield, a poet known for his introspective and thought-provoking verses, was deeply influenced by the turbulent political and social climate of his time, leading him to explore themes of conflict, morality, and human nature in his poetry. 'An Essay on War' stands as a testament to Bloomfield's poetic skill and his commitment to addressing important societal issues through his art. I highly recommend this collection to readers interested in exploring the complexities of war and its profound impact on the human experience.