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Real musicians don’t sign autographs, date models, or fly in private jets. They spend their lives in practice rooms and basement clubs or toiling in the obscurity of coffee-shop gigs, casino jobs, and the European festival circuit. The ten linked stories in Power Ballads are devoted to this unheard virtuoso: the working musician. From the wings of sold-out arenas to hip-hop studios to polka bars, these stories are born out of a nocturnal world where music is often simply work, but also where it can, in rare moments, become a source of grace and transcendence, speaking about the things we never seem to say to each other. A skilled but snobby jazz drummer joins a costumed heavy metal band to pay his rent. A country singer tries to turn her brutal past into a successful career. A vengeful rock critic reenters the life of an emerging singer-songwriter, bent on wreaking havoc. The characters in Power Ballads—aging head-bangers, jobbers, techno DJs, groupies, and the occasional rock star (and those who have to live with them)—need music to survive, yet find themselves lost when the last note is played, the lights go up, and it’s time to return to regular life. By turns melancholy and hilarious, Power Ballads is not only a deeply felt look at the lives of musicians but also an exploration of the secret music that plays inside us all.
In Book Three of BJ Hoff’s bestselling Emerald Ballad saga set near the middle of the 19th century, Irish patriot Morgan Fitzgerald, felled by a gunman’s bullet, strives to restore his life and reclaim his future. But even as he takes steps to provide a home for Belfast orphan Annie Delaney and nurture his love for the beautiful, mute Finola, he finds himself again locked in a fierce battle with the powers of darkness. In America, Morgan’s friends Michael Burke and Nora Whittaker discover that the “Land of Opportunity” also teems with poverty, injustice, and corruption. From the opulence of Fifth Avenue to the squalor of the city’s slums, he fights against not only the evil running riot through the streets, but the immoral schemes of an old enemy bent on destroying Michael, the woman he loves, and his only son. Readers will be mesmerized by a drama that spans an ocean, taking them on a journey of faith and love that encompasses the dreams of an entire people seeking not only survival, but a land of hope where they can live in freedom and peace. About This Series: BJ Hoff’s Emerald Ballad series was one of the most memorable series published in the 1990s. With combined sales of 300,000 copies, these beloved books found a place in the hearts of BJ’s many fans. Now redesigned and freshly covered the saga is available again to a new generation of readers—and BJ’s many new fans due to her highly successful Amish series, The Riverhaven Years—The Emerald Ballad series will once again find an enthusiastic audience.
What hopes do you have for the future? Who do you long to become? This empowering book encourages young girls to become leaders unafraid to stand up for themselves and others. The world’s been waiting for them, and there’s so much to discover! Warm, loving rhymes and tenderly detailed illustrations help readers imagine the thousands of adventures up ahead. Each new day is a chance to become a keeper of kindness and a champion of change, an imaginative explorer who listens well and speaks the truth. A perfect gift for baby showers, graduations, and other celebrations, Dreams for Our Daughters is a book girls will treasure throughout their lives.
James Morgan’s gift for music has attracted Nuala, a soul-snatching faerie who feeds on the creative energies of exceptional humans until they die. While collaborating on a musical composition, James and Nuala unexpectedly fall in love. When James realizes that Nuala is being hunted, he plunges into a soul-scorching battle with the Faerie Queen.
(Piano/Vocal/Guitar Artist Songbook). Assembles 14 smash hits from this mystical singer/songwriter's solo career, as well as her days fronting Fleetwood Mac: Bella Donna * Edge of Seventeen * If Anyone Falls * Landslide * Leather and Lace * Rhiannon * Sorcerer * Stand Back * Stop Draggin' My Heart Around * Talk to Me * more.
During the American Civil War, songs united and inspired people on both sides. The North had a well-established music publishing industry when the war broke out, but the South had no such industry. The importance of music as an expression of the South's beliefs was obvious; as one music publisher said, "The South must not only fight her own battles but sing her own songs and dance to music composed by her own children." Southern entrepreneurs quickly rose to the challenge. This reference book is distinguished by three major differences from previously published works. First, it lists sheet music that is no longer extant (and listed nowhere else). Second, it gives complete lyrics for all extant songs, a rich source for researchers. And third, a brief historical background has been provided for many of the songs. Each entry provides as much of the following as possible (staying faithful to the typography of each title page): the title as published, names of all lyricists, composers and publishers; dates of publication; cities of publication; and if applicable, the names of catalogs or magazines in which the song appeared. Music published in Southern cities under Federal occupation is excluded.
Time Out of Mind is one of the most ambitious, complex, and provocative albums of Bob Dylan’s distinguished artistic career. The present book interprets the songs recorded for Time Out of Mind as a series of dreams by a single singer/dreamer. These dreams overlap and intermingle, but three primary levels of meaning emerge. On one level, the singer/dreamer envisions himself as a killer awaiting execution for killing his lover. On another level, the song-cycle functions as religious allegory, dramatizing the protagonist’s relentless struggles with his lover as a battle between spirit and flesh, earth and heaven, salvation and damnation. On still another level, Time Out of Mind is a meditation on American slavery and racism, Dylan’s most personal encounter with the subject, but one tangled up in associations with the minstrelsy tradition and debates surrounding cultural appropriation. Time Out of Mind marks the culmination of several recurring themes that have preoccupied Dylan for decades, and it serves as a pivotal turning point toward his late renaissance in terms of both subject matter and intertextual approach.