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Bronislaw Maliniowski claimed in his monograph Argonauts of the Western Pacific that to approach the goal of ethnographic field-work, requires a "collection of ethnographic statements, characteristic narratives, typical utterances, items of folk-lore and magical formulae ... as a corpus inscriptionum, as documents of native mentality". This book finally meets Malinowski's demand. Based on more than 40 months of field research the author presents, documents and illustrates the Trobriand Islanders' own indigenous typology of text categories or genres, covering the spectrum from ditties children chant while spinning a top, to gossip, songs, tales, and myths. The typology is based on Kilivila metalinguistic terms for these genres, and considers the relationship they have with registers or varieties which are also metalinguistically distinguished by the native speakers of this language. Rooted in the 'ethnography of speaking' paradigm and in the 'anthropological linguistics/linguistic anthropology' approach, the book highlights the relevance of genres for researching the role of language, culture and cognition in social interaction, and demonstrates the importance of understanding genres for achieving linguistic and cultural competence. In addition to the data presented in the book, its readers have the opportunity to access the original audio- and video-data presented via the internet on a special website, which mirrors the structure of the book. Thus, the reader can check the transcriptions against the original data recordings. This makes the volume particularly valuable for teaching purposes in (general, Austronesian/ Oceanic, documentary, and anthropological) linguistics and ethnology.
IMAGINATION DRIFT: THE CHALLENGE FOR FREEDOM is the second part of a trilogy. The satiric story continues with Zalador, in his quest to secure a place on the Supreme Council, must fulfil the requirements of a wish. The acceptance as a member of the Council means that the lion is given cosmic freedom; a release from the limits of his stay as an entity on the dry and dusty plains of his former Kingdom. In the first part of the trilogy, IMAGINATION DRIFT: A PRINCE FOR THREE DAYS Zalador’s attempt ends in the death of his wish-partner, Malcolm; but through an appeal he is given a second chance to complete the requirements to enter the Supreme Council. While Zalador has to select a new wish partner; he is given the additional task of assisting a young lion, the Major, in finding a wish-partner to achieve the requirements of the wish. The Major, a lion from the Urban Display Arena (the zoo), is arrogant and constantly reminds Zalador of his contacts on the Supreme Council; that he is sure to be selected; that he is chosen one. To Zalador dismay he has no contacts on the Supreme Council. The difficulty is that there are two lions competing for a single position on Council and the benefits from the galactic freedom. Both are aspiring to achieve a release from the earth-bound gravity and this creates the challenge. Zalador is suspicious of the Major’s intentions but is in the compromised position of assisting his competitor. This results in each picking on the weakness of the other to demoralize the competitor out of contention. The journey takes Zalador and the Major with the wish Partners, Princess and Sta, in and out of Paradise and the visit to a new Homeland. IMAGINATION DRIFT: A CHALLENGE FOR FREEDOM expresses human- people interactions and behaviors through animal perspectives.
It is a series of stories that most of them contain love, romance, adventure and tragedy.
A Literary mirror is the first English-language work to comprehensively analyse Indonesian-language literature from Bali from a literary and cultural viewpoint. It covers the period from 1920 to 2000. This is an extremely rich field for research into the ways Balinese view their culture and how they respond to external cultural forces. This work complements the large number of existing studies of Bali and its history, anthropology, traditional literature, and the performing arts. A Literary Mirror is an invaluable resource for those researching twentieth-century Balinese authors who wrote in Indonesian. Until now, such writers have received very little attention in the existing literature. An appendix gives short biographical details of many significant writers and lists their work.