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In her first collection of published poetry, Megan Miller gives voice to her feelings and fears as well as her hopes and her dreams. Readers are offered a glimpse of the emotional journey she has taken over the last four years in which she learned the importance of loving, learning, growing, and knowing. Expressing herself freely through her writing has helped her deal with the many challenges she has encountered. Her experiences have given her a personal understanding of how her world works and she hopes to pass along what she has discovered to others through her poetry. Megan believes everyone can find their own outlet to achieve strength and balance in their lives. She found hers through the poems she wrote in this book and perhaps you will too.
Purchase Book of Indian & New Literatures in English Book in English Language of B.A. 6th Semester for all U.P. State Universities Common Minimum Syllabus as per NEP. Published By Thakur Publication.
This book investigates the ways in which poets have exploited the resources of the language as a spoken medium - its characteristic rhythms, its phonetic qualities, its deployment of syntax - to write verse that continues to move and delight.
Fixed in diction and form, the tradition of ethnographical prose extends from fifth-century Greece through all of Latin literature. Issues such as situation, climate and fertility have a direct effect on the social and ethical status of a land's inhabitants, and it is this uniformity of purpose that motivates the strictly formulaic nature of ethnographical texts. In this volume, Professor Thomas examines the influence of that tradition on the poetry of Virgil, Horace and Lucan. At their hands it emerges as a vehicle for the expression of attitudes not only towards civilized Italian society, but also to landscapes and environments which are largely their own poetic creations, and which are to be viewed in contrast to the world of Rome. The work concludes with an examination of Tacitus' place both in the acknowledged prose tradition, and in the more allusive poetic tradition which this study has detected.
Do we want to read poetry, or just like having a few poets to talk about?The history of poetry in twentieth-century Britain and Ireland is one which ends with the assimilation of successful poets into a media culture; it is also, however, another history, one of form and authority, in which certain poets found modes and pitches of resistance to the seeminginevitabilities of their times. In this history, it is the authority of poetry (and not the media-processed poet) which is at stake in the integrity of poetic form.Serious Poetry: Form and Authority from Yeats to Hill offers a controversial reading of twentieth-century British and Irish poetry centred on six figures, all of whom are critics as well as poets: W. B. Yeats, T. S. Eliot, W. H. Auden, Louis MacNeice, Seamus Heaney, and Geoffrey Hill. Yeats'scentrality to twentieth-century poetry - and the problem many poets and critics had, or still have, with that centrality - is a major focus of the book. Serious Poetry argues that it is in the strengths, possibilities, perplexities, and certainties of the poetic form that poetry's authority in adistrustful cultural climate remains most seriously alive.
Contents: Preface; Acknowledgements; Introduction; Yeats's Life; A Brief Outline of Irish History; A Note on the Text; A Note on the Spelling of Gaelic Names; General Commentary; Brief Notes on Style and Metre; Symbolism: The DanceróThe SwanóThe ToweróThe Gyre; Magic, Myth and Legend; Nationalism and Politics; The Poet's Vision; History and Civilization; People; Places; Summaries; Summaries and Commentaries on Single Poems and Summaries of the Poetry Collections 1889-1939 as listed in Collected Poems; Suggestions for Further Reading; Title Index of Poems Summarized; Index of First Lines of Poems Summarized; General Index.
In The Veiled Mirror and the Woman Poet, Elizabeth Dodd explores the lives and work of four women poets of the twentieth century - H. D., Louise Bogan, Elizabeth Bishop, and Louise Gluck. Dodd argues that sexist and male-dominated cultural forces in their personal and professional lives challenged these women to find a unique mode of expression in their poetry, a practice Dodd defines as personal classicism. Dodd uses the term personal classicism to examine modern and contemporary poetry that appears torn between two major modes of poetic sensibility, the Romantic and the Classical. While the four poets she addresses exhibit a poetic sensibility that is primarily Romantic - valuing Wordsworth's "spontaneous overflow of powerful feelings"; adopting a natural, spoken tone; and relying on personal subject matter - they have nonetheless employed masking and controlling strategies that are more nearly Classical. Combining feminist theory and biographical studies with close readings of individual poems, Dodd moves historically from H. D., one of the best-known Imagists, through the Confessional movement, to the major contemporary poet Louise Gluck. In the final chapter Dodd brings us to the present, where she finds women writers still struggling with the recent Confessional legacy of such highly anthologized poets as Anne Sexton and Sylvia Plath. The Veiled Mirror and the Woman Poet combines thoughtful consideration of both formal and theoretical issues in a graceful prose that reaffirms poetry as an art vitally connected to life. It will be of significant interest to students of modern and contemporary poetry, as well as to those concerned with women's studies.
This 1971 text is the second of a three-volume commentary on Horace's literary epistles. The core of the book is a critical text of the Ars Poetica with a commentary on the poem. The complete three-volume commentary constitutes one of the fullest on Horace's critical writing.